Recalling the press conference that was released on the shortlist of the "International New Directors Competition" at the Taipei Film Festival that day, under the introduction of the filmmaker Sun Zongxi, there was a short but happy conversation with Huang Xi, one of the only Taiwanese directors who was shortlisted. Her finalist work, Johnny. "Keck", the phrase by Hou Hsiao-hsien said: "It is the first time that after the director of Yang Dechang, he shot the city's work for the first time." I was troubled by the fact that my ability to be versatile in social activities in the past did not work smoothly. The head flashed over the name of a friend who was also working at Hou Hsiao-hsien’s director company. He randomly asked, “Do you know xxx?” Huang Xi and Zong Yi said in unison: “Know!” The three laughed out Suddenly, I feel that the accumulation of the past has come in handy.
"Johnny. Keck"|Huang Xi|2017 Taipei Film Festival "International New Director Competition" shortlisted
Director Huang Xi's first feature film "Johnny Keck" was created by Hou Hsiao-hsien's director, and Hou Dao personally supervised, Yao Hongyi photography, Lin Qiang and Xu Zhiyuan scored. Through the three lonely souls and delicate emotional descriptions, the contemporary pulsation and loss in the eyes of young creators are presented. The three roles of Ke Yulun, Reima Xidan and Huang Yuan are drifting on the daily and full of coincidence and coincidence, weaving the intertwined moments between people.
The so-called "accumulation in the past", the vernacular point is that it is a strange hobby that you love to collect "people." Famous or unknown, as long as you study the work or appreciate it, you will find a way to pull into Polysh, let them become a team or introduce through the article, to write and screen to let you know. In the film industry, I also know a few talented or experienced creators who are gradually becoming the nutrients of Polysh in various ways. Looking back at Polysh's first film-related article was at the end of 2015, and Sun Zongxi, who had just removed the identity of Maison Motion's Meisheng International Film Director, wrote the guide "Nuhuo Border". Compared to other Polysh themes (lifestyle, architecture, design, art, etc.), the film is relatively young and late for us to develop on the website. During this period, we have joined many excellent writers who volunteered to write movies. The pure love of movies, some of them study movies themselves, some are struggling in the film and performing arts industries; our exploration in the film is still a long way from experience, but we are working hard.
"The Funeral of Rose"|Shomoto Junfu|2017 Taipei Film Festival "Classic Reproduction"
Director Matsumoto, who died in April this year, 1969 Japanese comrades in the year
This theme has not been developed for more than two years. It has received news from filmmakers or special invitations, invitations to film festivals, etc.; consciously, in film exploration, regardless of the amount of space or experience, there is still room for improvement, but still receive these affirmations, but the heart is nervous but Full of joy. Therefore, this time I learned that I would like to cooperate with this year's Taipei Film Festival. My heart is a huge question to myself: "Do we make interesting, diverse and deep-cut plans?" (After all, I did have some hard work before.) The plan is a case of high and low.) As far as I am concerned, I am a little bit horrified at the heart of the pen-taught movie; the essays after watching the movie, once again watched, even if they are still intimate, will find that the pattern is not comprehensive or flawed. It's not the subject that I'm good at. I only participated in two film joint writings on Polysh, and it is an interview with the filmmakers themselves (by the way, I revisit these two articles: interviews with Gui Lunmei and Lu Yijing.Debussy ForestInterview with Zhao DejunGoodbye Wacheng).
"Goodbye to the South, Southland》| Hou Hsiao-hsien|2017 Taipei Film Festival "The film is happening"
Saying goodbye to the historical exploration of the "Taiwan Trilogy", Hou Hsiao-hsien officially entered the modern era, showing the gorgeous, grassy, and violent end of the century through several ruthless states of life. Lin Qiang is not only enchanted by the enchanting performance, but also with the industrial noise and anger of "self-destruction", which perfectly fits the boiling arrogance of the character body. How rich is the wild taste? Coppola said that like a dream, Bi Wei must agree. With the "people coming from the wind cabinet", "sea flowers" juxtaposed with the best choice of self-selection.
However, I borrowed the line "I and my Champion Daughter" that is currently being released: "Before the game, we must overcome the fear first." This is Polysh's own challenge and also our own game. "The key is just a little bit." Crazy, think ofThe one that "Le Loves You More" Audition (The Fools Who Dream) I sang like this (by the way, I pushed this to make me admire the five bodies and talk about it."Le Loves You More"Image tribute). after all,The film focuses on the story of a certain period of time in life. In real life, we are like walking in the frame, silently chewing on the lines of the heart; whether it is whimsy, reality or surreal on the screen, the figures we watch and look for are all in life. Yourself.
"The Kingdom under the Eagle's Claw"|Mikhail RED|2017 Taipei Film Festival "The Current Situation of Contemporary Movies"
The farm girl Maya mistakenly smashed the ground and hunted the endangered Filipino eagle, which also brought a series of luck to her and her dependent father. At the same time, the young policeman was ordered to stop tracing a mysterious bus disappearance and switch to arrest Maya and her father. The two cases seem to have nothing to do but are faintly connected. The film is the second work of Mikhail Red, the new director of the Philippines. The plot is compact and carries the type elements without losing political depth.
"I am waiting for the valley of Atlas"|Oliver Laxe|2017 Taipei Film Festival "International New Director Competition" shortlisted
Director Oliver Laxe broke the question in the way of ordinary road films. The two gangsters fulfilled the wish of returning to the destination. The film combines the African folk beliefs and the narratives of Islamic religious views, and won the Chou Awards at the Cannes Film Festival International Film Critics.
Dear Big Elephant | Chen Jingyin | 2017 Taipei Film Festival "International New Director Competition" shortlisted
The middle-aged architect encountered a bottleneck in life and was dismissed by his wife at home. The company opened the rabbit and killed the dog. Unemployed, he looked back on the streets of Bangkok, glimpsed the elephant Pop Eye, recalled the happy childhood, resolutely bought the elephant, but found that the urban life could not accommodate them, and planned to return home with the old elephant all the way. This road trip between people and elephants, the situation is constantly on the way, fortunately the omnipotent elephant trunk leads them, accompanied by the scenery along the road. "Daddy is not at home" directed by Chen Zheyi, Abi Chabang used a splicing knife to watch Chen Jingyin, a talented female director who is good at dry and humorous, and used the elephant trunk to fight the middle-age crisis! Transforming the desolate landscape of the Thai countryside into a faint scent The song of the self-transformation of the rainbow.
"Singer Aber Say Goodbye"|Singing in Graveyards|2017 Taipei Film Festival "The Current Situation of Contemporary Movies"
Far away. "Editing murmur notes" originally wanted to share what the recent Polysh editors and writers were doing in an essay manner; during this period we received a lot of readers to ask Polysh who is "who" and thus This new series of thoughts (open the mystery to let you peek at the concept of a few eyes). Taking advantage of the first note, you may be able to look forward to a series of articles in the next Taipei Film Festival. In addition to the same film interviews, film or film introductions, and specific angle discussions, we are also thinking about special. Interesting themes (and possibly the entry point XD of the "side door"). This is the first way to share with you, and share with you some of the initial attentions in the current release of Bei Ying.