The creator picks up the film | "After watching a movie, I get a huge soothing", actor Wen Yuling

At the beginning of the 2018 Taipei Film Festival, Polysh invited several creators who love to watch movies in the fields of writing, music and performing arts to talk about their "movie love" and share how they "watch movies." In the "Last Poetry", Li Xiaoping, who faces the struggle and helplessness of the contemporary youth, and dials his own self-disciplinary desires and emotions in the predicament; is in the "Blood Goddess of Mercy", with a girl's heart, a smile, a friend, but a love Perseverance to the almost simple Lin Biao; is the "Miracle's Daughter", full of sense of justice, has something to say, but does not consciously oppress Chen Yuxi who hurts dear people. The scene appeared in different frames, Wen Yuling's outlines in various movies and dramas were always clear; I don't know why, those unforgettable and impressive characters always have a tragic color. Known as a new generation of genius actors, she is unquestionable to perform her talents; however, thinking about the tragic color in the role, how to present the contradictions in three dimensions, but never to treat it in a flat and single way with the word "talent" . Interview with Yu Ling is like a brainstorming and challenging. Within an hour, I kept talking about the understanding and moving of the "film" media. She almost did her best to "consciously" go to the movies. As a result, it became clear that in addition to her talents, another part of the performance of the performance of the role, but also from her dedication, repeated from image thinking to their own creation, a serious collision spark; spark never burned Do, branded as the soul and flesh of the figure in the screen. At the age of 25, facing the world's curiosity with this age, the eagerness to eagerly casts on the face of the film – whether as an audience or as a performer. This time we talked to her about everything she wanted to share about the movie, and this year's Taipei Film Festival, there are several works she is looking forward to. Watching movies is an inspiration and nutrient, and it is a comfort to life. I remember that the director once said a word: "The film is a light in the dark. I have always been impressed by the meaning of it. It's like having a nightmare in the morning, or having a lot of unhappiness in life, but after watching a movie or watching a lot of movies intensively, you get a huge relief. Wen Yuling, Scorpio, O-type, track and field team, harmonica. Watching movies is an inspiration and nutrient, and it is a comfort to life. I remember that the director once said a word: "The film is a light in the dark. I have always been impressed by the meaning of it. It's like having a nightmare in the morning, or having a lot of unhappiness in life, but after watching a movie or watching a lot of movies intensively, you get a huge relief. Wen Yuling, Scorpio, O-type, track and field team, harmonica. Wen Yuling, Scorpio, O-type, track and field team, harmonica. Watching movies is an inspiration and nutrient, and it is a comfort to life. I remember that the director once said a word: "The film is a light in the dark. I have always been impressed by the meaning of it. It's like having a nightmare in the morning, or having a lot of unhappiness in life, but after watching a movie or watching a lot of movies intensively, you get a huge relief. "Inspired by the film, learn the feelings, get comforted, and then trigger thinking and self-discipline." It is not from the question and answer of the typical interview. Yu Ling thinks from the perspective of the filmmaker as a medium for the performance of the film. , positioning the film in the coordinates of her life. "Remember that in the Netflix album "The Madden Women's Prison", there is a paragraph about "Life" that is very good: people think that they live in such a world, get used to their homes, get used to eating, and get used to friends, family and pets around them. All the habits are actually a kind of non-stop "repetition"." In this repetition of the cycle, she consciously challenges the "taken for the sake of being". "As an actor, a creator, I feel that many things must always be I keep thinking of ways to "restart". Just like in life, I am still in the same place, or just staying in Taiwan; I want to go to the new destination from where I was. Because there are still many things in this world, I still don't understand it, and there are more experiences waiting for me to try." I know that the creative nutrients come from the accumulation of different stimuli in life, and the desire to change and try to drive myself, for Yu Ling, The "watching movie" is not a casual activity. "When watching a movie, you must remind your heart to feel or accept it," not only the vision but the The official is fully immersed in the frame. "From music, art, photography to plot, etc., try to get inspiration from different movies and learn the feelings." And the process of learning, Yu Ling laughed and said that I see myself through "one understanding my elders." "A process of knowing oneself from different angles. Like, when you start to discover a movie, you don't like it in some places, it may be a moral feeling or a work. The way it is presented, it may be reversed and negative. For example, the director is telling feminism, but you deeply feel that women are constantly being insulted in that film – and that’s how they look at things. To think and understand, "Why don't you like it," how does it feel from? - In fact, it is a process of dialectical and understanding of oneself." In addition to understanding yourself more, I will look at it from multiple angles. It is equally important for Yan Ling to put back the influence of the film on its own performance. Many unpleasant characters, even without good-hearted plot arrangements, sometimes blame the director for personal lack or deviation. "We should practice reading a movie in many ways. For my own sake, the public My impression is that I love life; but if I perform a role of animal cruelty, what is the reason for this?" Behind this unpleasant, even malicious plot, "because everyone feels shameful, bad, controversial I dare not say or do it, but maybe it is what really happened. If there is no such role or plot to present, is it that the representative is not seen, and people are lucky to think that it does not exist?" By interpreting similar roles Or participate in similar works, to speak for specific topics, to raise awareness of the discussion, but another meaning is gentle, "I think it is "find redemption"! Whether it is a reconciliation with a certain part, or some forgiveness My own process." This profound understanding comes from the ambassador of the Taipei Film Festival last year, and Yu Ling and his friends watched the classic reproduce Yuan Li, director Michael Haneke's "Big People". "Because my friends have different opinions and I don't like this movie, I am even angry when I read it, but my point of view is not the same entry point." She recalled, perhaps because of the cold and cold lens with no mercy. The plot makes people feel cold and ruthless, and even emphasizes "evil". It is both aggressive and provocative to the audience. "But I believe that Michael Haneke loves movies so much. His interpretation of human nature is actually in the world. There is "goodness". It is only that the way he watches "goodness" is to use "evil" to compare. If we don't discuss the darkness of human nature, it seems that there is no way to fully tell the bright side of human nature." "Happy People", Michael Haneke. This profound understanding comes from the role of the ambassador of the Taipei Film Festival last year. Yu Ling and his friends watched the classic re-enactment unit, director Michael Haneke's "Big People". "Because my friends have different opinions and I don't like this movie, I am even angry when I read it, but my point of view is not the same entry point." She recalled, perhaps because of the cold and cold lens with no mercy. The plot makes people feel cold and ruthless, and even emphasizes "evil". It is both aggressive and provocative to the audience. "But I believe that Michael Haneke loves movies so much. His interpretation of human nature is actually in the world. There is "goodness". It is only that the way he watches "goodness" is to use "evil" to compare. If we don't discuss the darkness of human nature, it seems that there is no way to fully explain the bright side of human nature." Because of this, " Watching movies by yourself is very important to Yan Ling. "When the masses are quick to be interested in one thing and then quickly feel it, they don't really understand themselves! I don't know what direction I am heading or what I really support. However, if I watch the process, I will not talk about myself. I will find that I tend to be certain subjects or feelings, which means that such things will stimulate myself." With a firm and even strong tone, she smiled and replied. Therefore, at this year's Taipei Film Festival, Yu Ling has watched many works alone, throwing himself into and enjoying it without any interference, and then depositing, digesting and thinking, and even this conversation. Even if it is sharp, it is full of opinions and strength. When I fell in love with movies, "Erga Variations" used to find inspiration in various creative media. From the time when Yu Ling was a child, "I liked comics and movies when I was a child, and even liked to go to a comic shop to work. At that time I thought I could I was the first to watch new comics and movie DVDs, and later discovered that employees can't borrow new movies (laughs). Since then, she has accumulated a lot of knowledge about movies. And when it comes to the moment when I really fell in love with the movie, "Probably the "European Variations" I saw when I was 16 years old, that film has been around for a while, and I like the director Lars von Trier because of this work." "It's hard to explain how it feels to me. In fact, the whole tone is very dark, and it is presented in the form of a stage play. When the story begins to come up in the middle and late stages, I clearly feel the feeling of "pain"." Yan Ling recalled, " Even if I feel "pain" deeply, "Erga Variations" opens my curiosity about the film. I started to think that watching movies is very interesting. So I became a fanatic moviemaker for a while." The habit of watching movies intensively, the film is much more interesting, and always encounters works that collide with other creative media, such as films adapted from novels, which also triggers the repetitive dialectic and reflection of Yu Ling in the image and in the plot. "Like the recent "Burning Love", the inspiration came from Haruki Murakami's "Burning Barn" in "Firefly", but basically the film and the book are two different contents. Later I went to see Murakami. Chunshu’s short stories seem to be accumulating, reviewing, and comprehending.” Talking about the spark of literature and film, Yu Ling is talking about it. Because of his study of Russian, he also spent a lot of effort on Russian films and literary works. Explore it. Film and literature have such appeal to me. I will fully believe in the world that the creator has made, and from a life of immutability, find a driving force that will keep me moving forward. "Russian well-known great writer Gogol, the work has always been very magical and realistic, like the story of getting up the nose the next day, running away from home, running on the road, etc., writing something full of imagination to make it difficult to use logic to infer. However, I went to Russia for ten months and found that Russians value the reality and don't trust the things about imagination. But even so, even if they don't really believe what he wrote, they still admire Gogol. Works. Reflected in their film works, there are also many Russian creators who continue to shoot imaginative works." And these imaginary worlds - whether they are played between frames or pages, "I actually believe These worlds also feel that these worlds have a certain meaning." 2018 Taipei Film Festival's expected work "Big Pepper Doctor" | Mizoguchi Kenji | 2018 Taipei Film Festival "Classic Reappearance". Pingzheng was demoted in violation of the imperial order to relieve the victims. His wife Yumu took his son, the cook, and his daughter, Anshou, but was deceived by the traffickers. The brothers and sisters were sold to the doctor...

Kyoto walk | Machiya, bath, old warehouse, the fascinating philosophy of life in the old building

Geisha, Tea Ceremony, Kinkakuji Temple and Ginkakuji Temple, or the infinitely overlooked Thousand Birds House, whenever you talk about the old city of Kyoto, these symbols of the symbolism of Japan are always emerging in your mind. From the walk of Shangjing to the vicinity of the Gion, try to find the veins of the former Nishijin textile industry in the Lanes, stop in front of the gorgeous murals of the Erzhimao Temple in Nijo Castle, or find the gorgeous figure of the geisha in the Gion. Considering the impression of the old city, it can't be cut with old buildings; the traditional Machiya, the public baths, and the old warehouses that weaved in the West, the old buildings still look like today. This time, the old building is used as a symbol to explore the life aesthetics of the new students. Editorial Haus MAGASINN (マガザン)| Staying at the hotel? No, staying at the first stop of a one-page/night magazine trip, I always want to rush to the hotel where I stayed, put down my luggage, and rush into the city to explore. However, Kyoto is such a city that is suitable for a slow pace. If there is an impatience, there will always be a subtle guilt. In the traditional street near Nijo Castle, this hostel called "Editorial Haus MAGASINN" stands, so that you won't be willing to leave just leaving your luggage, but willing to spend an afternoon or an evening. The naming is extended by the magazine "magazine" in English. Here, "magazine" is no longer an inspiration for stacking on paper sheets, but a space that can be felt and touched in three dimensions. Photography/ Nobutada Omote. Photography/ Nobutada Omote. The two-storey solitary Machiya house was originally a dairy house that manufactures and sells milk. Under the remodeling of the owner Iwasaki, or "editor", it is filled with new students. vitality. From the concept of operation to the vision of the store, Dafa also extends the method of “editing magazines” and curating. It only accepts 1 group of passengers per day (up to 6 people). Through the control of the number of residents, it provides more profound and exclusive travellers. Experience. Photography/ Nobutada Omote. Photography/ Nobutada Omote. Photography/ Nobutada Omote. I used to like reading magazines. The beauty of the magazine is that it can visualize the great or unknown things around you. "If you use a space to present, can you convey a more three-dimensional experience?" The idea is the beginning of this hostel. Photography/ Nobutada Omote. Photography/ Nobutada Omote. Photography/ Nobutada Omote. Photography/ Nobutada Omote....

The creator picks up the film | "The movie, let my inner beast break free", musician flange

At the beginning of the 2018 Taipei Film Festival, Polysh invited several creators who love to watch movies in the fields of writing, music and performing arts to talk about their "movie love" and share how they "watch movies." A soft and whispering whisper, the girl's heartbreak and fascination, like the overtones on the music sheet, the neon and the moonlight, reflecting the city's seemingly absurd, no name grief. The vocal line of the Flange singer's lead singer always makes me feel that it is liquid. It sounds soft and invisible, but it always covers the ears and the bottom of my heart. It makes the sorrow even sad, but it is also blurred. Such poetry is also damp; a first piece of work is ultimately a love song - a wet love song dedicated to the city and sensitive souls. The lyrics and melody of the resonance in the works fluctuate, and Frank said that it is deeply influenced by the plot transition and visual feeling in the film; she is also engaged in the film soundtrack cooperation recently, sharing with us how the film let her release and understand I am, and this year's Taipei Film Festival, there are several works she is looking forward to. Every time I dropped myself in the movie and went to another life from the perspective of the protagonist, after crying or laughing, I came out and felt more lonely and more understanding of myself. The feeling of being lonely and free, there is the ease, loneliness and happiness that can't be said. Flange, music creator, lead singer of the Frandé French Orchestra. The enchanting temperament in the character makes Frandé's music wandering in a foggy, unpredictable time and space. Every time I dropped myself in the movie and went to another life from the perspective of the protagonist, after crying or laughing, I came out and felt more lonely and more understanding of myself. The feeling of being lonely and free, there is the ease, loneliness and happiness that can't be said. Flange, music creator, lead singer of the Frandé French Orchestra. The enchanting temperament in the character makes Frandé's music wandering in a foggy, unpredictable time and space. Flange, music creator, lead singer of the Frandé French Orchestra. The enchanting temperament in the character makes Frandé's music wandering in a foggy, unpredictable time and space. Every time I dropped myself in the movie and went to another life from the perspective of the protagonist, after crying or laughing, I came out and felt more lonely and more understanding of myself. The feeling of being lonely and free, there is the ease, loneliness and happiness that can't be said. "Movies, like music, are the medium for my inner beast to break free." "I like to watch movies and prefer to go to the movies alone." The interview began with a direct and naked confession of Fran, showing the impact of the film on her. That even took a movie about her "privacy." "I often feel that life is like a series of continuous animal training, taming with the inner beast, learning to be patient, understanding, and assimilation." The movie is likened to the moment of "letting your inner beast break free." Lan, the process allows a certain part of itself, even the unknown itself, to be released. If there are various occurrences of reality, joys, sorrows, and frictions, it is a training process of growth and socialization. There are always some people who are eager to control, but they may have to be careful because of the expectations of others. The creator who wanders between the melody and undulations, the fringe counts the corners of his eyebrows in his life. "In the ordinary life, creating and producing, often pay attention to and measure many small details." Facing reality In her own way, she is also like you and me, more or less, or when there is repression. And "watching movies" - just because movies are the hard work and creation of others, "but instead investing in other people's creations, you can breathe in a big mouth, release the inner, feel amazed, let go of tears, or sleepwalking for a while, don't need to fear yourself. How deep is it." In the cycle of day-to-day, leaving it for a while, it seems that by always exploring the life of another person, "it can be truly in a state of being completely out of touch with people in real life." Know yourself.” The process is not only emotionally resonating, “sometimes intoxicated, giving up the process of self; sometimes it is learning.” It triggers new thoughts and emotions, is transformed into its own nutrients, and even Occasionally bring the courage or encouragement of the flange. In terms of its own creation, the image and sound flow of 24 frames per second in the frame, its influence is invisibly projected on the bottom of the flange, becoming the way she expresses and explains the concept to others. "The scene or lens scheduling of a movie often becomes a way for me to explain the direction of a song to a member or partner. Later, I feel that it creates another difficulty (laughs)! Because of the film, video and lens language, it is another Hard learning.” I admit that I was deeply influenced by the visual feelings and plot transitions in the movie. “In the past, I was always jokes when I was interviewed.” I hope that there is a fog and a feeling of embarrassment. Then it seems to be far away. Illuminated the fire, the bigger the bigger, the more irrational requirements of "the sound of the stars", etc." Frank explained with a smile. According to his works, he can find out the clues in the gentle and sensitive narrative tone, or the ups and downs of the lyrics. When I fell in love with the movie, "Dream" talked about the time when I fell in love with the movie. Flange was impressed by the "Dream" directed by Akira Kurosawa. In retrospect, it was actually when she was young and watched with the adults. "The first time was a bit ignorant, and I don't know if I fell in love, but the amazing feeling is indeed unprecedented. The fragment of "Fox Marrying Daughter" brings me a strange feeling. I have been unable to forget." Flang recalled. Such a surprise impression comes from the mysterious atmosphere in the movie "Fox Marrying Daughter", accompanied by quirky temperament sounds, and even with a "taboo"; "It is also a bit like listening to Massive Attack "Teardrop" for the first time in life. The sense of shock," Fran explained, "a first glimpse of the world in which you live, another world of different dimensions." As I grew older, I was still shocked and still deeply influential, even indirectly affecting the works of Fran. "I have never forgotten it. When we were doing the arrangement of Tautology, a few years ago, I mentioned it. This recollection; I hope that the atmosphere of this picture and plot can help the members to imagine the direction of this song." 2018 Taipei Film Festival's expected work "Who First Loves Him"|Xu Yuting, Xu Zhiyan|2018 Taipei Film Festival "International New Director The contest and the "Taipei Film Award" were shortlisted. Liu Sanlian and her life are full of drama. Her son's comment: "It is a pity that she does not go to Hollywood!" Three years ago, her husband left home and her husband died 95 days ago. Liu Sanlian discovered the beneficiary of her husband's insurance, even from her son. It became a man named Ajie. Angry Liu Sanlian had to take her son and her Oscar-level acting skills to go straight to Ajie’s home and stage a tragedy of orphans and widows. But the man named Ajie had a sinister heart under the beautiful appearance. Even the dead skinned face was mad and stupid from the beginning to the end, so that Liu Sanlian of this side of justice was angry and collapsed, and he also robbed his husband’s insurance money! The first is "Who First Loves Him" ​​and "Sakamoto Ryuichi: The Final Chapter." Home-made comedy is one of the types I like very much. The Taiwanese work "Who loves him first" from the insurance claims is certainly not to be missed! And "Sakamoto Ryuichi: The Final Chapter", I have always liked the work of Sakamoto Ryuichi, and the recent "Furious" movie soundtrack is also his work. ...

The creator picks up the film | "Movie, in ordinary life, where the miracle happens", writer Chen Dezheng

At the beginning of the 2018 Taipei Film Festival, Polysh invited several creators who love to watch movies in the fields of writing, music and performing arts to talk about their "movie love" and share how they "watch movies." Recording a roll of old-school and old-fashioned Mixtape, using words and vocabulary; the moments in the translation memory are still bright or moving, and then echoes in the reader's mind. Chen Dezheng, rewriting the 90s with words, transforming the music context into a vein of self-growth; there are youthful adventures, softness and anxiety between the lines, each note is full of affection, and then there is something wrong with the personnel - or rather, Homesickness, that is dedicated to growth, but also to himself. Repeatedly playing and repeating each page of the songs, and actually found a scene of the movie, "watching movies, ritualistic." In addition to the original music, the film is also a climax in his self-publishing youth. This time we talked with him about how the film's media influenced his writing; and this year's Taipei Film Festival, what other works he expected. Movies, like the places where miracles happen in ordinary life. In the 90 minutes to two hours, the storyline and time are condensed, and it is almost more exciting than most of my own life and what will happen. It is a time-compressed art, a magical medium between reality and dreams, and the director is the creator of the world, creating a roundabout framework. In this frame space, the actors walked in, accompanied by the sounds heard in this space - film music. Chen Dezheng, Department of Radio and Television, Zhengda University, Master of Media Studies, New School, New York. People who write, usually listen to music, watch movies, and go through several places. He is the author of "To all the tomorrow's gatherings", "Meeting in the distance", "The moment we say goodbye". Movies, like the places where miracles happen in ordinary life. In the 90 minutes to two hours, the storyline and time are condensed, and it is almost more exciting than most of my own life and what will happen. It is a time-compressed art, a magical medium between reality and dreams, and the director is the creator of the world, creating a roundabout framework. In this frame space, the actors walked in, accompanied by the sounds heard in this space - film music. Chen Dezheng, Department of Radio and Television, Zhengda University, Master of Media Studies, New School, New York. People who write, usually listen to music, watch movies, and go through several places. He is the author of "To all the tomorrow's gatherings", "Meeting in the distance", "The moment we say goodbye". Chen Dezheng, Department of Radio and Television, Zhengda University, Master of Media Studies, New School, New York. People who write, usually listen to music, watch movies, and go through several places. He is the author of "To all the tomorrow's gatherings", "Meeting in the distance", "The moment we say goodbye". Photography/ Li Yingxia. "Movies, like in ordinary life, where miracles happen." "The vast majority of us, including those who create movies, usually brush their teeth, wash their faces, do things, go out, and spend the same day every day. In the pace of the pace." As a creator of writing and living, Dezheng admitted at the beginning that the writer's life is actually extremely monotonous and boring; however, within two hours of watching the movie, it can make people enter the ordinary Different worlds, "People can fall freely into the market, regardless of the consequences, but feel safe. For example, temporarily withdraw from the usual triviality and transfer to another time and space, and this time and space is created by a group of people. Recalling the new book "We Say Goodbye" in the German government, he described the film and the film festival as "ceremonial" activities; all this should start from his student days. As a literary youth in the 1990s, "Running Film Festival seems to be the only way for a young artist to develop in my time. (Laughter)." Life experience tells us that there are many uncertain things about the future, including ourselves and others. "But there are certain "ceremonial" activities that will make people feel that the world is operating in a certain order or track. The so-called "ceremonial" is a kind of peace of mind and has an inner kind. The feeling of order; the way it is to run a film festival or watch a movie, you perceive the passage of time, and also confirm that certain things are relatively absolute." The fun of running a film festival is not just watching the movie itself, but this Who you met in the process, and then discovered that those who may know or not know meet each other at this time of the year - perhaps called a fate or tacit understanding. As the year has passed, some people have also been found to leave; they may go abroad, may be older and no longer run a film festival, but there will always be new audiences to join. It is a sense of privacy or intimacy between a group of people who do not know. The most interesting thing about watching movies is that "the audience knows that it may be a "recreated reality" or a group of people performing; but when you are sitting in a movie theater, you believe that it is true. It is not Dream - you know clearly and can distinguish, but it is presented in a state of dreams (of course, the documentary is another matter). It is a kind of resistance, resisting boredom, ignorance and sometimes resisting lies." It is "reality of re-creation", how can it resist lies? "The film is a lie art of 24 grids per second, in order to serve the truth." This is what the director Michael Haneke said." Dezheng explained, "The 24 grids are all lies, but the lies exist for the truth. Look at the director how to shoot. Even if all are carefully designed, but in the end it is to present some kind of feeling, "Ah! The days I lived seem to be like this scene." The so-called "everyday" in those frames, via The design, in turn, causes the viewer to resonate with some familiarity.” Combining sound, video, and plot, the highest-end work that triggers thinking and wraps the senses, as Flaubert said: “The author should be like the universe in his works. God. He is omnipresent, but there is no trace to find." In the frame to shape a world without revealing traces, the director's sense of existence is not so strong, for the German government that is the highest realm of the creator. As far as his own creation is concerned, watching a movie can not only temporarily escape the boring life, but also the medium in which he draws inspiration and triggers thinking. "In terms of the nature of creation, writing is the same as film, but the media is different. The film creates a wonderful world in a boring life, and the writer is also." There is actually a subtle resonance between the two. Writing is the reader through the author. The text is to think, and then come back to think about the text itself; "The film is the medium that triggers thinking. The audience thinks through the image, but they can think about the image itself." The connection between the creation and the story in the film is irrelevant. "This story is not necessarily limited to the script. It does not have to have a clear transition, a confession or an ending. It may be conveyed by the aesthetics of the image itself. It is an unspeakable, but the audience can definitely do it." "What?" Take Hou Hsiao-hsien’s work as an example. Dezheng explained, "There is no clear plot of his work, but the more abstract, the audience can still grasp. It is not necessarily the dialogue. It may be that the movements and arrangements of the two screens can actually create an effect that is intended to be out of the way." And if the sound in the movie is discussed from the same angle, "the song or the melody works well, view The film experience will add a lot of points, just like telling stories with lyrics." Like "Blue Boy in Moonlight", "At the end of the scene, two people met, one of them had a "Hello Stranger" in the restaurant's jukebox, no words. Conversation - I think everything they want to pour on each other is in this song. Telling a story with a song, without dialogue, is more roundabout, but at the same time has a melody." The moment of the movie, "The Last Emperor" and "The City of Sadness" Because I grew up in the family of "watching movies for family activities", especially my father is very passionate about movies. "Remember my dad said, "If the university entrance exam is a test Hollywood stars and the name of the movie, I should be able to go to the stage." (Laughs) "The timing of the contact between the German government and the film is earlier than most children of the same age." In 1988, "The Last Emperor" was released. "I was only 9 years old at that time! The story is still vivid in the present. Now I don't even feel that I am watching a movie in the theater, but sitting in a world of disintegration. On the edge, staring at the funeral." Looking back at the plot of "The Last Emperor", my heart is still moved. "In the beginning scene, Pu Yi was still a child. He just put a cockroach in the small box next to the dragon chair; After the ups and downs, he was manipulated by Japan as a burly regime. After the CCP became a political prisoner, he became a political prisoner. He changed from a last emperor to a prisoner. Finally, he resumed his civilian status and participated in a tour of the Forbidden City. The Forbidden City became an attraction. When the other members went forward, Pu Yi secretly climbed to the dragon chair, the box was still there, and the lid was opened, and the dragonfly was still alive. Even though the German government was only a child, he understood the indescribable vicissitudes of life. A cockroach, time is folded, and what you think is impossible to happen, let you see what you are watching now. We know that it is locked in

With the spirit of the actor and the pen of writing, I walked into life lightly: Interview with Yu Han

Interview Photography/ Manchi. Interview Photography Assistant/ Chien. Makeup/ Yenting Yang. "Hawthorn Library" Photography/ Yao. Venue Cooperation / Jizhou Yi Literature Forest. "There are three kinds of deer in Taiwan: Sambar, Hawthorn and Sika Deer. I moved to a lot of mountains after hours, like Xiangshan, Sankongquan, etc. Sankongquan, I heard that the whole hill was sika deer before, they lived in low altitude; only in the time we were born A lot of hunting, so I can't see it now." The interview has not officially started, and a chat during the combing, even Yu Han said, "Hawthorn is also living in low and medium altitudes, because there are no such relatives, so now There is still it. Its voice is like a dog bark, and it is like a heavy object being towed on the ground; especially when the mountain is fighting in the valley, the sound is very loud, not very good (laugh), its common name is therefore called "Formosa Barking Deer" The Sambar is living at a higher altitude, like the Garmin Lake - unless you can climb such a high hill, you will not see them - so the water The life of the deer is rarely disturbed by humans.” Talking about the hills that I lived in when I was a child, and the island deer animals I have seen before, Yu Han’s light and high-pitched tone is warm but not hot. I always feel that people who are close to the earth always have a particularly soft place in the depths of their hearts. This girl with strong literary atmosphere is eagerly eager for the words of "empty spirit" and "fairy" to become the characters of modern pop culture. Sharing the experience of walking on the mud and over the mountains - crawling and crawling, turning down the hills and returning to the city life, of course, the hair tips and talks are not conscious of the fragrant green. She is a veritable "forest girl." From the literary adaptation of the drama "A Green", even Yu Han went into the public eye; and from the 2017 poetry "actress" text, as if she took the character's mood and muttered to herself, that is her for those The soul that once lived in oneself, a kind of pity that does not give up before the farewell. Just after a year of goodbye to the year, at a rare afternoon in the late winter, Yu Han was like a lazy cat, reading through the books he was keen to read recently, and talking about the writing of "an actress". And how "a person who writes" will be gentle with the timing and timing. "Actress", the yesterday's narrative of the crawling comb character completely immersed himself in the character, trying to interpret another soul with his own fragments and understanding; the preparation and tempering of the actor is like a part of the mind that is both realistic and beyond reality. journey of. For Yu Han, acting breaks through the boundaries of her own life. "After all, this kind of feeling is not something that can be touched in ordinary life. It is necessary to experience the ups and downs of a play, and then it will be constructed one by one." The process of construction is not just She is close to the character unilaterally. "That is a two-way relationship. I am serious about interpreting this role. This character will also give me a lot of gifts. "She" will throw a lot of feelings on her own, and it will come to my heart and become a fragment. Text." So, during this period, acting as she seems to jump off the performance itself, writing is not simply writing, but the two swing in their bodies, on the paper, and resonate with each other. "At the end of the performance or performance, the character's feelings are still very strong. If you keep it there, you can't let go without restraining it. Some characters can't let go after the performance. I don't want "her" in my heart. This disappeared. But in fact, at the moment of the drama, "She" disappeared from me, disappeared with the scenes, costumes, and makeup. Especially compared to the film, the theater was a one-time event. Therefore, when the play is too strong for the character, it is necessary for Yu Han to use the words to climb and sway the character, the mood when he is covered by the character, and the feeling that he feels in the play. Emotional practice; precipitated and released at the same time. The whole process is very healing. It is like, I have left evidence for this role. "Actress", even Yu Han, Kate culture. "Actress", even Yu Han, Kate culture. It is precisely because these thoughts are not solely from Yu Han, but also from the roles of various interpretive characters. This collection of poems is therefore dedicated to the actor identity that allows him to contact so many souls - "actress." "In the past, I didn't write so many emotional words, and I didn't feel so strong about emotional things; even if I like reading, it is totally different from my own pen. As an actor, I am dealing with various roles. Emotions, of course, these writings and emotions are included in the identity of my actor." Because of the state of the character "upper body", the emotions accumulate into a previously unfamiliar watershed. "The actress became the second eye of my acting actor." Looking back, it is also a record of my own changes." When the switch of this writing is turned on, it can no longer stop; with the large number of reading habits of the day and the day, the second chapter of the writing process, Yu Han dedicated to memory and timing. "Hawthorn Library", reviewing the memory and looking forward to the current implementation of life "The actor's heart always has some bottom, in order to give the role flesh and blood, these flesh and blood will come from the accumulation of life." Yu Han is convinced. In the same way, in the face of very different writing creations, "having a good life" is still a big thing for her. "Life is the sum of all the big and small in life. If we are willing to feel the world well, then it is not a strong demand for "good life"; the world is so vast, it should not be limited to "work". Every breath is breathing or eating. Food, every step of the way, every time you flip a book, is a trace of life." In all, life is the "current" state of the past from the past memories to the future, seemingly trivial fragments in the calendar flip Unintentional grouping, "With these accumulations, it is possible to pass more things and ideas out. I am not likely to be overhead - even if it is creation, it always needs a context. And these days have accumulated, life brings to yourself. The mood and feelings turned into a kind of nutrient." Just because life is like walking in time, so trivial and complicated, Yu Han does not want to miss the words and re-taste; she puts her eyes back on daily life and memory, and chooses her own self. Impressed or worthy of a moment, bound into a book, take care of the miscellaneous memories of life - "Hawthorn Library." If "Actress" is dedicated to the souls of those who have lost, then "Hawthorn Library" is a love letter that Yu Han dedicated to himself and life. "The things that happened many hours later were written by me. There used to be a lot of things that I didn't understand, and I didn't understand until I grew up." It might be to witness a moment and what happened, to connect memories with experience, and to understand the past without Jie.” Talking about the content, Yu Han also explained that this first reading is a fascinating book title. “And the library seems to have this function for me. Sometimes I go to the library to read some books, myself in this period. Maybe I don't understand very well. I have to experience and digest something, and I will understand it later. So this book is a bit like my memory library." After all, the name is extremely private, especially when the content reveals a kind of writing. Intimate, Yu Han handed this "memory library" to the guardian of "Hawthorn" - "I regard it as my guardian spirit, and I personally think that my personality is very similar to the mountain (laugh)!" As a result, a period of memory emotional narratives guarded by the mountains, as well as extremely daily gaze, and occasionally see the mountains and forests. . How many books have you read recently? The first is "Taiwan Street Shooting on Moriyama Avenue". When you go abroad, you will be curious about many things like a newborn. And I want to know the photographer who is such a heavyweight on Moriyama Avenue. His curiosity about Taiwan is where his eyes look like Taiwan will look at the island from which angle. The second is "the true meaning of work". Modern people pursue more spiritual abundance, but until today they mentioned work, everyone seems to sigh. The meaning and definition of work change from time to time. The author talks about work from different angles, reminding us to look at it with different glasses, and maybe get different inspiration. . How many books have you read recently? The first is "Taiwan Street Shooting on Moriyama Avenue". When you go abroad, you will be curious about many things like a newborn. And I want to know the photographer who is such a heavyweight on Moriyama Avenue. His curiosity about Taiwan is where his eyes look like Taiwan will look at the island from which angle. The second is "the true meaning of work". Modern people pursue more spiritual abundance, but until today they mentioned work, everyone seems to sigh. The meaning and definition of work change from time to time. The author talks about work from different angles, reminding us to look at it with different glasses, and maybe get different inspiration. The third is Matsuura's "Two Things Can't Miss Love". He is a very funny geek, talking about anxiety and fear from all angles, how to convert negative emotions and put his attention back to himself. Most of the uneasiness comes from a public mindset. We subconsciously want to "be like others", as if we have no problem. But if you put your concentration back on yourself and find your strengths and weaknesses, you will know how to live with yourself and the world. The last one is also a collection of photography "Kimura I Bing Wei". This photo collection is based on the people of the past; because of the relationship between acting, I sometimes come into contact with the role of the times, so this book is my inspiration for the atmosphere of the past era. The third is Matsuura's "Two Things Can't Miss Love". He is a very funny geek, talking about anxiety and fear from all angles, how to convert negative emotions and put his attention back to himself. Most of the uneasiness comes from a public mindset. We subconsciously want to "be like others", as if we have no problem. But if you put your concentration back on yourself and find your strengths and weaknesses, you will know how to live with yourself and the world. The last one is also a collection of photography "Kimura I Bing Wei". This photo collection is based on the people of the past; because of the relationship between acting, I sometimes come into contact with the role of the times, so this book is my inspiration for the atmosphere of the past era. . How many books have you read recently? The first is "Taiwan Street Shooting on Moriyama Avenue". When you go abroad, you will be curious about many things like a newborn. And I want to know the photographer who is such a heavyweight on Moriyama Avenue. His curiosity about Taiwan is where his eyes look like Taiwan will look at the island from which angle. The second is "the true meaning of work". Modern people pursue more spiritual abundance, but until today they mentioned work, everyone seems to sigh. The meaning and definition of work change from time to time. The author talks about work from different angles, reminding us to look at it with different glasses, and maybe get different inspiration. The third is Matsuura's "Two Things Can't Miss Love". He is a very funny geek, talking about anxiety and fear from all angles, how to convert negative emotions and put his attention back to himself. Most of the uneasiness comes from a public mindset. We subconsciously want to "be like others", as if we have no problem. But if you put your concentration back on yourself and find your strengths and weaknesses, you will know how to live with yourself and the world. The last one is also a collection of photography "Kimura I Bing Wei". This photo collection is based on the people of the past; because of the relationship between acting, I sometimes come into contact with the role of the times, so this book is my inspiration for the atmosphere of the past era. The people who write are mostly sensitive and old-fashioned, this love letter to themselves and life, Yu Han picks himself up in the depths of memory, weaving for the future and the old dreams, and the rain and rain will come and go. Interlaced daylight scenes. "In this time, I recorded the fragments that I suddenly thought of at some point in the past and now, in the way of diary - I imagine that I am 80 years old, even if I don't want to, but some memories will gradually fade with age. I am afraid that I will forget the things that I had originally impressed - those who remembered when I was young, and who were moved by myself, are still recorded in words when they are still profound. They have not experienced more wind and sun, yet Before being exposed for a long time, I scanned them well in words. Therefore, I wrote them in a sincere and almost naked way." Memory is an introduction. Review is a kind of saying. After all, "memory is selective, it is All kinds of good and bad, sorrows and sorrows are intertwined," she explained. "Whether you want to admit it or not, there is no impression in the subconscious. The current behavior and thinking have more or less the shadow of the past. Avoiding, re-excavating these things and examining them will become more and more aware of the present." Yu Han is like stealing a period of time and space. The words chew on the rumors, and create a new sequence between the lines; that is monologue, but also confession, more profound, is to know the present. A blank that has not been exposed and developed, for the photo that will remain for tomorrow, after reviewing the past, recording the moment at this moment, talking about the beginning of this year, Yu Han has a small new ceremony: replace the previous calendar with a calendar, watch Life is passing. "When you go out, you can tear off the day and put it in your pocket. You can also write the day of the day in the blank space where you tear it off. Record it for one day." Count the days on the calendar and watch the calendar slowly become thinner - the calendar The thinner, the more days that have passed through this year, the more lucrative the heart may be. "I don't think it's cute to put the day into the pocket?" Then, the "one day" that wrote the notes, is it necessary to assemble it? "After the end of the day, look back at those notes and then recycle the resources." Yu Han replied succinctly. "The days are over."...

When emotional error codes appear: small bugs and error pages that cannot escape in life, Human Error

All Images Courtesy of Victoria Siemer. If you can automatically recycle joy and calm, and turn it on again when needed. If the challenge occurs, you can reload the self driver quickly. If anger and pressure strike, you can throw it directly into the trash and delete it permanently. If the error code of the interpersonal relationship appears, the head can clearly indicate how to proceed in the next step. If you make the same mistake, your heart will automatically pop up a warning. If the memory overload cannot be loaded, you can expand the hard disk capacity at any time. If the heart is broken and broken, you can reinstall a system that is impeccable 2.0. If, if. He unexpectedly hurt your heart / Press and turn it back on to open the app again. Press the return to see more details and send a report to Apple. The heart is not properly removed / Remove the "heart" before disconnecting or closing. He unexpectedly hurt your heart / Press and turn it back on to open the app again. Press the return to see more details and send a report to Apple. The heart is not properly removed / Remove the "heart" before disconnecting or closing. In a hurry to escape from a relationship scene, when the reality is knocked down, confidence is gone, or eager to erase a memory, but not sure whether it should be permanently deleted along with the feeling. "File", "Access", "Delete", "Cancel", "Repair", "Re-open", "Add Folder", "Ignore", "Return", each picture of life is one Zhang's fleeting Polaroid, when we try to change or even deny ourselves, or face each choice and right and wrong, the head always does not consciously operate like a computer; before the next step, the bottom of the heart jumps out of a confirmation or warning window Ask yourself, "Are you sure you want to do this?" Are you sure you want to clear all feelings? /Clear the feeling and delete them permanently. This action cannot be restored after execution. Low self-esteem warning / Your self-esteem is seriously low, please fix your confidence as soon as possible. Progress / Loading self disgust. This relationship cannot be fixed. An unknown error has occurred (23). Are you sure you want to clear all the feelings? /Clear the feeling and delete them permanently. This action cannot be restored after execution. Low self-esteem warning / Your self-esteem is seriously low, please fix your confidence as soon as possible. Progress / Loading self disgust. This relationship cannot be fixed. An unknown error has occurred (23). When Photoshop ruined the archives of New York photographer/graphic designer Victoria Siemer, the computer screen popped out of the window "Photoshop has crashed unexpectedly." She thought, "Photoshop hurt my heart." Cut off a piece of warning window Screenshots, she thought about the doubts and uncertainties that appear in her head in life, and why not an "error message." This idea inspired her to create the "Human Error" series. "In the beginning, this series was mostly about my own dating experiments and tribulations in the city." Experience with dating platforms like OKCupid, for Victoria Said, "It's more like "OK, I made a big mistake" (OKIvemadeahugemistake)." It contains more people and interactions than "cyberlove"; in fact, it is more like a whole. It is a discussion of all feelings. Your heart is almost full / you need to delete the old lover, so that the heart has more space to access. Prepare to empty the heart / delete the item: 5,838...

Opened 185 years of old wisdom in botany: Paris specimens cabinet DEYROLLE

Photography/ Alice Chan (The interview photo was taken with the store owner's consent). Part of Images Courtesy of DEYROLLE. Important statement: The various specimens collected and produced by DEYROLLE come from the legal donation of sick or natural death in the automatic botanical garden, not deliberately hunting. Made of life, all specimens can be queried and tracked. The Seine River draws a spiral of hills from east to west, gently covering the left bank of Paris. Newsstands, cafes, colleges and large and small galleries, museums, and a strong artistic atmosphere have been scattered since the 19th century; strolling on the streets, thinking about the literati singers. No matter how many times you visit, you will still take a DEYROLLE every time; no matter how many times you visit DEYROLLE, you will be shocked by the picture every time. Like a specimen cabinet, it is hidden between the antique shop and the furniture store on Rue du Bac Street. The small entrance window displays the garden supplies, so it’s so easy to pass it. It is a rich and wonderful encyclopedia, with a sense of history of wood flooring and walls, containing more than 185 years of old wisdom of flora and fauna; each specimen that has been condensed by time is the most beautiful introduction, but the record recorded by DEYROLLE However, it is more thought-provoking and understanding of life. Photography/ Marc Dantan. Image Courtesy of Deyrolle. Photography/ Marc Dantan. Image Courtesy of Deyrolle. Photography/ Marc Dantan. Image Courtesy of Deyrolle. Photography/ Marc Dantan....

Let her put on a gorgeous robes full of scorpions: "Blood Goddess of Mercy", interview with Yang Yazhen

Photography/ Manchi. Movie Stills / Double Happiness Movies. Paintings / "The distant shore is the other side of the flower", Liu Yilan, Xinyuan Art. Life is a gorgeous robe, covered with a scorpion. –– <genius dream>, 1939, if Zhang Ailing’s Zhang Ailing’s words are broken, it falls into the category of romance novels; if “Blood Goddess of Mercy” is broken, it’s just that the plot is bizarre at eight o’clock. Big screen. White gloves, fried land, collusion between officials and businessmen, and the woman who has calculated their minds, "Blood Goddess of Mercy" has been in full swing before the release of last week (11/24), various propaganda, multiple interviews, and the best drama of the award-winning Golden Horse. - Even if you haven't seen the movie yet, you will know about the story. In a game called political commerce, the three-person female figure of the antique merchants’ palace shuttled, and the other husbands took care of and laid out, and the men on the table made a splash. They curiously asked Yang Yazhen, the film director and screenwriter of the department. 30 years ago, women’s voices were relatively suppressed. The way of playing power in the plot is somewhat contrasted with the reality at the time. Life is a gorgeous robe, full of scorpions. –– <genius dream>, 1939, if Zhang Ailing’s Zhang Ailing’s words are broken, it falls into the category of romance novels; if “Blood Goddess of Mercy” is broken, it’s just that the plot is bizarre at eight o’clock. Big screen. White gloves, fried land, collusion between officials and businessmen, and the woman who has calculated their minds, "Blood Goddess of Mercy" has been in full swing before the release of last week (11/24), various propaganda, multiple interviews, and the best drama of the award-winning Golden Horse. - Even if you haven't seen the movie yet, you will know about the story. In a game called political commerce, the three-person female figure of the antique merchants’ palace shuttled, and the other husbands took care of and laid out, and the men on the table made a splash. They curiously asked Yang Yazhen, the film director and screenwriter. 30 years ago, women’s voices were relatively suppressed. The way of playing power in the plot is somewhat contrasted with the reality at the time. I will answer you in four words, "Jiang Song Mei Ling". I will answer you in four words, "Jiang Song Mei Ling". Instant blind spot breakthrough. The patriarchal political game, the white glove role given by the patriarchal framework, when the logic is manipulated, the relationship is thoroughly understood, and what gender is affordable. Since the protagonist is always a woman, then we all talk about it from a female perspective. I will answer you in four words, "Jiang Song Mei Ling". Instant blind spot breakthrough. The patriarchal political game, the white glove role given by the patriarchal framework, when the logic is manipulated, the relationship is thoroughly understood, and what gender is affordable. Since the protagonist is always a woman, then we all talk about it from a female perspective. Reading Zhang Ailing, reading the female mind after reading "Blood Goddess of Mercy" for the first time, the heart decided to take Zhang Ailing's conclusion in the "Genius Dream" as an interview title; that is not only an intuitive association with the aesthetics and plot of this work. Selfishness believes that it is a depiction of the specific image of Mrs. Yi and Zhen Zhen. After all, compared to the shell of the "land speculation", the final film focused on a near-perverted emotional relationship between the mother and the daughter. However, it is no accident that Zhang Ailing’s words appear in the viewer’s mind. As a physical male, for the layout of the "Huang Guanyin" script, which was carefully planned by the "female perspective", Yang Yazhen forced herself to read all the Zhang Ailing novels that she could not read before (even a lot of "Photographed for Women" A film. "I used to have no way to read Zhang Ailing (laughs). I used to read her novels and wanted to sleep. I have no way of understanding how people can see Zhang Ailing's description of a piece of clothes, curtains and two pages, and then there is no progress. - This should be the difference between men and women." Choose to understand the female mind from Zhang Ailing's words. "Because in the Chinese world, she writes women to write the most. And Qiong Yao is really too much, too thick, and finally I only look at Qiong Yao. The autobiography. In a certain way, Yang Yazhen is also interpreting a female character in the process of writing a script, trying to use female logic and emotional thinking. "I dare not say that I now know more about the "female perspective". After all, men and women are not big. The same, every woman has a lot of differences; I may have understood a certain part. Like everyone said that women are more sensitive and straight. 』——Although I am not very willing to put in the stereotype of “how women are.” But after taking this film, I will observe the interaction of female friends, the speech on Facebook, etc. Feelings - Some statements seem to be correct, that's not all, but at some levels, women are indeed much more sensitive than men." "In this film, female audiences may not care so much about "white gloves," The matter between the Speakers. But for the emotions inside, especially the family emotions, the female audience will resonate very much." Yang Yazhen almost predicts the reaction of most female audiences. "We use a lot of close-ups." To capture the expression of a female character in a movie, a very subtle reaction. This is useless for many male audiences. They may not like the girls, they will stretch out the sharp tentacles to read the air, but the female audience will know What happened?" However, even from a female perspective, what he wants to talk about is not just the "mother-female relationship" set by the plot. "Blood Guanyin" is not "for women." Designing the movie, I hope that when you watch the "mother and daughter" in the movie, it is not only locked in the relationship between "female and female" or "family". Because the purpose of this film is - "I am for you." Ok, I think it is a experience that everyone has experienced as a man or a woman. This experience is very "Asian", or "Confucianism" or "false Taoism". How many times have we been because of this? In a word, it was kidnapped by emotions?” The flower of the opposite side of the rotten flower, the flower and the locust symbiosis, also known as safflower and safflower, this time, through the cooperation with the contemporary Taiwanese painter Liu Yilan, the main visual of the film propaganda is deeply but gorgeous. Tonality. In the most beautiful, you smell the corruption; not only the aesthetics of the image, but also echoes the thoughts of the family of three in the plot, it can be said that flowers and locusts are symbiotic. "The other side of the distance is the other side of the flower", Liu Yilan. "The other side of the distance is the other side of the flower", Liu Yilan. If the highest state of humiliation is that the deaf person can not hurt but can sting the heart, then Mrs.’s white gloves are like the broken hand Guanyin, but the more elegant, the more the word “狠”. For his favorite character, Suining, "This is a demonstration for all the audience. She is "rotten to the bones". Even Yan Zhen really despise her, but Suining sees this game." Yang Yazhen explained, "In fact, In my heart's setting, I would rather know my own ending, but she is using the physical demonstration to give it a glimpse; if not, I really don't understand how terrible Mrs. 有 is. I deliberately made Suin bad. - Peony, hybrid and ridiculous acts, in the end, let the audience give her the most "disappointment". "The audience's "disappointing" feeling may come from the fact that Suining's love has "disappointment", "if Projection, the only thing that the audience will project themselves is Suining, no one will project themselves to be true." Talking about the truth, looking back at the scene of the fantasy and love of the movie in the movie, the girl's feelings are always poetry; but the girl's feelings are apart from Full of poetry, Yang Yazhen also nakedly showed her intention to "replace others." "In fact, when the idea of ​​this scene was first mentioned, all the women in the crew felt sick; the character was only 14 years old and they felt terrible. The concept came from the movie "Black Swan" - the last "Black Swan" is not I fantasize that I have become a "white swan"?" Yang Yazhen explained that when she arranges a true character, there are few lines. She is obsessed with understanding and does not really understand what the adults are doing; even in love, "everything is She was eavesdropping. When designing this role, I imagined that girls, especially young girls, would like to watch "Roman history." "As you grow older, "Roman History" begins with some more concealed descriptions of sex. There are many of these stories - from the point of view of the boys, do it! How come so much obscenity? "Brain supplement", I think it is a very important love process for girls. So I really All the love is "listening". She listens to her friend's "lover whisper" and associates herself with a lot." With the development of the story, Yang Yazhen reveals her dark side and let her witness it. After tearing up the emotions (love, family), then the evil girl developed, "Three family members, for me is the same person's growth." 棠 棠 棠 棠 承 承 承 承 承 承 承 承 棠 棠 棠 棠 棠 棠 棠 棠 棠 棠 棠 棠 棠 棠 棠Robe - look at the beaded ornament at a distance, only to find a full scorpion when you look at it. Speaking of this, privately speculate that perhaps Yang Yazhen is very fond of this aesthetic of "the decay of the generation of gorgeous"? "This kind of aesthetics may have some influence in the literature I am involved in, but they are not a very important proportion. I personally prefer the "One Hundred Years of Solitude" like Maguis, and the recent "Looking" Calling for the Light of Miracles (also translated "All the Lights We Can't See"); such literary works, I will take the initiative to read and search." For him, such aesthetics is the inevitable part of the film. "Because many of the symbols in this film are negative and feminine. I think politics is feminine, relative to the underworld or the army. The two are masculine. Politics is through hypocritical and elegant language, "Joe" Some things, the bribe is also a politician in the Western countries, may not be as poetry as we were at the time of extortion, and then exchanged with the bones of the art. To put it bluntly, this is a kind of elegant cover up the dirty things." Spicy, Salty, the scene of Guanyin, storytelling and marriage, where the popular culture of heavy taste is moving between the parties, and then the ups and downs of the plot, the popular colors are interspersed in the "Blood Goddess of Mercy" For the cleverness, it is also an important element to make the film outstanding. "The part of playing and folk scenes should be "exquisite" in the folk. For example, rituals like Japan have a solemn beauty. Although it is still a lively and folklore activity, aesthetics is good. Yang Yazhen explained, "But after Taiwan has not been devastated by aesthetic education for decades, the basic balance has been wrong. The popular thing should be beautiful. I just restore the standard that it should have; I have not surpassed it. Just use it and remove some decorations that shouldn't have been there.” And the popular plot, Yang Yazhen sprinkled the seasoning into the story, “like a strong taste, spicy, salty, some heavy taste. Too light things ——Like the white space of my first two works, people may not be able to eat it.” Using the popular plot of twists and turns, such as the eight-point file, makes it easier for the audience to enter. “The twists and turns are sometimes the means of “pleasuring” the audience. However, whether this "please" is reasonable or not becomes very important. In particular, you can be reasonable in the case method, but it is difficult to be reasonable in the psychological movement of the person." Further explanation "The general problem is that the general level is eight points. The biggest problem is that people's minds are very superficial, but if they (the crew) dig deeper inside, they will succeed. But there is no way, because the eight points are every week. Even one episode is going to be done every day, and I am doing it for five years.” For Yang Yazhen, the popular is not a sin, nor a vocabulary with negative meaning. “Like Zhang Ailing! In her time, she His works are also "popular" and have been looked down upon. "It may not be awkward to kill and bloody, but how to integrate into the film, and how to provide audiences with different perspectives to understand and understand through film aesthetics. "Live like a personal kind" If Zhang Ailing's "Genius Dream" tells of a kind of "disability" of life and socialization, then "Blood Guanyin" shows the "disability" in love. Throughout the film's core lines "I am for you", "Love is the most important thing", from the entanglement of the family's entanglement to the background of the social official business collusion, Yang Yazhen is to say a larger pattern. There is politics in some places, and the family as the smallest unit that constitutes society. The "love" in the lines is chewed many times, and it is more able to discover the critical meaning. "For me, land speculation is an introduction. I can use this introduction to see the falsehood of the whole Taiwan society "I am for you." Social issues are put into the movie, because we live in it, my story cannot be overhead. The earliest is commercial considerations. Or the subject matter that I have not personally done. The issue of "White Gloves" has never really touched it in depth, and there are various kinds of collusion between the government and the business, from this link to a murder case extended by a land speculation. When the audience sees the end, they will find that the "land speculation" is a shell. The last thing that really tells is the abnormal relationship in the name of "love"." That is not the "love" and "good" in general cognition. Unlike the "abnormality" of the normal state, it is now everywhere in modern society. "Look at the extent to which we must define "love". It is in line with the general public "You are so good for your daughter", a mother's face has paid for it; or, to what extent can Mrs. Say sacrifice for Suining? She may buy something To the daughter, send her daughter to learn the chess and paintings - those that are easy to do. If we say "love" to the extreme - who can sacrifice for whom, obviously Mrs. 没有 does not." He stressed again, "This way Are the "love" and "good" really not considered for their own family interests? In the case of political marriage, if parents remove the "interests", will parents still make this choice? They will not know, but actually deceive themselves. It also deceives others." For Yang Yazhen, there seems to be no such thing as an "ideal world." "If there is an ideal world, it will not drag on for so long. The world is still like this." It seems that he is not optimistic about the future, but he is not pessimistic. "The world is very disappointing, but I can only go in a better direction little by little. I don't think this is a "living", but only we understand the darkness of these people. Depending on the part of the darkness, progress little by little; perhaps no longer use the "in the name of love" to manipulate the future of the next generation, but actually to treat her/he as another person - a choice of oneself Individuals. In the social atmosphere of "positive energy", Yang Yazhen is hard to face this sharp problem through the dark narrative "Blood Guanyin". "Forward energy is a kind of understanding of society, but a dark work like "Blood Goddess of Mercy" is also a kind of understanding of society." In the last scene of the movie, the two jade bracelets worn by Mrs. and Mrs. That is always used to describe the smoothness of the "family perfection". It seems to be holding the handcuffs of the two people tightly; can't escape, can't get rid of it, "Don't avoid these problems, no one can escape "In the name of love," this game." When I recalled the Golden Horse Award, he said that "no one is an outsider", except for an explanation of the script to the audience, it sounds more like a kind of public. The appeal - after all, is not to be the role of the director, but to export as a Taiwanese. It turned out that love is the sweetest icing, the most beautiful robes, and ignorant when we put it on, it was so sweet. Join...

Secret base in the small window on the second floor: Kyoto ancient props groceries, yamne

I was fascinated by the map of Kyoto, and I strolled through the high and low undulating Sakae Street. I was able to smash a few thousand bird houses for a while, and dumped the gorgeous figures of geisha and maiko. In the autumn season, the city wrote a red poem with the red maple in the land; the memory of the capital of the past millennium was sorted into traditional songs, and it was not burned after the bustling. Take a scoop of the river flowing through the water, cook a bowl of thousands of miles to pass on and respect the silence; in the blink of an eye, the tea is overflowing, the shamisen of the three flavors linger, leaving the eyes of the wind, is the profound cultural heritage of the ancient city. After seeing the splendour of the Kinkakuji Temple, Kiyomizu-dera Temple and Nijo Castle, you will visit the lively business district of Shijo-Kawaramachi and the two-year-old and three-year-old specialty shops. The journey has not stopped. The old city has never been disappointed. There are still many new fascinating stories and philosophy of life in the grid-like lanes. And word of mouth is probably the same thing. Holding the mood in the middle of the Beijing area, looking for a small shop in the mouth of local friends; just when I thought that I was lost when I was about to give up, I looked up inadvertently, and the goal of finding it fell into the eyes. Compared with the new buildings around the world, the "yamne" operated by Miss Wandai is a dilapidated and unobtrusive. There are no conspicuous signboards, and the small storefront on the second floor only has the name of the store on the window; however, as soon as you step into yamne, it is hard to find, and everything is so reasonable. Ms. Takako, who was originally working in the apparel industry, was transferred to a grocery store that handled the craftsman's life because of her ambitions. Since then, she has become passionate about various handicrafts. Occasionally, I met this building and the small room on the second floor; the old in the eyes of others, in her opinion, is full of charm, at first sight. "Whether it is good to do anything, open a shop!" Holding the idea of ​​trying it out and being discouraged, Miss Takako rented it here, and invested in the most familiar life and crafts, the kind of grocery store. The appearance gradually became clear from the mind to the space. However, the "choice of choice" is like "life" (both of which are verbs). It is not a slap in the middle of throwing beautiful, beautiful and hot objects into it. It is always sloppy to Miss Kiko. No big deal. The artifacts in yamne are works by creators from all over Japan, or antiques and old pieces that have flown from abroad. Before introducing yamne, Miss Takako must first meet with the creators and know the behind the works. The story, the craftsmanship, and the personality of the creator, truly appreciate, identify, then will be put into the store - indeed, extremely subjective, personal selection logic, but life is not the case? The small persistence and the enthusiasm of personal feelings make this "private taste" have a taste in the eyes of visitors. In fact, I just want to introduce the works and stories that I know and appreciate. However, it is not enough to introduce and share the works; the craftsman's own personality, creative ideas and ways of thinking, etc., also want to be conveyed to the guests. I hope that they will bring the piece home because they really understand, like, appreciate. I like the small corner of the window that was originally a sink, and now I have several bottles of flowers. I also like the old desk on the other side of the window, which is simple and full of flavor. Ms. Guizi will take care of her daily poetry into an ancient poetry. There are flowers and sunshine in the poems, as well as gentle hands with dedication. In the cups and pans, there are stacks of gratitude for the utensils and life. She laughed and said that many visitors rushed to the stairs and opened the door of yamne. The original uneasiness turned into a relaxed smile - always witnessing her instant look, this picture is the happiest time. I hope that yamne can be a place where everyone feels warm - a secret base belonging to adults, as intimate as "home." Ms. Takako invited artists/creators to create or hold small exhibitions in the store. The picture shows the work of the artist Shan Xixi. She uses the window of ymane as the canvas, and uses oil to dye the space with a blue-green halo. It is because of the heart and affection in yamne that this small space is not just an ordinary store. Ms. Takako invited the creators to open a variety of themed workshops in the store. In addition to allowing the creators to personally appreciate them, I hope that I can pass on the simpler and easier-to-use craftsmanship. "Even if you are not happy every day, it is a matter of course that you hate or work hard in life. However, this is the time when you need this space; and I hope that yamne can be a place to warm everyone." Live music performances are also held regularly in the store, providing drinks and refreshments, so that old and new friends can meet and communicate in a relaxed atmosphere. On weekend afternoons or evenings, yamne will hold music performances from time to time. A variety of workshops for themes, allowing creators and guests to communicate with each other. On weekend afternoons or evenings, yamne will hold music performances from time to time. A variety of workshops for themes, allowing creators and guests to communicate with each other. The objects full of feel, the warmth of people and space, the happiness of life condensed in the small space on the second floor of the old building; Miss Yuzi reminded the visitors with yamne that the daily life is so gentle and the life is still abundant. Yamne 19-3, Nishi-ku, Kyo-cho, Nakagyo-ku, Kyoto, Japan 2F Opening Hours: Thu-Mon/ 12:00...

Picking up the lightness and weight of life, Interview with Ji Peihui, "Operator"

Photography/ Manchi Photography Assistant/ Chien Clothing / TED BAKER Cooperation / Sophie, Sun Zongxi, Jane Xueyu, Kakabo Studio "In this case, Fuen Mehta. White Angeli, by allowing himself to sin, actually plays the salvation of others. [...] Prostitutes are like the bottom sump valves of a good ship. Without them, the water level in the gutter will rise continuously until the crew and passengers are finally inundated, and even the entire ship sinks to the bottom of the sea." - "Gnomes and Social Flowers", Sarah Dunant's first call, picking up the thoughts of his hometown, skilled and hesitant; the second call, picking up the desire to vent, exporting and ignoring; third call, pick up The boyfriend’s concern and greetings are vague and ambiguous... Ji Peihui, who plays Tina in the movie “Operator”, always holds the phone in her hand; she must pick up each pass and satisfy her own questions or needs. The line is both an opening and an exit. Tina is a line that connects the desires of the lady in the illegal massage parlour with the guests; the "Operator" itself is also a line. Through the "operator", we see that it is accepted by the values ​​of universal morality and public opinion. The corners of the dark bottom layer - so smooth, so that you are forced to look directly at what you don't want to see or even dare to look at. Just like you want to swallow, the ladies in the movie must be swallowed, excreted after the desire. Hard to swallow. Just after the 28th birthday, Pei Hui, sitting in the studio and accepting the interview, calmly laughed and said that my interview gave her questions, let her ask herself for a few days, and think about what she should give. The answer - that is not to perfuse the needs of this interview, one is firm and worthy of chewing many times in the mouth, but she is combing the past feelings and memories; giving a clear direction to the present and future self, "I think this is my most honest answer!" Thinking about the various figures in "Operator", Pei Hui is an actor. From the very beginning, as the role of Tina is, she gradually brings empathy and looks to the desire of different colors. In the stories of the ladies in the earth; after the play, those thoughts and thoughts that are fluttering and coming back and forth are heavy and even questionable; they are difficult to place and should not be placed. This time we talked to her about this work and the lightness and weight of her own life. Acting, connecting the language exchange between the self-island and the world for filming, from Taipei to London, to experience the taste of London's "foreigner" for a month and a half. "Because it is for shooting, it is difficult to say that it is truly integrated into the local life. In fact, it is limited. But in a limited time, I have observed that the city of London is very inclusive. It is not like a melting pot of joy, but the limit is acceptable." Reviewing that one Half a month, even though most of the scenes in East London, Pei Hui’s impression of London is very good. “London is like a symphony, cello, violin, sharp triangle or cymbal, composed of different instruments, each sound. It's different, but it can be heard in this city." But the identity and feelings of "foreigners" are not just from the plot setting, nor just role interpretation. Growing up in the United States, and then moving to Qingdao with his family and then moving to Taiwan, Pei Hui’s life has undergone tremendous changes; “The identity of the mixed-race is always conspicuous, and I always feel that I am out of place.” One thing The mixed-race little girl, who speaks the Chinese accent of Qingdao accent in Taiwanese schools, and her introverted personality, has always been a problem for Pei Hui in how to get close to people and establish relationships. "I don't have the so-called "courage", maybe because I love face too much (laughs), so I turn my state into an "island."" Isolated islands, even if the foreign ships try to enter and park, if the island's port does not open, It’s a long time. The first work, Dangerous Mind, was a turning point, like tapping the tide on the shore of the island, slowly infiltrating. "If I didn't step into acting, my state and appearance might be completely different from now. For me, "Lecture" has become a way of communicating with others and the world. "The waves on the reef have made her try to step out of her own island comfort circle. "I can't play each role myself - of course I must first know myself, and I will slowly discover how to interpret a character. But the common emotion of human beings has a certain extent. I must understand others to be able to interpret their state and appearance." "In recent years, I have gradually accepted such a self. I may have been disgusted with my own introversion. I have envied others around me and then suppressed myself. Later I thought about it. In fact, I was enjoying this state at that time. Because I can be on my own island, don't take that step and enjoy my own comfort zone. After understanding this kind of self, it seems like I put down one. Some heavy burdens (laughs). Perhaps, this kind of spectator angle, projected into the perspective of Tina in the "Operator", watching the interaction between the old lady, the ladies and the guests, she broke into a region that consciously does not belong to her; With his own experience in growing up, Pei Hui built the distance between the "operator" and the role of the ladies. It was just the pain of Tina watching others, and watching the pain of being involuntarily. "They are swallowing hard to get into the throat." Those who are heavy and unbearable in their lives have started to play the script in 2011. Pei Hui has read this story repeatedly. At the age of 21, her life experience was not enough to understand such a state and role. She never faced the situation of being helpless in the story, and she had not done some "courage" attempts for herself. "Usually, the drama I played will be a little more than my own real life." During the filming preparation, she slowly added the elements of her role to her life experience, "like "courage" and "Strong of the mind." Before the start of the shoot, around 2014, I took the courage to get in touch with the marathon and ran 3 or 4 times - that was the first time I actually exercised physically on my body. I put myself into the first time. Exercise, tempering the flesh is actually honing the mind - the body and the mind are very close, how strong your heart is, and your body actually feels it." The power of the soul, projected into the plot of the movie, projected to The true face of the sex trade industry, "As far as the ladies themselves are concerned, they may not know what they are doing; as far as outsiders are concerned, they just exchange the simplest flesh for money. But in fact they suffer from various human beings being suppressed. The emotions. What they have to do, in fact, the most basic thing is to "sooth" the anger and negative emotions in people's lives; the illusions that people can't satisfy are received, and they can't be sent to him. The situation of speech, even evil thoughts. These are not accepted or digested in the so-called "normal world" outside. They are swallowing hard to get into the throat. Surviving and breathing in this way The mind must be very powerful. For my own sake, I don't feel that I have the means to withstand such a state." In the face of "idealness" that leaves oneself, and some degree of recognition of the courage to live in a different place, It may be more difficult to accept than to leave the comfort zone. "Tina is carrying her dreams to the UK. The goal is to find a job in the UK and live her ideal life. When she returns to Taiwan, she has the courage to make this decision. It is incomparable with the original departure from home - a kind of "courage" that recognizes the facts. It is after all the experience, knowing what you want and making up your mind." Pei Hui recalled. In the end, the choice of every road in life is a "decision" that is invisible and lighter than Hong Mao, a moment of thought. However, what constitutes "decision" may be a struggle for self-sufficiency in survival and reality. After the "decision", it may be the heavy burden of "self-responsibility" and "self-responsibility" among the external population. "Everything is coming, it's the first time, and there is no room for preparation. Just like an actor is on the stage, but never rehearsed." - "Unbearable Lightness in Life", Milan Kundera "Light" and "heavy", in contrast to the appearance of many times in the movie, Milan Kundera's book "Unbearable Lightness in Life" is like a variety of annotations of character life in the play; For the actor's Pei Hui, I must have a deep resonance. "When I read this book, I was very impressed with this sentence," then, if I withdraw the character, the unbearable lightness in Pei Hui’s life sounds really light. "Let’s face yourself." After pondering for a moment, she replied, "I feel that even a person who can be alone with himself may not be able to face himself. Most of the time when we are alone with ourselves, are we really alone with ourselves? Or are we By listening to music, reading books, and so on, the behavior of "one person" to avoid some of the thoughts of thinking?" Realizing that he had escaped ("in fact, it is more like being lazy", she added with a smile), Pei Hui The acting pulls itself back to the point of question. In order to organize and understand the characters, I put myself into a state of great discomfort and forced myself to think about these problems. "Why are you working here?", "Like you."...