Arts

Design Institute │ Make the furniture stolen from the museum into furniture? Sebastian Errazuriz Humor x Aesthetics Formula

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Author / Alice Chan, Sia. Design and art have always been the channel to interpret visual aesthetics. In addition to the outline and appearance of the work, it is perhaps the physics of the artist and the designer to think and perceive the meaning and structure of life. And even emotional experiments. It can be as pure as meditation, or it can be neurotic-like and frenzied; through the creators to smash or stack ideas in the brain, through different experiences and understanding, to establish a unique thinking and world view. Sebastian Errazuriz, who was born in Chile and now settles in New York, travels in both art and design. He can be called a speculative artist. He can also say that his works are transforming artistic expressions into design vocabulary. In the seemingly minimalist studio, there is a neat design logic, and there are hidden personal details of the game; the neon works of "I LOVE YOU/ I LOVED YOU" on the wall are covered in words. Emotions, but full of humor and irony. The so-called creative process is basically a biological algorithm that we have not realized. The so-called creative process is basically a biological algorithm that we have not realized. Responding to the above explanation of his creation, Errazuriz's own creation, as if the algorithm is automatically activated, reorganizes the abstract and non-physical knowledge and thoughts around the existentialism, psychology, politics, and social issues, or from the Renaissance. The angle of the period cuts into an elegant formula that breaks through the framework without losing visual impact. "Life is very short. When faced with death, why not bring style into life and scream at heaven." He is not obscuring the boundaries between art and design. He just enters these two fields with his own desires. To turn the pictures and even the inner thoughts that we have seen in our lives into a visual experience and story. ANYTHING YOU DESTROY WE WILL REBUILD|Stealing the Greek and Roman statues from the museum ANTIQUITY SHELVES NIKE, 2018. I used 3D scanning technology to steal these classical statues that I loved and respected from the museum. ANTIQUITY SHELVES NIKE, 2018. I used 3D scanning technology to steal these classical statues that I loved and respected from the museum. A towering "eagle" around the headless statue of the Greek goddess Nike is like waiting for the restoration of the museum. The meaning of art is constantly being questioned in every movement in the history of art. Whether it is the British Museum, the Louvre or the Vatican, the statue that is ruined by war or against time, "we will naturally think They are going to protect and rebuild them.” However, for the purpose of reconstruction and protection, there is also a gap between these works of art and people. ANTIQUITY SHELVES NIKE, 2018. ANTIQUITY SHELVES NIKE, 2018. ATHENA LEMNIA & MELEAGER,...

Let the book become the light that penetrates the pupil: the sacrifice of the vision in the name of reading, irrelevant experimental bookstore

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Images courtesy of Wu Guan Books, part of images photographed by Rachel S. The pulsating particles are scattered in the beautiful air that is unique to the port of the South, and the pores are fully relaxed in the two art districts of the Little Screening, and the desires for the summer are rushing, but I didn’t expect that one of the antidote was actually in front of me – the skylight tree shadow lined up with the “unrelated” sign that was carved into a line symmetry. The two square-like characters seemed to be stable and stable, and the inside was actually a sensory driving force. The bookstore of the phantom drug: in the name of the experiment, the reading of the imagination, the use of books as a bait to seduce the dark desire. Image Courtesy of Wu Guan Books. Photography/ Rachel S. Photography/ Rachel S. Say goodbye to all visible shells and "watched" at the entrance to the mourning hall, let the two black scorpions cast like light and light Touching the body of the sun with the warmth of the sun, the body immediately retreats, and the ultimate darkness and coldness suddenly hit the face, and a real soul that is uneasy in the room. Image Courtesy of Wu Guan Books. Photography/ Rachel S. Image Courtesy of Wu Guan Books. Photography/ Rachel S. Image Courtesy of Wu Guan...

The creator picks up the film | "After watching a movie, I get a huge soothing", actor Wen Yuling

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At the beginning of the 2018 Taipei Film Festival, Polysh invited several creators who love to watch movies in the fields of writing, music and performing arts to talk about their "movie love" and share how they "watch movies." In the "Last Poetry", Li Xiaoping, who faces the struggle and helplessness of the contemporary youth, and dials his own self-disciplinary desires and emotions in the predicament; is in the "Blood Goddess of Mercy", with a girl's heart, a smile, a friend, but a love Perseverance to the almost simple Lin Biao; is the "Miracle's Daughter", full of sense of justice, has something to say, but does not consciously oppress Chen Yuxi who hurts dear people. The scene appeared in different frames, Wen Yuling's outlines in various movies and dramas were always clear; I don't know why, those unforgettable and impressive characters always have a tragic color. Known as a new generation of genius actors, she is unquestionable to perform her talents; however, thinking about the tragic color in the role, how to present the contradictions in three dimensions, but never to treat it in a flat and single way with the word "talent" . Interview with Yu Ling is like a brainstorming and challenging. Within an hour, I kept talking about the understanding and moving of the "film" media. She almost did her best to "consciously" go to the movies. As a result, it became clear that in addition to her talents, another part of the performance of the performance of the role, but also from her dedication, repeated from image thinking to their own creation, a serious collision spark; spark never burned Do, branded as the soul and flesh of the figure in the screen. At the age of 25, facing the world's curiosity with this age, the eagerness to eagerly casts on the face of the film – whether as an audience or as a performer. This time we talked to her about everything she wanted to share about the movie, and this year's Taipei Film Festival, there are several works she is looking forward to. Watching movies is an inspiration and nutrient, and it is a comfort to life. I remember that the director once said a word: "The film is a light in the dark. I have always been impressed by the meaning of it. It's like having a nightmare in the morning, or having a lot of unhappiness in life, but after watching a movie or watching a lot of movies intensively, you get a huge relief. Wen Yuling, Scorpio, O-type, track and field team, harmonica. Watching movies is an inspiration and nutrient, and it is a comfort to life. I remember that the director once said a word: "The film is a light in the dark. I have always been impressed by the meaning of it. It's like having a nightmare in the morning, or having a lot of unhappiness in life, but after watching a movie or watching a lot of movies intensively, you get a huge relief. Wen Yuling, Scorpio, O-type, track and field team, harmonica. Wen Yuling, Scorpio, O-type, track and field team, harmonica. Watching movies is an inspiration and nutrient, and it is a comfort to life. I remember that the director once said a word: "The film is a light in the dark. I have always been impressed by the meaning of it. It's like having a nightmare in the morning, or having a lot of unhappiness in life, but after watching a movie or watching a lot of movies intensively, you get a huge relief. "Inspired by the film, learn the feelings, get comforted, and then trigger thinking and self-discipline." It is not from the question and answer of the typical interview. Yu Ling thinks from the perspective of the filmmaker as a medium for the performance of the film. , positioning the film in the coordinates of her life. "Remember that in the Netflix album "The Madden Women's Prison", there is a paragraph about "Life" that is very good: people think that they live in such a world, get used to their homes, get used to eating, and get used to friends, family and pets around them. All the habits are actually a kind of non-stop "repetition"." In this repetition of the cycle, she consciously challenges the "taken for the sake of being". "As an actor, a creator, I feel that many things must always be I keep thinking of ways to "restart". Just like in life, I am still in the same place, or just staying in Taiwan; I want to go to the new destination from where I was. Because there are still many things in this world, I still don't understand it, and there are more experiences waiting for me to try." I know that the creative nutrients come from the accumulation of different stimuli in life, and the desire to change and try to drive myself, for Yu Ling, The "watching movie" is not a casual activity. "When watching a movie, you must remind your heart to feel or accept it," not only the vision but the The official is fully immersed in the frame. "From music, art, photography to plot, etc., try to get inspiration from different movies and learn the feelings." And the process of learning, Yu Ling laughed and said that I see myself through "one understanding my elders." "A process of knowing oneself from different angles. Like, when you start to discover a movie, you don't like it in some places, it may be a moral feeling or a work. The way it is presented, it may be reversed and negative. For example, the director is telling feminism, but you deeply feel that women are constantly being insulted in that film – and that’s how they look at things. To think and understand, "Why don't you like it," how does it feel from? - In fact, it is a process of dialectical and understanding of oneself." In addition to understanding yourself more, I will look at it from multiple angles. It is equally important for Yan Ling to put back the influence of the film on its own performance. Many unpleasant characters, even without good-hearted plot arrangements, sometimes blame the director for personal lack or deviation. "We should practice reading a movie in many ways. For my own sake, the public My impression is that I love life; but if I perform a role of animal cruelty, what is the reason for this?" Behind this unpleasant, even malicious plot, "because everyone feels shameful, bad, controversial I dare not say or do it, but maybe it is what really happened. If there is no such role or plot to present, is it that the representative is not seen, and people are lucky to think that it does not exist?" By interpreting similar roles Or participate in similar works, to speak for specific topics, to raise awareness of the discussion, but another meaning is gentle, "I think it is "find redemption"! Whether it is a reconciliation with a certain part, or some forgiveness My own process." This profound understanding comes from the ambassador of the Taipei Film Festival last year, and Yu Ling and his friends watched the classic reproduce Yuan Li, director Michael Haneke's "Big People". "Because my friends have different opinions and I don't like this movie, I am even angry when I read it, but my point of view is not the same entry point." She recalled, perhaps because of the cold and cold lens with no mercy. The plot makes people feel cold and ruthless, and even emphasizes "evil". It is both aggressive and provocative to the audience. "But I believe that Michael Haneke loves movies so much. His interpretation of human nature is actually in the world. There is "goodness". It is only that the way he watches "goodness" is to use "evil" to compare. If we don't discuss the darkness of human nature, it seems that there is no way to fully tell the bright side of human nature." "Happy People", Michael Haneke. This profound understanding comes from the role of the ambassador of the Taipei Film Festival last year. Yu Ling and his friends watched the classic re-enactment unit, director Michael Haneke's "Big People". "Because my friends have different opinions and I don't like this movie, I am even angry when I read it, but my point of view is not the same entry point." She recalled, perhaps because of the cold and cold lens with no mercy. The plot makes people feel cold and ruthless, and even emphasizes "evil". It is both aggressive and provocative to the audience. "But I believe that Michael Haneke loves movies so much. His interpretation of human nature is actually in the world. There is "goodness". It is only that the way he watches "goodness" is to use "evil" to compare. If we don't discuss the darkness of human nature, it seems that there is no way to fully explain the bright side of human nature." Because of this, " Watching movies by yourself is very important to Yan Ling. "When the masses are quick to be interested in one thing and then quickly feel it, they don't really understand themselves! I don't know what direction I am heading or what I really support. However, if I watch the process, I will not talk about myself. I will find that I tend to be certain subjects or feelings, which means that such things will stimulate myself." With a firm and even strong tone, she smiled and replied. Therefore, at this year's Taipei Film Festival, Yu Ling has watched many works alone, throwing himself into and enjoying it without any interference, and then depositing, digesting and thinking, and even this conversation. Even if it is sharp, it is full of opinions and strength. When I fell in love with movies, "Erga Variations" used to find inspiration in various creative media. From the time when Yu Ling was a child, "I liked comics and movies when I was a child, and even liked to go to a comic shop to work. At that time I thought I could I was the first to watch new comics and movie DVDs, and later discovered that employees can't borrow new movies (laughs). Since then, she has accumulated a lot of knowledge about movies. And when it comes to the moment when I really fell in love with the movie, "Probably the "European Variations" I saw when I was 16 years old, that film has been around for a while, and I like the director Lars von Trier because of this work." "It's hard to explain how it feels to me. In fact, the whole tone is very dark, and it is presented in the form of a stage play. When the story begins to come up in the middle and late stages, I clearly feel the feeling of "pain"." Yan Ling recalled, " Even if I feel "pain" deeply, "Erga Variations" opens my curiosity about the film. I started to think that watching movies is very interesting. So I became a fanatic moviemaker for a while." The habit of watching movies intensively, the film is much more interesting, and always encounters works that collide with other creative media, such as films adapted from novels, which also triggers the repetitive dialectic and reflection of Yu Ling in the image and in the plot. "Like the recent "Burning Love", the inspiration came from Haruki Murakami's "Burning Barn" in "Firefly", but basically the film and the book are two different contents. Later I went to see Murakami. Chunshu’s short stories seem to be accumulating, reviewing, and comprehending.” Talking about the spark of literature and film, Yu Ling is talking about it. Because of his study of Russian, he also spent a lot of effort on Russian films and literary works. Explore it. Film and literature have such appeal to me. I will fully believe in the world that the creator has made, and from a life of immutability, find a driving force that will keep me moving forward. "Russian well-known great writer Gogol, the work has always been very magical and realistic, like the story of getting up the nose the next day, running away from home, running on the road, etc., writing something full of imagination to make it difficult to use logic to infer. However, I went to Russia for ten months and found that Russians value the reality and don't trust the things about imagination. But even so, even if they don't really believe what he wrote, they still admire Gogol. Works. Reflected in their film works, there are also many Russian creators who continue to shoot imaginative works." And these imaginary worlds - whether they are played between frames or pages, "I actually believe These worlds also feel that these worlds have a certain meaning." 2018 Taipei Film Festival's expected work "Big Pepper Doctor" | Mizoguchi Kenji | 2018 Taipei Film Festival "Classic Reappearance". Pingzheng was demoted in violation of the imperial order to relieve the victims. His wife Yumu took his son, the cook, and his daughter, Anshou, but was deceived by the traffickers. The brothers and sisters were sold to the doctor...

This is perhaps the most enviable job in the world: photographers in those gardens

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When the flowers dyed the world with fresh and transparent colors, a visual feast for the spring and summer seasons emerged spontaneously, which is straightforward and indescribable. The garden is a miracle created by nature and mankind. For photographers, the garden is a great target and amusement park. In the lens of a hundred photographers, there are a hundred different gardens. From the famous Monet Garden, to the Columbia Street Flower Market in London, to the private gardens on the street... What do photographers who like to linger in the flower group see what kind of scenery? The healing power in the flower house | Samuel Zeller I like things that seem less interesting, what we see but don't look at. In the "Botanical" series by Swedish photographer Samuel Zeller, she features a variety of exotic flowers in the greenhouses of Paris, Prague, Glasgow and Geneva. This project originated from a normal afternoon in the spring. Samuel Zeller happened to pass through a flower room, and when the glass door was pushed open, the subtle light slammed into the air, and the warm, moist plant aroma rushed in. This scene made her instantly sensitive, and slowly, she found the fatigue And the pressure has also dissipated. Since then, she has begun to consciously photograph such flowery photos with curative effects, like plant watercolors. The plants behind the frosted glass seem to be attached with a layer of natural filters to create a beauty that is between the real and the virtual. People at Columbia Road Flower Market | Kiyotaka Hatanaka The plants in each person's arms symbolize the happiness of tomorrow. I want to capture this flashing moment. Japanese photographer Kiyotaka Hatanaka lives in London, and his favorite thing to do on weekends is to go to the Columbia open-air flower market in East London. From the last century, the open-air flower market will be open every Sunday, and people from all over the world gather here for afternoon tea, talk and laugh, and then the plants holding the big bags are happy and full. Hatanaka's first Zing "Columbia Road Flower Market" began with such a happy theme. He spent a year shooting these flowers, including children, the elderly, and a family of three or a couple. And this Zine is also like these uncarved, free-growing plants, full of earthy hand feeling. Visit the gardens of Monet | Stephen Shore ...

In addition to writing, how much do you know about paper? Exploring "The Evolution of Paper" in a century-old paper mill

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Photography/杨雅淳. All images courtesy of even production. About paper, how much do you know? I was asked by this sentence. For most people, paper is the material that can be seen everywhere in everyday life. From notebooks to toilet paper, even the body will carry it. Our dependence on paper may be beyond our imagination. Curated by uniform production and cursive heading, in the material warehouse of Yilan Zhongxing Cultural and Creative Park, a paper-based exhibition "The Evolution of Paper" connects the relationship between paper and the local history, and also through the imagination of the artist. Paper is full of visual possibilities. "Knowledge of Paper", "The Evolution of Paper." (left) "Yangyang", Tim Budden's work, "The Evolution of Paper." "Knowledge of Paper", "The Evolution of Paper." "Yangyang", Tim Budden's work, "The Evolution of Paper." The scene came to Zhongxing Paper Factory in Yilan. It was once the largest paper-making factory in Taiwan and the number one production in Southeast Asia. The 13-year-old factory was rebuilt by the Yilan County Government, which contributed to the “The Evolution of Paper”. Built in the post-war period, it was the 15th and 16th warehouses for storing slurry. Now it has become a warehouse for multi-functional exhibition space. The artist Liao Zhaohao challenges the perceptive conflict of "heavy and light" with "Breaking Blocks", while Kangya builds "The Shape of the Future", which is to turn paper into a cloud to express his hope for the future; Wang Dingyi uses "light, sprinkles on The labyrinth design of Paper leads the people to discover the knowledge of paper in the lost way, and encounters the paper, material evolution and various future imaginations that carry important moments of human beings, bringing out the interest of knowledge learning. "Creativity of Paper", "The Evolution of Paper." "Light. Sprinkle on Paper, Wang Ding's work, The Evolution of Paper. "Light. Sprinkle on Paper, Wang Ding's work, The Evolution of Paper. "Light. Sprinkle on Paper, Wang Ding's work, The Evolution of Paper. "Light. Sprinkle on Paper, Wang Ding's work, The Evolution of Paper. In addition, "Paper Creative PAPER CREATIVITY" shows how paper evolved through the imagination of five artists and designers. British artist Tim Budden created a stunning miniature world of paper with the new creation of "Pangyang" by fire-burning technique and paper-cutting; Wu Bingsheng's "Where" uses the thin paper to challenge the possibility of paper as a sounding body, constructing a difference Daily sensory experience; Swiss artist Zimoun tapped 180 cartons with a cotton ball power unit in a high warehouse, and the echoing sound seemed to be an invisible membrane that separated the reality and created another space. Where is it, Wu Bingsheng's work, The Evolution of Paper. "Rose Xiao Huang", Zhang Xuzhan's works, "The Evolution of Paper". "Rose Xiao Huang", Zhang Xuzhan's works, "The Evolution of Paper". Zimoun's work, The Evolution of Paper. Where is it, Wu Bingsheng's work, The Evolution of Paper. Zimoun's work, The Evolution of Paper. "Rose Xiao Huang", Zhang Xuzhan's works, "The Evolution of Paper". "Rose Xiao Huang", Zhang Xuzhan's works, "The Evolution of Paper". Zhang Xuzhan retains the newspaper texture of the traditional paper paste offerings, and tells the story of the dog's soon-to-life through the animated cartoon "Rose Xiao Huang"; the "Banknote Origami" by Hasegawa Yousuke Various folding angles put a hat on the banknotes of various countries, which makes the banknotes more humorous. In addition, various materials such as posters, book design, and packaging design are displayed in the exhibition area. Under the designer's ingenuity, they are rich in different appearances, so that the public can feel the design interest brought by paper. "Banknote Origami", Hasegawa Yosuke's work, "The Evolution of Paper." ...

The creator picks up the film | "The movie, let my inner beast break free", musician flange

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At the beginning of the 2018 Taipei Film Festival, Polysh invited several creators who love to watch movies in the fields of writing, music and performing arts to talk about their "movie love" and share how they "watch movies." A soft and whispering whisper, the girl's heartbreak and fascination, like the overtones on the music sheet, the neon and the moonlight, reflecting the city's seemingly absurd, no name grief. The vocal line of the Flange singer's lead singer always makes me feel that it is liquid. It sounds soft and invisible, but it always covers the ears and the bottom of my heart. It makes the sorrow even sad, but it is also blurred. Such poetry is also damp; a first piece of work is ultimately a love song - a wet love song dedicated to the city and sensitive souls. The lyrics and melody of the resonance in the works fluctuate, and Frank said that it is deeply influenced by the plot transition and visual feeling in the film; she is also engaged in the film soundtrack cooperation recently, sharing with us how the film let her release and understand I am, and this year's Taipei Film Festival, there are several works she is looking forward to. Every time I dropped myself in the movie and went to another life from the perspective of the protagonist, after crying or laughing, I came out and felt more lonely and more understanding of myself. The feeling of being lonely and free, there is the ease, loneliness and happiness that can't be said. Flange, music creator, lead singer of the Frandé French Orchestra. The enchanting temperament in the character makes Frandé's music wandering in a foggy, unpredictable time and space. Every time I dropped myself in the movie and went to another life from the perspective of the protagonist, after crying or laughing, I came out and felt more lonely and more understanding of myself. The feeling of being lonely and free, there is the ease, loneliness and happiness that can't be said. Flange, music creator, lead singer of the Frandé French Orchestra. The enchanting temperament in the character makes Frandé's music wandering in a foggy, unpredictable time and space. Flange, music creator, lead singer of the Frandé French Orchestra. The enchanting temperament in the character makes Frandé's music wandering in a foggy, unpredictable time and space. Every time I dropped myself in the movie and went to another life from the perspective of the protagonist, after crying or laughing, I came out and felt more lonely and more understanding of myself. The feeling of being lonely and free, there is the ease, loneliness and happiness that can't be said. "Movies, like music, are the medium for my inner beast to break free." "I like to watch movies and prefer to go to the movies alone." The interview began with a direct and naked confession of Fran, showing the impact of the film on her. That even took a movie about her "privacy." "I often feel that life is like a series of continuous animal training, taming with the inner beast, learning to be patient, understanding, and assimilation." The movie is likened to the moment of "letting your inner beast break free." Lan, the process allows a certain part of itself, even the unknown itself, to be released. If there are various occurrences of reality, joys, sorrows, and frictions, it is a training process of growth and socialization. There are always some people who are eager to control, but they may have to be careful because of the expectations of others. The creator who wanders between the melody and undulations, the fringe counts the corners of his eyebrows in his life. "In the ordinary life, creating and producing, often pay attention to and measure many small details." Facing reality In her own way, she is also like you and me, more or less, or when there is repression. And "watching movies" - just because movies are the hard work and creation of others, "but instead investing in other people's creations, you can breathe in a big mouth, release the inner, feel amazed, let go of tears, or sleepwalking for a while, don't need to fear yourself. How deep is it." In the cycle of day-to-day, leaving it for a while, it seems that by always exploring the life of another person, "it can be truly in a state of being completely out of touch with people in real life." Know yourself.” The process is not only emotionally resonating, “sometimes intoxicated, giving up the process of self; sometimes it is learning.” It triggers new thoughts and emotions, is transformed into its own nutrients, and even Occasionally bring the courage or encouragement of the flange. In terms of its own creation, the image and sound flow of 24 frames per second in the frame, its influence is invisibly projected on the bottom of the flange, becoming the way she expresses and explains the concept to others. "The scene or lens scheduling of a movie often becomes a way for me to explain the direction of a song to a member or partner. Later, I feel that it creates another difficulty (laughs)! Because of the film, video and lens language, it is another Hard learning.” I admit that I was deeply influenced by the visual feelings and plot transitions in the movie. “In the past, I was always jokes when I was interviewed.” I hope that there is a fog and a feeling of embarrassment. Then it seems to be far away. Illuminated the fire, the bigger the bigger, the more irrational requirements of "the sound of the stars", etc." Frank explained with a smile. According to his works, he can find out the clues in the gentle and sensitive narrative tone, or the ups and downs of the lyrics. When I fell in love with the movie, "Dream" talked about the time when I fell in love with the movie. Flange was impressed by the "Dream" directed by Akira Kurosawa. In retrospect, it was actually when she was young and watched with the adults. "The first time was a bit ignorant, and I don't know if I fell in love, but the amazing feeling is indeed unprecedented. The fragment of "Fox Marrying Daughter" brings me a strange feeling. I have been unable to forget." Flang recalled. Such a surprise impression comes from the mysterious atmosphere in the movie "Fox Marrying Daughter", accompanied by quirky temperament sounds, and even with a "taboo"; "It is also a bit like listening to Massive Attack "Teardrop" for the first time in life. The sense of shock," Fran explained, "a first glimpse of the world in which you live, another world of different dimensions." As I grew older, I was still shocked and still deeply influential, even indirectly affecting the works of Fran. "I have never forgotten it. When we were doing the arrangement of Tautology, a few years ago, I mentioned it. This recollection; I hope that the atmosphere of this picture and plot can help the members to imagine the direction of this song." 2018 Taipei Film Festival's expected work "Who First Loves Him"|Xu Yuting, Xu Zhiyan|2018 Taipei Film Festival "International New Director The contest and the "Taipei Film Award" were shortlisted. Liu Sanlian and her life are full of drama. Her son's comment: "It is a pity that she does not go to Hollywood!" Three years ago, her husband left home and her husband died 95 days ago. Liu Sanlian discovered the beneficiary of her husband's insurance, even from her son. It became a man named Ajie. Angry Liu Sanlian had to take her son and her Oscar-level acting skills to go straight to Ajie’s home and stage a tragedy of orphans and widows. But the man named Ajie had a sinister heart under the beautiful appearance. Even the dead skinned face was mad and stupid from the beginning to the end, so that Liu Sanlian of this side of justice was angry and collapsed, and he also robbed his husband’s insurance money! The first is "Who First Loves Him" ​​and "Sakamoto Ryuichi: The Final Chapter." Home-made comedy is one of the types I like very much. The Taiwanese work "Who loves him first" from the insurance claims is certainly not to be missed! And "Sakamoto Ryuichi: The Final Chapter", I have always liked the work of Sakamoto Ryuichi, and the recent "Furious" movie soundtrack is also his work. ...

Use the body track to write a private and unrestrained diary: Caroline Denervaud

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The body is the language I communicate with the world, my safe haven. When I first saw Caroloine Denervaud's film, I didn't really think she was dancing. In the black and white film with some impurities, she lay on a blank piece of paper. In slow motion, she curled up and stretched out. Like the moment she just woke up, she still wanted to go to bed, and left and right to stretch and stretch; Then, she pointed to the small piece of charcoal with his body moving his arms and then his wrist, leaving a trail of movement on the paper. . What was the reason I originally wanted to dance? I have been dancing since I was impressed. I think this is the way I can express myself the most. 'trace-traits', Caroline Denervaud. What was the reason I originally wanted to dance? I have been dancing since I was impressed. I think this is the way I can express myself the most. 'trace-traits', Caroline Denervaud. 'trace-traits', Caroline Denervaud. 'Trace-traits', Caroline Denervaud. Born in 1978 in Lausanne, Switzerland, her mother is also a body art worker. The dancing of the body is something she is familiar with. When most of the children in adolescence are looking for ways to prove themselves, Caroline knows that dance is her path, and that she understands that only in the process of dancing can she release the most sensitive emotions in her heart and touch others. . With her youthful youth and enthusiasm, she was inspired to be a professional dancer, went to the Laban Centre in London and Beaux Art in Paris, and began her exploration of the dance. However, the path of life is always a bit rugged, and Caroline can't dance again because of a serious injury. It is a ten-year stop. Until she realized once again how much she missed her most expressive way, she decided to fade the academic style and skill, and let the body be more free and free to create and express. "If the only thing you want to do when you wake up is writing, then you are a writer." - Letters to a Young Poet, Rainer Maria Rilke remembers this in the book Letters to a Young Poet Words. The reason why a person is an artist is not whether art is his job, but whether he has the heart to create. Even if Caroline walks rough on the road to dance, it does not mean that she can't continue to express herself in the body. In 2014, she used her old camera to record the mood and feelings of the day; she used the canvas, the body and a pen to edit the dynamic diary of one paragraph after another, and became a unique composite media work belonging to her. 'cathédrale', Caroline...

The creator picks up the film | "Movie, in ordinary life, where the miracle happens", writer Chen Dezheng

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At the beginning of the 2018 Taipei Film Festival, Polysh invited several creators who love to watch movies in the fields of writing, music and performing arts to talk about their "movie love" and share how they "watch movies." Recording a roll of old-school and old-fashioned Mixtape, using words and vocabulary; the moments in the translation memory are still bright or moving, and then echoes in the reader's mind. Chen Dezheng, rewriting the 90s with words, transforming the music context into a vein of self-growth; there are youthful adventures, softness and anxiety between the lines, each note is full of affection, and then there is something wrong with the personnel - or rather, Homesickness, that is dedicated to growth, but also to himself. Repeatedly playing and repeating each page of the songs, and actually found a scene of the movie, "watching movies, ritualistic." In addition to the original music, the film is also a climax in his self-publishing youth. This time we talked with him about how the film's media influenced his writing; and this year's Taipei Film Festival, what other works he expected. Movies, like the places where miracles happen in ordinary life. In the 90 minutes to two hours, the storyline and time are condensed, and it is almost more exciting than most of my own life and what will happen. It is a time-compressed art, a magical medium between reality and dreams, and the director is the creator of the world, creating a roundabout framework. In this frame space, the actors walked in, accompanied by the sounds heard in this space - film music. Chen Dezheng, Department of Radio and Television, Zhengda University, Master of Media Studies, New School, New York. People who write, usually listen to music, watch movies, and go through several places. He is the author of "To all the tomorrow's gatherings", "Meeting in the distance", "The moment we say goodbye". Movies, like the places where miracles happen in ordinary life. In the 90 minutes to two hours, the storyline and time are condensed, and it is almost more exciting than most of my own life and what will happen. It is a time-compressed art, a magical medium between reality and dreams, and the director is the creator of the world, creating a roundabout framework. In this frame space, the actors walked in, accompanied by the sounds heard in this space - film music. Chen Dezheng, Department of Radio and Television, Zhengda University, Master of Media Studies, New School, New York. People who write, usually listen to music, watch movies, and go through several places. He is the author of "To all the tomorrow's gatherings", "Meeting in the distance", "The moment we say goodbye". Chen Dezheng, Department of Radio and Television, Zhengda University, Master of Media Studies, New School, New York. People who write, usually listen to music, watch movies, and go through several places. He is the author of "To all the tomorrow's gatherings", "Meeting in the distance", "The moment we say goodbye". Photography/ Li Yingxia. "Movies, like in ordinary life, where miracles happen." "The vast majority of us, including those who create movies, usually brush their teeth, wash their faces, do things, go out, and spend the same day every day. In the pace of the pace." As a creator of writing and living, Dezheng admitted at the beginning that the writer's life is actually extremely monotonous and boring; however, within two hours of watching the movie, it can make people enter the ordinary Different worlds, "People can fall freely into the market, regardless of the consequences, but feel safe. For example, temporarily withdraw from the usual triviality and transfer to another time and space, and this time and space is created by a group of people. Recalling the new book "We Say Goodbye" in the German government, he described the film and the film festival as "ceremonial" activities; all this should start from his student days. As a literary youth in the 1990s, "Running Film Festival seems to be the only way for a young artist to develop in my time. (Laughter)." Life experience tells us that there are many uncertain things about the future, including ourselves and others. "But there are certain "ceremonial" activities that will make people feel that the world is operating in a certain order or track. The so-called "ceremonial" is a kind of peace of mind and has an inner kind. The feeling of order; the way it is to run a film festival or watch a movie, you perceive the passage of time, and also confirm that certain things are relatively absolute." The fun of running a film festival is not just watching the movie itself, but this Who you met in the process, and then discovered that those who may know or not know meet each other at this time of the year - perhaps called a fate or tacit understanding. As the year has passed, some people have also been found to leave; they may go abroad, may be older and no longer run a film festival, but there will always be new audiences to join. It is a sense of privacy or intimacy between a group of people who do not know. The most interesting thing about watching movies is that "the audience knows that it may be a "recreated reality" or a group of people performing; but when you are sitting in a movie theater, you believe that it is true. It is not Dream - you know clearly and can distinguish, but it is presented in a state of dreams (of course, the documentary is another matter). It is a kind of resistance, resisting boredom, ignorance and sometimes resisting lies." It is "reality of re-creation", how can it resist lies? "The film is a lie art of 24 grids per second, in order to serve the truth." This is what the director Michael Haneke said." Dezheng explained, "The 24 grids are all lies, but the lies exist for the truth. Look at the director how to shoot. Even if all are carefully designed, but in the end it is to present some kind of feeling, "Ah! The days I lived seem to be like this scene." The so-called "everyday" in those frames, via The design, in turn, causes the viewer to resonate with some familiarity.” Combining sound, video, and plot, the highest-end work that triggers thinking and wraps the senses, as Flaubert said: “The author should be like the universe in his works. God. He is omnipresent, but there is no trace to find." In the frame to shape a world without revealing traces, the director's sense of existence is not so strong, for the German government that is the highest realm of the creator. As far as his own creation is concerned, watching a movie can not only temporarily escape the boring life, but also the medium in which he draws inspiration and triggers thinking. "In terms of the nature of creation, writing is the same as film, but the media is different. The film creates a wonderful world in a boring life, and the writer is also." There is actually a subtle resonance between the two. Writing is the reader through the author. The text is to think, and then come back to think about the text itself; "The film is the medium that triggers thinking. The audience thinks through the image, but they can think about the image itself." The connection between the creation and the story in the film is irrelevant. "This story is not necessarily limited to the script. It does not have to have a clear transition, a confession or an ending. It may be conveyed by the aesthetics of the image itself. It is an unspeakable, but the audience can definitely do it." "What?" Take Hou Hsiao-hsien’s work as an example. Dezheng explained, "There is no clear plot of his work, but the more abstract, the audience can still grasp. It is not necessarily the dialogue. It may be that the movements and arrangements of the two screens can actually create an effect that is intended to be out of the way." And if the sound in the movie is discussed from the same angle, "the song or the melody works well, view The film experience will add a lot of points, just like telling stories with lyrics." Like "Blue Boy in Moonlight", "At the end of the scene, two people met, one of them had a "Hello Stranger" in the restaurant's jukebox, no words. Conversation - I think everything they want to pour on each other is in this song. Telling a story with a song, without dialogue, is more roundabout, but at the same time has a melody." The moment of the movie, "The Last Emperor" and "The City of Sadness" Because I grew up in the family of "watching movies for family activities", especially my father is very passionate about movies. "Remember my dad said, "If the university entrance exam is a test Hollywood stars and the name of the movie, I should be able to go to the stage." (Laughs) "The timing of the contact between the German government and the film is earlier than most children of the same age." In 1988, "The Last Emperor" was released. "I was only 9 years old at that time! The story is still vivid in the present. Now I don't even feel that I am watching a movie in the theater, but sitting in a world of disintegration. On the edge, staring at the funeral." Looking back at the plot of "The Last Emperor", my heart is still moved. "In the beginning scene, Pu Yi was still a child. He just put a cockroach in the small box next to the dragon chair; After the ups and downs, he was manipulated by Japan as a burly regime. After the CCP became a political prisoner, he became a political prisoner. He changed from a last emperor to a prisoner. Finally, he resumed his civilian status and participated in a tour of the Forbidden City. The Forbidden City became an attraction. When the other members went forward, Pu Yi secretly climbed to the dragon chair, the box was still there, and the lid was opened, and the dragonfly was still alive. Even though the German government was only a child, he understood the indescribable vicissitudes of life. A cockroach, time is folded, and what you think is impossible to happen, let you see what you are watching now. We know that it is locked in

Follow the sound engineer's footsteps and hear the world's appearance: "Movie Ears: Recording Sounds/Sound Records"

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All these sounds may be extremely everyday, and there are stories of their own in the narrative of high and low audio. But some of the sounds are very far away, like the distance that can't be reached. Co-sponsored by the TIDF Taiwan International Documentary Film Festival and the Cube Project Space, the exhibition by the French sound artist Yannick Dauby, "The Film Ear: Recording Sound/Sound Record", with field recording as the endpoint, connecting sensory experience, ecological environment Interview records and sound art. "Movie Ears: Recording Sounds/Sound Recordings" Part of the exhibition: listening rooms. "Movie Ears: Recording Sounds/Sound Recordings" Part of the exhibition: listening rooms. Hearing is a sensory experience that cannot escape. Without other perceptions, we can consciously choose whether to accept it. The fluctuation of sound will reach the eardrum with the medium such as air. Like sleeping, the sound of mosquitoes flying quickly and fluttering wings is like a problem without solution. In David Toop's "Lost Shadows: in Defence of the Soul," mosquitoes were not absent from the soundtrack's visit to the Samantha ritual of the Yanomami people in the Amazon. From the sound engineer's center, relying on the sound of the distance and source of sound, depicting the deep forest appearance he visited, but also adding a little mystery to the magical sound quality of the wizard. At the same time as the sound leads the journey, the recorder's written records exude a subtle outline of the way they move, the warnings and intentions of the Yanomami people to outsiders, the conduct of the wizard's Saman ritual, and the face of the sound engineer being bitten by a large number of mosquitoes. . David. David Toop, Lost Shadows: In Defence of the Soul, 1978. David. David Toop, Part of the Lost Shadows: In Defence of the Soul, 1978. David. David Toop, Lost Shadows: In Defence of the Soul, 1978. David. David Toop, Part of the Lost Shadows: In Defence of the Soul, 1978. The "Dadong Islands" of Iwata River and Yan Yuying's Iwata are much more tame than the life of the Amazon. The owls in the woods are called regularly, and the bats are weak and sharp but there are heavy waves in the typhoon season. There are also unsatisfactory rains in the sound recordings. Local farmers who grow sugar cane will listen carefully to the sound of rain hitting the roof, because the rainfall is closely related to the harvest of sugar cane. "Movie Ear: Recording Sound/Sound Record" part of the exhibition. "Movie Ear: Recording Sound/Sound Record" part of the exhibition. And when we returned to the voice of Taipei, it was a local narrative mixed with ethnography, but it seemed to be a ridiculous city corner with memories. "Sewing the Pirates Tour: The Sound of Rice Bran" is...

In the scorn and the broken things, pick up the gorgeous and unbearable: "Flowers of the Virgin"

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Written by Stella Tsai, Alice Chan. Photography/ Chen Youwei. Images courtesy of the Wild Children's Limb Theater. The neon is flashing, the sound is shaking, the gorgeous scenes with the mottled and mottled, the poems are cold and poetic; wrapped The makeup of the heavy icing, the actor's gestures are a little out of control, you can't guess the next second, will she jump out, or whether the eager light in his eyes will ignite. The one-year creation, and the temporary change of the last minute performance, the Xiaoshan Mountain, the mountain forest, and the realism of Wanhua’s skinning, the "Flower of the Flower", which is banned on the pages of the book, is coming and going. The night is finally released. From the French playwright Janet's gorgeous and poetic rhetoric, the Wild Child's Body Theatrical Edition of "The Flower of the Madonna" carries the inner projection of the director Yao Sunde in the past year; the interviews and research with the transgender and the underlying characters are buried deeply. Into his imagination and inner monologue, and then implant the role frame of the inside, and in the rehearsal of the creation, deep into the body and thoughts of the actors. It is not so much the director's personal creation, it is better to say that the actors and directors fall together. The adapted performance was somewhat different from the actual text, but it was also picked up in the frenzy and rested in a nearly crazy attachment. It is a paradise created by artist Huang Yanchao between garbage and waste. The visual, tactile, olfactory and auditory collisions with each other; the madness of sex and desire, in the kiss, touch, attack and laughter of the characters For one breath. Sitting in the audience, I stared straight at the extremes and weirdness of "love". The taste sensory that the director had not designed into the performance was triggered. You almost tasted a sputum of body fluids - extremely disturbing but ecstatic It is like wearing the evil expression on the actor's face, and the climax in the rough is always the most embarrassing. Mixed with many languages, French, Chinese, and Taiwanese, and then Cantonese. If the writing in the anger is a mismatch between dreams and reality, then Yao Shangde's "Flowers of the Flower" will break the time and region. "In the process of creation, I have been in a "noisy" and "splicing" mechanism, I don't want the character to be in a very clear and recognizable time and space. The French tone, the original Chinese translation of the text of the teacher, Qing Qing, Indonesia The rhythm of Taiwanese rhythm ..... let the audience watch, can't tell which country and era this is in. Because of this situation and desire to explore, in any country, the lowest level of society in the field, there are It may be staged." The projection of desire is not limited to sex, nor is it merely a unilateral masturbation of a character performance. In the previous period, an earth-shattering woman became a transsexual operation of a male or a male female. In the latter stage, the "Florida of Flowers" and the avatar Antoin's obsession and caressed, confiding the desire of an individual "self" to "want to become a look"; that is Regardless of gender, ethnicity and class, it points to the reality of your nakedness. Before the end, the Virgin was surrounded, accused, sentenced, "perverted", "neurological disease" was screaming, and the blood red pulp and juice of watermelon were sprayed on the Virgin in the population; the audience sniffed the sweetness of the fruit. Or excited, or surprised to invest in watching the crimes and penalties in front of us, unaware, we are all bloodthirsty and addicted. As a viewer, we often watch the sins and penalties of a judgment in a fragrant angle and a comfortable posture. When the serious trial process is staged, the viewer is blinded by sweetness, staying out of the way, enjoying the sweet aroma of addiction. The embarrassment of the critical point is always full, and the big and the big between the body and the code, like the characters in the book. They don’t have sex in the past and they don’t care about real life. You can only let the actors take away the senses, and ignore them gradually being hollowed out and dumped, which leads to the broken heart. The loneliness of those aphasias also makes one The prosperity of the room went to chaos and ruin, as if the outside of the field was too heavy to wash the real life. This is a work of sincerity. Without the rational criticism or interpretation of rationality, the gorgeous stage lighting and makeup are ultimately destroyed by the inner guilt, and no one can blame the outsiders. In the sacred things, they build up and pick up the most gorgeous, unbearable smeared in the moral crown, ridiculous people are self-righteous. Join Polysh Facebook to read the latest and interesting art and creator articles.