Emotional exchange transactions, building a barrier: "Woman from Java", "Evil Lady Mark White", "Her story is not yet to be continued"
Let the film become a windbreak: write homesickness, to the hometown that is about to die
William Eggleston, the ancestor of color photography: the atmosphere of the times under the lens of the 70s and 80s
City order after the typhoon: photographer Yang Yazhen "Delete Park", one by one minus the visual park
"How can I develop a keen ability to watch from boring things?" The photographer Yang Yazhen, who had just finished at the Pengding Gallery in early March, has been around for a while now. Think about the mystery. Farther and farther away from the 2014 work "Park", Yang Yazhen relies on solitude to ease the anxiety of creation while thinking about her relationship with what she sees. But if we still use photography alone to describe the type and meaning of the human vision, the city will still be trapped in boring viewing rules, even though it carries a messy object. A typhoon dismembered the face and order of Daan Forest Park, and the confusing objects were dismantled and scattered around. A park needs the green space surrounded by bricks, columns of trees and leisure equipment to be established. This is a system that we can identify and accept rationally. In the face of the scene after the typhoon intrusion, we quickly recognized that this is not a "normal" scene in Taipei, but a mess, but also a mess. However, Yang Yazhen suddenly saw another order under the outer shell of the city, which is closely bound. This order is invisible in the existing horizon of human beings because it cannot be recognized. She uses photography to detect and walk through objects and scenes that have not yet been written logically. The objects projected by her eyes suddenly become concise and abstract—even if they are contained in a complex and chaotic city, they remain with them. A very intuitive, very simple relationship. "Delete Park" is her "Park" series in 2014, in a "subtractive" mode in her visual park, allowing clusters of images to be stacked and grown in an almost organic way. "I don't always want to sneak into a certain kind of transpiration, the melancholy of white noise filled with information, some kind of "just today, there are special things happening", and the boredom of no confidence in this decision. .... Which kind of entanglement can be summoned by the luminosity of the day, the sound of the wind, the fragrance of the grass. The original clumps emerge and are changed back to a certain spot. There are many such entrances in life."-< Through the blue trace of the taste of chlorine>, "Mystery Scene", the object in the image of Huang Yizhen as the connection with the reality, the more contacts, the more we can identify and outline the scene. Just like we took the evening flight, we looked out the window and looked at the lights of the city underneath. We connected the lines into the outline of the residential area and the industrial area, and slowly pieced together the whole city to a country. The construction of the joint is to return to the past entrance. Every detail may be a call: the strength of daylight, the dog sleeping on the side of the road, the wind blowing between the leaves... There are many such entrances in life. Those who know how to identify the entrance also have the ability to describe the past and make stories. However, Yang Yazhen's image is not in the normal narrative track, nor is there the usual logic between the contacts and the contacts. Rather than breaking down the original system, these broken and awkward images are like hackers, with calm and objective gaze, seeing the entrances and cracks that can be raided on the surface of the world's fullness. Once broken, the structure we are familiar with will be distorted and distorted. She deformed the structure of the landscape rather than the variant, so when we look at these photos, we don't even think that they are foreign objects, but there is a sense of familiarity with "defamiliarization." This is why these photos seem strange again, still inexplicable to maintain a certain degree of objectivity, rather than her privatization of the current landscape with subjective feelings. These images stacked on the wall and on the cloth existed. We instinctively tried to connect logic and stories between the images, but somehow they were rejected. They seem to maintain a mysterious distance with the viewers - a tacit understanding and secret between them and Yang Yazhen. Even though many people have photographed trivial coincidences or dissatisfaction in life, and the choreography constitutes an embarrassing narrative, Yang Yazhen is not trying to collect the original lights on the surface to depict the constellation with personal characteristics; she avoids the map. On the fine and complex path, minus the beautiful composition of the carving, let her world, completely capture her at that moment. Through her photography and video editing, we see another logic, architecture, and the fire that would otherwise not shine in our eyes. Image Courtesy of pon ding & Yang Yazhen. Join Polysh Facebook to read the latest and interesting exhibitions and art articles at any time.
Weaving the dome of the industrial age, reading the vastness and tranquility of history: the French National Library "Richelle Quadrilateral"
The La Bibliothèque Nationale de France was built in 1368 by Charles V (1364-1380) as the King's Library, which houses royal books and private collections. Since the Middle Ages, it has been the largest and largest library in France in the world: in addition to 14 million volumes of books and prints, it also collects various manuscripts, prints, photographs, maps, scores, currency, badges, costumes... …Wait. The French National Library branch is located throughout the country: the Mitterrand Library, the Richelieu Library, the Asna Library and the Opera Library, which were added by President Mitterrand. Commonly known as the "quadrilatère Richelieu", the Richelieu Library, known as the "French Corner of France", moved to the original building on rue Richelieu during the Louis XIV period until the Mitte After the completion of the Long Library, it was changed to special collections and became the National Art Library. Since 1993, the Richelieu Quadrilateral has been the library of art history of French nationals. The people who provide non-academic systems can also access these ancient artifacts from the 17th to the 20th centuries, so that the book officers can have both museums and galleries. Public education function. The Richelieu Quadrilateral is divided into different blocks by conspicuous geometric figures, including the vast reading room, atrium, garden and so on. Since the seventeenth century, through the continuous expansion, demolition and refinement, these seemingly neat and old buildings have been refurbished and reorganized numerous times. Nowadays, the nearly five hundred years of the year have made the "Richardius Quadrilateral" gradually worn out in public use or in the preservation of cultural relics. Therefore, at the end of 2007, it was decided to start the restoration and modernization project. Designed by French architect Bruno Gaudin and chief architect Lagneau Architectes, in addition to maintaining and maintaining the old building itself, it is designed to follow the digital age and design a digital database, as well as the French National Filekeeping and Ancient Clerical School. (l'École Nationale des Chartes) collaboration in cultural and scientific projects. In order to continue to provide people's use during the restoration period, this huge project will be demolished into two parts and is expected to be completed by 2020. This year, after the first part of the repair, it was finally reopened and re-emerged in front of the public. Architect Bruno Gaudin's team has invested in a huge study of the history of building structures in order to preserve the historical features of old buildings while injecting modern new life. They developed different weaves to allow dialogue between architecture, history and technology in different areas. "This library has experienced the hands of many heavyweight architects in history. We undertake their extremely complex and rich architectural heritage in different spaces and time," explains Bruno Gaudin's team. "Therefore, this project is the most The tricky thing is to find a balance between the historical sense of the building and the new plan it will take in the future.” Without compromising the integrity, try to integrate the essence of the architects of the past 100 years. The glass promenade is then used to illuminate the room, blending with the brilliance of the retro wall and the modern design. The first step in the repair and refurbishment project is to reorganize the flow of people in the huge library; in a large and complex space, people can easily find the relationship and logic between space and collection; insert new space, stairs and The elevator is in it while maintaining the overall feel of the interior space. In the past, it was a complicated and painful process to search the manuscript or the performing arts department in a quiet corridor, but now the construction team has created a new walkway that is easy to circulate, making it easier for people to find 10,000 medieval Books with grass papers. Gaudin's team replaced the Performing Arts Center with a new reading room that uses warm wood and clean spaces to create a bright, soft reading space. Typical examples of style differences due to time factors, such as the Central Book Zone, were originally built in 1868. During the period from 1936 to 1938, two more basements were built, and in 1959, five floors were built. Bruno Gaudin then removed the discordant design over the years – including elevators, laminates and partial ceilings, allowing for the addition of 1930 and...
Keep Calm & Visit Barter Books: British second-hand bookstore converted from the old train station
"The 书架 哒 哒 . . . 」 」 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵 绵This station is Barter Books, a second-hand British bookstore for more than 30 years. Barter Books is located in the small town of Ainvik in Northumberland, England. The stone-clad façades, rolling windows and promenades are reminiscent of the small and exquisite train station in the movie. The image of the train is no coincidence. Before becoming one of the second-largest bookstores in Europe, Barter Books was the Alnwick Station built during the Victorian period. The station was also abandoned in 1968 with the suspension of the Ainvik branch line. In the efforts of the founders, Stuart and Mary Manley, they added a new life to the old soul with a book fragrance in 1991, and preserved and restored the classical high arches, large glass and three-sided old fireplace. The ingenuity of Stuart and Mary turned the stopped train into a mini model and continued on the old Ainvik train station. Every train track and pier is a line of verses. When our eyes follow the small train on the head, we will finish a beautiful poem in the bookstore. At the center of the train detour is a large arched mural depicting forty-three great writers, including Shakespeare, Jane Austen, George Orwell, and Wu Erfu. Some of them talked with people around them, and some muttered to themselves, and some of them held their railings and looked down at the guests who read and bought books. The great writers gathered together, and the vivid and flexible charm was like sitting on the Barter Books, inheriting and continuing the sacredness and enthusiasm of reading. The spacious space covers 85 categories of book areas, a children's reading room, three fireplace rooms and a station buffet. Barter Books' collections range from ancient treasures to contemporary novels and are known as the "British Library of second-hand bookstores." And these can be exchanged for the old books of their own worth. If you don't want to exchange old books, we can still spend the most comfortable leisure time here. In the cold winter, we can pick an old book here, like a cat, squat on the sofa by the fireplace, and enjoy a hand-baked handmade biscuit and hot chocolate. Stuart and Mary are like grandparents in the entire town, taking care of everyone's heart and stomach. Mary's bookstore buffets are all private healing menus – from handmade biscuits to bacon sandwiches, from hot soups to red wines. The dream of opening a second-hand bookstore came from a part of Mary’s work experience at the time of college graduation. At that time, she was studying in the United States, working in a small bookstore run by a couple, and she could never forget the beauty of working in the pile of books. "For me, opening a second-hand bookstore in a difficult time is an attempt and challenge for my ability to operate. For Mary, it is building a paradise for itself," Stuart said with a smile. "Although we are now the town." The organization with the most employees, but we never know what will happen in the future." Unexpected things, such as a poster that suddenly burst into red in the bookstore: "Keep Calm and Carry On." Although there is a flood of "Keep Calm and...
Melbourne Plant Gallery: IVY MUSE Botanical Emporium Lifestyle Store
Flooding sunlight poured into the room, and the room floated like a water-filled shadow. Plants arranged vertically and horizontally grow quietly and slowly here, elegant and full of vitality. Organized for six months, the indoor planting studio IVY MUSE, co-founded by a friend, Jacqui Vidal and Alana Langan, officially opened the Botanical Emporium, a brand-owned store in Armadale, Melbourne. In order to make the interior space filled with the rich green atmosphere, Jacqui and Alana opened the urban green experience with this gloomy studio and art gallery. Their green fingers are not only taking care of plants, but also making custom homes for plants. With its vine-like mind and creativity, IVY MUSE inspires everyone's imagination of indoor gardening, retreating from uninteresting earthen pots, or plastic cacti and Christmas trees. IVY MUSE In addition to inspiring more creative aesthetics, a wide range of potted shapes complement each plant's unique look. Planting in the eyes of Jacqui and Alana is like an organic art. The vitality is the most beyond the imagination of people; perhaps it is like a paint-like pour, a dancing gesture towards the sun, or a large, deep green color. Blocks, veins and veins contain the gradient brushstrokes of the artist. The simple and low-key texture highlights the unique color temperature and level of nature; the geometric shape of the metal is ingeniously supported by the posture of the plant, which is like a living complex sculpture. Under the careful work of the two, the studio was specially raised to four meters, the display stand was still beautiful 24K gold; the interior lighting was from the hand of Melbourne artist Amanda Dziedzic, and the installation art was made by paper artist Amanda May Lee. The most ingenious thing is that the treasure of the town shop - 3.5 meters of black bean trees. "In order to move it to this position, the five talents are moving, but it is worth it!" they said. This pair of obsessed green plants has another commonality besides the love of greenery - both are full-time professional women and novice mothers. Unlike the average person's imagination of the artist, Jacqui and Alana are not laid back. In addition to operating IVY MUSE, Jacqui has a gallery called Signed and Numbered, which specializes in limited paper art, while Alana is Hunt...
If the garment can perceive: "The sense of flow," an interview with Oksana Anilionyte
Social media generations, weird girls voice: escape from anxiety with creation, John Yuyi
She wears instant noodles as accessories, exposes photos of people on the Internet to the human body, winds the charger into laces, and glues the voice message on the tip of the tongue. She is John Yuyi - not from the West, but from the Taipei girl Jiang Yiyi. Foreign media called her the Willy Wonka in the art world. Perhaps the Internet is her exclusive chocolate factory. The social media is a magical stick of gold and stone. The ordinary attitude of ordinary life is a plaything in her hands. A group of "Why Didn't You Like My Pic?" held in Peng Ding's exhibition was the first time John Yuyi appeared in his hometown. This time we focused on this interesting girl and asked her to share the ideas of the paradise. . Please talk about the previous works on "Why Didn't You Like My Pic?" The works on display are my main projects - "FacePost" and "BodyPost". They originated from the powder promotion campaign of the previous clay swimsuit series. At that time, it was the first time to put facebook and clay works on the back. Later, after a year of thinking in New York, I felt that if I posted my friends and my post. I should be quite fun on my body. After playing it for a while, the results were shared on Tumblr and Instagram, and I was stolen by the Dongdaemun of Korea to do t-shirt. Since the repercussions are good, I continue to do different themes with different girls, all related to their own social media. For example, one of the themes presented is "messenger" and "Voice Message", and a tattoo sticker that has been read under the eyes. The middle one comes from the "SKIN ON SKIN" series, which was shot in Japan. In addition, there was also the exhibition "TAPE TAPE FURBY". It is a small work made of different tapes by using different tapes to attach Furby to the wall. . The name of the joint exhibition was "Why Didn't You Like My Pic?". Have you ever felt this way when sharing creatives on the Internet? ...