Writing the humanity's teasing with technology: "Path from G planning"

The kick-off, the light source comes from the mobile phone, the direction of light projection, is a semi-naked sleeping male body. Subsequently, the owner of the mobile phone brought a light bag - the bag was insignificant and less, and left.


"There is a kind of bird in the world that has no feet. It can only fly and fly all the time. When it is tired, it will sleep in the wind. This kind of bird will only go down once in a lifetime, and that time is the time of death." - "A Fei Zheng Chuan 》


This sentence is like the director Jérôme Reybaud's portrayal of the protagonist Pierre in The Path from G Plan. Symbolizing freedom, but also breaking the title "At the same time, we need to bear the "loneness" from freedom." Without leaving her boyfriend, Piye began to travel in a directionless road, relying on the positioning function of the friends, the roadside picnic, and the "desire"; the left-behind boyfriend also used the dating software to track away Go to Pie.


4 Days in France_2


The development of the story is natural, but it also carries an incredible fantasy. The so-called fantasy is not defined in "non-realistic", but rather "super-realistic." Out of the wandering, Piye attempted to deliberately not set goals. Although he did not say it, he was faintly able to piece together through the plot. He wanted to enjoy the "real freedom" in his heart. This road trip, with the French and Italian borders as the limit, he follows the friends of the friends and friends, facing up to the "sexual needs" of his heart, without any disguise; tired, just borrowing a bed for the night, every other day, Keep moving forward.


4 Days in France


"Desire" rather than simply "desire." What Pierre wants, the surface seems to be unable to rule out something other than "non-sex." As the journey freely radiates, it seems to be able to smell that he has more pursuits than "sex", vaguely emerging: this "freedom" is calmly placed in love, body and mind; he reflects on the way to the passengers and their respective The propositions of life, although they have the obligations and responsibilities that bind them, give them stability and protection. No one can clearly determine whether it is good or bad.


Tricky technology is provocative in the face of humanity, a fascinating "humor"

The dependence of modern society on science and technology sometimes exceeds our own imagination; through the lens of Jérôme Reybaud, we see our own funny, and also find the romantic face hidden behind the soft and hard body. Piye's boyfriend, relying on a lower body photo from a friend's software, recognized Piye, his face was a long-lost thought; Pierre and the unfamiliarity between several bed friends, the night's edge, but took up The agreement to send parcels to the gunners; the code of "too familiar can not make love", the owner of the bar mentioned this seemingly paradoxical, contradictory paradox... in the immersion in the modern technology network, the contradiction Familiar voices. While reflecting, I laughed unconsciously.


4 Days in France_3


As mentioned above, this film has sneaked a lot of humanity on the scientific side of Leng Bing; in other words, the "randomness" hidden inside, in addition to realistically presenting the "non-linear" of life, often does not follow the causal logic and enriches the sensibility. Romantic elements. Boldly adopting the "long lens" smooth movement, eliminating the sense of presence of the handheld camera, it seems cold but poetic, and even the most extreme limit of a mirror, just right! Adhering to the principle of going to the scene, the overall rhythm is full of charm, and the technical side is remarkable.


In particular, the arrangement of several games: the dream of sleeping in the Pied car, violently interpreting like a dream of a true boyfriend; when you are young, you secretly love Pied's tutor, forgetting masturbation, and entering the picture, it is difficult to define what is reality. A female passenger on the Alfa Romeo, after arriving at the destination, one person in the glass house, one person outside the glass house, one mirror, the picture is smooth, the focus and the movement of the characters, the light and dark realistic design, two The moving figure is delicately extended; between the rigid and the soft, the deployment is extremely appropriate.


4 Days in France_4


To set off on the journey, you have to undertake the "beauty and torture" on the way. This movie is like a one-sided two-side slowly diverging, and finally becomes a circle; you can find the casualness of "Spring Breeze", projected across the wall Face, two men lying under the hanging picture, hidden but wild erotic desire; can also see the creator's intention to give rational discussion, at the end of the film, do not want to tell Pierre Boyfriend, Pierre, the sudden netizen, the struggle on his face Difficult. Both rationality and sensibility are combined, humanity and technology are well explained, and they are all integrated into a journey of unplanned aircraft transportation.


If you can, freely, casually, even once, it is absolutely happy!

Written By
More from Ampang

A soft kidnapping from the family drama, eager for a moment of guitar and sound: "Lao Niang's family"

帶著些許躁動的鏡頭,引領觀眾的眼睛:一名中年婦女,樸素的沒有打扮,從一棟老房走出,買了份報,尋找租屋。揭開電影序幕的畫面,後勁強烈;當電影結束,可供回望。原來,這一次找屋的行動,是所有革命的開始。電影《老娘離家記》(My Happy Family)故事結構俐落,講述身為家中精神支柱的瑪娜娜,在 52 歲生日當天不留任何情面地宣告,自己籌劃許久的離家計畫。在親友連番的關心逼問之下,瑪娜娜總是淡淡地表示「我需要自己的生活」,如此而已。沒人相信。   由此,刻畫一個傳統印象中的「好母親」,在「離家一段距離後」,更看清家庭中的人際結構;透過他人對母親搬離目的的臆測,顯現「家」迸發了最基礎的「人際壓力」。     人為個體,需要專屬自我的私領域,卻矛盾地不甘寂寞,偶爾必要擁抱群眾。人和人組成團體,一旦進入團體,比較、壓力自然孕育而生,情感威脅,又或者,少數的思考常受多數壓抑,種種情況也不在話下。因此,個人、團體的欠缺與互補,經常拉扯,奠定了電影《老娘離家記》的基礎衝突。   《老娘離家記》將觀點座落在一個更為幽微的座標上:「家庭」。家,無論在東西方社會任何的分類底下,基本上都是被囊括在「團體」的象限裡,然而卻又獨特地存在著——因為在家庭這樣的組織裡,「血緣」串連的彼此,父母卻又來自不同的家庭,以「情感」為落實關係的依據,有時還將「法律」牽扯其中。所以,當有個人主義冒出頭時,常常會受到團體的軟性綁架,在思維、行動上造成某種程度的限制,更難說脫離就脫離,「剪不斷,理還亂」的十足應證。...
Read More