The creator picks up the film | "The movie, let my inner beast break free", musician flange

Flange, music creator, lead singer of the Frandé French Orchestra. The enchanting temperament in the character makes Frandé's music wandering in a foggy, unpredictable time and space. 

At the beginning of the 2018 Taipei Film Festival, Polysh invited several creators who love to watch movies in the fields of writing, music and performing arts to talk about their "movie love" and share how they "watch movies."

A soft and whispering whisper, the girl's heartbreak and fascination, like the overtones on the music sheet, the neon and the moonlight, reflecting the city's seemingly absurd, no name grief. The vocal line of the Flange singer's lead singer always makes me feel that it is liquid. It sounds soft and invisible, but it always covers the ears and the bottom of my heart. It makes the sorrow even sad, but it is also blurred. Such poetry is also damp; a first piece of work is ultimately a love song - a wet love song dedicated to the city and sensitive souls. The lyrics and melody of the resonance in the works fluctuate, and Frank said that it is deeply influenced by the plot transition and visual feeling in the film; she is also engaged in the film soundtrack cooperation recently, sharing with us how the film let her release and understand I am, and this year's Taipei Film Festival, there are several works she is looking forward to.

法蘭,音樂創作人,Frandé 法黛樂團主唱。性格中的詭魅氣息, 使 Frandé 的音樂飄蕩在一處看霧非霧、幽明不定的時空。 

Every time I dropped myself in the movie and went to another life from the perspective of the protagonist, after crying or laughing, I came out and felt more lonely and more understanding of myself. The feeling of being lonely and free, there is the ease, loneliness and happiness that can't be said.

法蘭,音樂創作人,Frandé 法黛樂團主唱。性格中的詭魅氣息, 使 Frandé 的音樂飄蕩在一處看霧非霧、幽明不定的時空。 

Flange, music creator, lead singer of the Frandé French Orchestra. The enchanting temperament in the character makes Frandé's music wandering in a foggy, unpredictable time and space. 

Every time I dropped myself in the movie and went to another life from the perspective of the protagonist, after crying or laughing, I came out and felt more lonely and more understanding of myself. The feeling of being lonely and free, there is the ease, loneliness and happiness that can't be said.

Flange, music creator, lead singer of the Frandé French Orchestra. The enchanting temperament in the character makes Frandé's music wandering in a foggy, unpredictable time and space. 

法蘭,音樂創作人,Frandé 法黛樂團主唱。性格中的詭魅氣息, 使 Frandé 的音樂飄蕩在一處看霧非霧、幽明不定的時空。 
Flange, music creator, lead singer of the Frandé French Orchestra. The enchanting temperament in the character makes Frandé's music wandering in a foggy, unpredictable time and space. 

Every time I dropped myself in the movie and went to another life from the perspective of the protagonist, after crying or laughing, I came out and felt more lonely and more understanding of myself. The feeling of being lonely and free, there is the ease, loneliness and happiness that can't be said.

"Movies, like music, are the medium that allows my beast to break free."

"I like to watch movies and prefer to go to the movies alone." The interview began with a direct and naked confession by Fran, showing the influence of the film on her, which even brought a movie to her "private." "I often feel that life is like a series of continuous animal training, taming with the inner beast, learning to be patient, understanding, and assimilation." The movie is likened to the moment of "letting your inner beast break free." Lan, the process allows a certain part of itself, even the unknown itself, to be released.

If there are various occurrences of reality, joys, sorrows, and frictions, it is a training process of growth and socialization. There are always some people who are eager to control, but they may have to be careful because of the expectations of others. The creator who wanders between the melody and undulations, the fringe counts the corners of his eyebrows in his life. "In the ordinary life, creating and producing, often pay attention to and measure many small details." Facing reality In her own way, she is also like you and me, more or less, or when there is repression. And "watching movies" - just because movies are the hard work and creation of others, "but instead investing in other people's creations, you can breathe in a big mouth, release the inner, feel amazed, let go of tears, or sleepwalking for a while, don't need to fear yourself. How deep is it." In the cycle of day-to-day, leaving it for a while, it seems that by always exploring the life of another person, "it can be truly in a state of being completely out of touch with people in real life." know yourself."

The process is not only emotionally resonating, "sometimes intoxicated, abandoning the process of self; sometimes learning." It triggers new thoughts and emotions, is transformed into its own nutrients, and even occasionally brought to France. Lan courage or encouragement. In terms of its own creation, the image and sound flow of 24 frames per second in the frame, its influence is invisibly projected on the bottom of the flange, becoming the way she expresses and explains the concept to others. "The scene or lens scheduling of a movie often becomes a way for me to explain the direction of a song to a member or partner. Later, I feel that it creates another difficulty (laughs)! Because of the film, video and lens language, it is another Hard learning.” I admit that I was deeply influenced by the visual feelings and plot transitions in the movie. “In the past, I was always jokes when I was interviewed.” I hope that there is a fog and a feeling of embarrassment. Then it seems to be far away. Illuminated the fire, the bigger the bigger, the more irrational requirements of "the sound of the stars", etc." Frank explained with a smile. According to his works, he can find out the clues in the gentle and sensitive narrative tone, or the ups and downs of the lyrics.

The moment of falling in love with the movie, "Dream"

When talking about the so-called "falling in love with movies", Flange was impressed by the "Dream" directed by Akira Kurosawa. In retrospect, it was actually when she was young and watched with the adults. "The first time was a bit ignorant. I don’t know if it’s “falling in love”, but the amazing feeling is indeed unprecedented. The fragment of “Fox Marrying Daughter” has brought me a strange feeling, and I have never been able to forget it until now.” With.

Such a surprise impression comes from the mysterious atmosphere in the movie "Fox Marrying Daughter", accompanied by quirky temperament sounds, and even with a "taboo"; "It is also a bit like listening to Massive Attack "Teardrop" for the first time in life. The sense of shock," Fran explained, "a first glimpse of the world in which you live, another world of different dimensions." As I grew older, I was still shocked and still deeply influential, even indirectly affecting the works of Fran. "I have never forgotten it. When we were doing the arrangement of Tautology, a few years ago, I mentioned it. This memory; I hope that the atmosphere of this picture and plot can help the members to imagine the direction of this song."

2018 works expected by the Taipei Film Festival

"Who Loves Him First"|Xu Yuting, Xu Zhiyan|2018 Taipei Film Festival "International New Director Competition" and "Taipei Film Award" were shortlisted. Liu Sanlian and her life are full of drama. Her son's comment: "It is a pity that she does not go to Hollywood!" Three years ago, her husband left home and her husband died 95 days ago. Liu Sanlian discovered the beneficiary of her husband's insurance, even from her son. It became a man named Ajie. Angry Liu Sanlian had to take her son and her Oscar-level acting skills to go straight to Ajie’s home and stage a tragedy of orphans and widows. But the man named Ajie had a sinister heart under the beautiful appearance. Even the dead skinned face was mad and stupid from the beginning to the end, so that Liu Sanlian of this side of justice was angry and collapsed, and he also robbed his husband’s insurance money!

 The first is "Who First Loves Him" ​​and "Sakamoto Ryuichi: The Final Chapter." Home-made comedy is one of the types I like very much. The Taiwanese work "Who loves him first" from the insurance claims is certainly not to be missed! And "Sakamoto Ryuichi: The Final Chapter", I have always liked the work of Sakamoto Ryuichi, and the recent "Furious" movie soundtrack is also his work.

"Sakamoto Ryuichi: The Final Chapter"|Stephen Nomura Schible|2018 Taipei Film Festival "Author's Perspective."Produced throughout the film with the latest album "async", this work with the spirit of the Russian director Tarkovsky, reflects the life view and musical beliefs of Sakamoto since the recovery of cancer. In the past five years of filming, the film presents the style change of Sakamoto Ryuichi's early to date, the interesting story of the soundtrack, and his Zen philosophical thinking; both to see and listen to how he re-sensing nature and finding the purest and eternal voice.

"Who Loves Him First"|Xu Yuting, Xu Zhiyan|2018 Taipei Film Festival "International New Director Competition" and "Taipei Film Award" were shortlisted. Liu Sanlian and her life are full of drama. Her son's comment: "It is a pity that she does not go to Hollywood!" Three years ago, her husband left home and her husband died 95 days ago. Liu Sanlian discovered the beneficiary of her husband's insurance, even from her son. It became a man named Ajie. Angry Liu Sanlian had to take her son and her Oscar-level acting skills to go straight to Ajie’s home and stage a tragedy of orphans and widows. But the man named Ajie had a sinister heart under the beautiful appearance. Even the dead skinned face was mad and stupid from the beginning to the end, so that Liu Sanlian of this side of justice was angry and collapsed, and he also robbed his husband’s insurance money!

 The first is "Who First Loves Him" ​​and "Sakamoto Ryuichi: The Final Chapter." Home-made comedy is one of the types I like very much. The Taiwanese work "Who loves him first" from the insurance claims is certainly not to be missed! And "Sakamoto Ryuichi: The Final Chapter", I have always liked the work of Sakamoto Ryuichi, and the recent "Furious" movie soundtrack is also his work.

"Sakamoto Ryuichi: The Final Chapter"|Stephen Nomura Schible|2018 Taipei Film Festival "Author's Perspective."Produced throughout the film with the latest album "async", this work with the spirit of the Russian director Tarkovsky, reflects the life view and musical beliefs of Sakamoto since the recovery of cancer. In the past five years of filming, the film presents the style change of Sakamoto Ryuichi's early to date, the interesting story of the soundtrack, and his Zen philosophical thinking; both to see and listen to how he re-sensing nature and finding the purest and eternal voice.

The second is a short film. Short film works are rarely seen in the commercial film ecology. In my impression, I often have a big suspense, or I am greatly scared by my life experience. The short films "No Life", "姊姊", and "The Taste of Fairy Grass" in this Taipei Film Festival are all works that I really want to see.

"silent"|Zhang Kaiwei, Li Yuanqiao|2018 Taipei Film Festival "Tomorrow. Taiwan" short film selection. The senior fire brigade came to the scene to deal with a serious car accident, a critical juncture between birth and death, face severe injuries without any identity documents, police officers who questioned the warning procedures, refused to express their first aid, and refused to challenge The medical staff of the hospital system insisted that the first aid is a continuation of precious life or atonement?

"姊姊"|阮凤仪|2018 Taipei Film Festival "Tomorrow. Taiwan" short film selection. In the United States in the 1990s, Xiao Yanfen, who was immigrant with his family, was eager to integrate into the new environment and was obsessed with the popular color butterfly hairpins among girls at that time. Liang Fen’s attachment to the butterfly hairpin is mixed with the disgust of the cheesy sister, which makes the implied tension of the mother and the daughter in the new life come to light.

"The taste of fairy grass"|Wu Yucheng|2018 Taipei Film Festival "Tomorrow. Taiwan" short film selection. In the summer afternoon, a pair of little brothers, after school, always pull the cart and sell the grass in the park. Business is a must, but the two brothers still laugh and play together. Until a guest put their photos online to share, the flame of love quickly opened. The fairy grass carts have long queues on the eve of the night, but they have caused the deterioration of friendship between the little brothers. The cruel capital game made a tearful mark on the childish smile early.

The second is a short film. Short film works are rarely seen in the commercial film ecology. In my impression, I often have a big suspense, or I am greatly scared by my life experience. The short films "No Life", "姊姊", and "The Taste of Fairy Grass" in this Taipei Film Festival are all works that I really want to see.

"silent"|Zhang Kaiwei, Li Yuanqiao|2018 Taipei Film Festival "Tomorrow. Taiwan" short film selection. The senior fire brigade came to the scene to deal with a serious car accident, a critical juncture between birth and death, face severe injuries without any identity documents, police officers who questioned the warning procedures, refused to express their first aid, and refused to challenge The medical staff of the hospital system insisted that the first aid is a continuation of precious life or atonement?

"姊姊"|阮凤仪|2018 Taipei Film Festival "Tomorrow. Taiwan" short film selection. In the United States in the 1990s, Xiao Yanfen, who was immigrant with his family, was eager to integrate into the new environment and was obsessed with the popular color butterfly hairpins among girls at that time. Liang Fen’s attachment to the butterfly hairpin is mixed with the disgust of the cheesy sister, which makes the implied tension of the mother and the daughter in the new life come to light.

"The taste of fairy grass"|Wu Yucheng|2018 Taipei Film Festival "Tomorrow. Taiwan" short film selection. In the summer afternoon, a pair of little brothers, after school, always pull the cart and sell the grass in the park. Business is a must, but the two brothers still laugh and play together. Until a guest put their photos online to share, the flame of love quickly opened. The fairy grass carts have long queues on the eve of the night, but they have caused the deterioration of friendship between the little brothers. The cruel capital game made a tearful mark on the childish smile early.

"Daydreaming Dreams Comes to Come" | Ikeda Xiao | 2018 Taipei Film Festival "Fantastic Story". The long-haired girl woke up at the seaside, and the back of her head was uncomfortable with the insects. She had to ask for an assistant. The curly boy woke up at home and made a go-to for the celebration of his wife's pregnancy. The short-haired girl woke up in the ugly voice and went home to find the blue-skin monster to enter the room. The three stories seem to be irrelevant, but they are intricately intertwined. Continued the cool tone of "Hipback Jumping Needle Jumping", Ikeda Xiao mixes Kafka and Alice in Wonderland to create a new psychedelic taste.

The third is "Daydreaming Touring Dreams Come to Come". The theme of reality and illusion is always interesting to me; although I feel strange, I am willing to go through it! Every time every time.

The third is "Daydreaming Touring Dreams Come to Come". The theme of reality and illusion is always interesting to me; although I feel strange, I am willing to go through it! Every time every time.

"Daydreaming Dreams Comes to Come" | Ikeda Xiao | 2018 Taipei Film Festival "Fantastic Story". The long-haired girl woke up at the seaside, and the back of her head was uncomfortable with the insects. She had to ask for an assistant. The curly boy woke up at home and made a go-to for the celebration of his wife's pregnancy. The short-haired girl woke up in the ugly voice and went home to find the blue-skin monster to enter the room. The three stories seem to be irrelevant, but they are intricately intertwined. Continued the cool tone of "Hipback Jumping Needle Jumping", Ikeda Xiao mixes Kafka and Alice in Wonderland to create a new psychedelic taste.

Finally, Fran talks about several recent film creators, in addition to last year's high-profile film "Blood Goddess of Mercy", "Director of the Big Buddha", director Yang Yajun and director Huang Xinyi, as well as American movie star Jessica Chastain. If you look at the movie musicians, you will appreciate Nils Frahm, a well-respected musician with a soundtrack. Of course, there are also two film masters, Sakamoto Ryuichi and Hans Zimmer, "Always!" With.

All Movie Images Courtesy of Taipei Film Festival.
Keep an eye out 2018 Taipei Film Festival.

 

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