Sound & Music / Sound Experiment

Follow the sound engineer's footsteps and hear the world's appearance: "Movie Ears: Recording Sounds/Sound Records"

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All these sounds may be extremely everyday, and there are stories of their own in the narrative of high and low audio. But some of the sounds are very far away, like the distance that can't be reached. Co-sponsored by the TIDF Taiwan International Documentary Film Festival and the Cube Project Space, the exhibition by the French sound artist Yannick Dauby, "The Film Ear: Recording Sound/Sound Record", with field recording as the endpoint, connecting sensory experience, ecological environment Interview records and sound art. "Movie Ears: Recording Sounds/Sound Recordings" Part of the exhibition: listening rooms. "Movie Ears: Recording Sounds/Sound Recordings" Part of the exhibition: listening rooms. Hearing is a sensory experience that cannot escape. Without other perceptions, we can consciously choose whether to accept it. The fluctuation of sound will reach the eardrum with the medium such as air. Like sleeping, the sound of mosquitoes flying quickly and fluttering wings is like a problem without solution. In David Toop's "Lost Shadows: in Defence of the Soul," mosquitoes were not absent from the soundtrack's visit to the Samantha ritual of the Yanomami people in the Amazon. From the sound engineer's center, relying on the sound of the distance and source of sound, depicting the deep forest appearance he visited, but also adding a little mystery to the magical sound quality of the wizard. At the same time as the sound leads the journey, the recorder's written records exude a subtle outline of the way they move, the warnings and intentions of the Yanomami people to outsiders, the conduct of the wizard's Saman ritual, and the face of the sound engineer being bitten by a large number of mosquitoes. . David. David Toop, Lost Shadows: In Defence of the Soul, 1978. David. David Toop, Part of the Lost Shadows: In Defence of the Soul, 1978. David. David Toop, Lost Shadows: In Defence of the Soul, 1978. David. David Toop, Part of the Lost Shadows: In Defence of the Soul, 1978. The "Dadong Islands" of Iwata River and Yan Yuying's Iwata are much more tame than the life of the Amazon. The owls in the woods are called regularly, and the bats are weak and sharp but there are heavy waves in the typhoon season. There are also unsatisfactory rains in the sound recordings. Local farmers who grow sugar cane will listen carefully to the sound of rain hitting the roof, because the rainfall is closely related to the harvest of sugar cane. "Movie Ear: Recording Sound/Sound Record" part of the exhibition. "Movie Ear: Recording Sound/Sound Record" part of the exhibition. And when we returned to the voice of Taipei, it was a local narrative mixed with ethnography, but it seemed to be a ridiculous city corner with memories. "Sewing the Pirates Tour: The Sound of Rice Bran" is...

The sound of the dust can only be heard in the place where there is light and light: Interview with Ke Yuxun

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Photography/ Manchi. Venue Cooperation / He, Traveling to Go Special thanks/ Listening to All Ears Music Inc. If the cat has a free soul and a light body, Ke Yuxun (Ke Ke) should be in the human body. Many cats. I used to go to Beijing to learn dance, and the days there became friends with the guitar. So, in the music creation calendar, in 2014, the first album "Amusement" was published, and poetry and photography were written in the middle, until the second album "Don't Make A Sound" was released last year; A person walks through a variety of music competitions, and now with a strong band, together with many cities. The iridescent aggregates into a white light and recalls the past with the members of today's orchestra. "I don't have to talk too much with the members. We use music to communicate with each other." Ke Ke used the word "beautiful" to describe the tacit understanding within the orchestra. Speaking of the story of the members gathered here, the drummer Qian Qian (Jiang Shangqian) was once a member of the orchestra D-Power. Through the line of Huang Zhongyue, the two people watched each other's music history and supported them until now; the guitarist Wei (Liu Zhelin) joined because of recording the signature of Coke's first album, Amusement. "I like the guitar sound that Dawei pops up. He likes to speak humbly in music, but he is very arrogant. In order to seek balance and comfort in the orchestra, Ke Ke has cooperated with several bass players, until the emergence of the bassist climax (Lin Zhiren) of the orchestra today, only to achieve Coco's ideals in the phrase. The last addition is the synthesizer egg (Su Shi) - Ke Ke will pass on the album "Don't Make A Sound", "Falling Rain Fall in Love" to the other party to play, see can I can't add new colors to the songs; when I listened to the finished product, Ke Ke was shocked by the mellow sound created by the egg, and ended up with only one sentence - "You know me." When I stood on the stage, The head is actually a blank, only music. When I started to play the first note, the first light would shine straight down, and it would feel like a soul, only the music is going, and I am just the medium of the song, singing it. When I stood on the stage, my head was actually blank, only music. When I started to play the first note, the first light would shine straight down, and it would feel like a soul, only the music is going, and I am just the medium of the song, singing it. Even in this era of infiltrating entities, Ke Ke insisted on the release of physical albums and some small surprises in the real world. Entities such as books and albums allow Cooke to read and listen in a unique way. "When I listen to a new album, I will follow the lyrics one by one." Looking at the process of audio swallowing CDs, or Pull the vinyl out of the paper sleeve and carefully move it to the turntable - these shredded rituals remind the temperature and weight of the real music. Therefore, in the tour of the "Don't Make A Sound Tour - Noise Session" on May 12th, Ke Ke prepared a Live EP, which contained the sound recorded in the past tour and was only given to On the day of the performance, there were friends who came to the scene to listen. Let the light enter the auditory cave for Ke Ke, whether it is the city or the wilderness, "Don't...

Play All Night|Black tide men, skin with thin salt: shoot thank you teenager

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Photography/Manchi. People who have been to Dagang to sing, it is not difficult to imagine what is called a thousand men and women who are full of blood, and they are together with the brackish sweat after working hard in Japan. If you feel like you are really, you can't do it in your dreams," he closed the chorus of Lalala, and then the sound of the roar of the guitar blew open in the ear. They are the youngsters (Zhang Weini, Liang Jiangjiang, Xie Zonghan) - a three-piece rock band in Taiwan and Hong Kong. After careful calculation, the last album "Sea Taste" is also five years old. Before the album is still pressed, it is lucky to get a tear-off film on the local record bank. Some fans are lucky. They guessed whether the teenager was a break. In terms of results, during this period, it was not a retreat. They just walked into the depths of life and slowly searched for creative materials. "It’s like going to the vegetable market to buy food, but after leaving, they went two or three. Months, and this is still fast." The members laughed and used the everyday life of the city and the people to describe the energy accumulated during this period. So, one night at the beginning of the year, we went into the night market with the young ladies (the daytime market is not enough, we have to pay attention to the concept of the evening), from shooting balloons, pinball to playing basketball, while walking around and talking about this It’s slow but it doesn’t have a taste. . How long has it been to go to the night market last time? Every day after work, I pass through the Tonghua Night Market, and I often eat dinner there. . In memory, which night market is the most fun? The garden night market in Tainan, the content of the vendors in Baoshan Baohai is really too strong. . Which part do you like most in the night market? Everyone enjoys the atmosphere of the present life. . How long has it been to go to the night market last time? "Every day after work, I pass through the Tonghua Night Market, and I often eat dinner there." In memory, which night market is the most fun? "The garden night market in Tainan, the content of the vendors in Baoshan Baohai is really too good." Which part do you like most in the night market? "There is a lot of fun, everyone enjoys the atmosphere of the present life." How long has it been to go to the night market last time? "Every day after work, I pass through the Tonghua Night Market, and I often eat dinner there." In memory, which night market is the most fun? "The garden night market in Tainan, the content of the vendors in Baoshan Baohai is really too good." Which part do you like most in the night market? "There is a lot of people enjoying the atmosphere of the present life." "Like the marathon, you have to keep running for a long time and keep running." Compared with most mainstream orchestras, the annual time is a cyclical unit. As soon as they arrived, the new songs and special events will follow; the young people who are not eager to create the mass production will be regarded as the marathon-like long journey. In the process of running, the members first seek to take care of their own state, cherish every opportunity to practice the group, if you are fortunate enough to meet friends with similar scent, they will not hesitate to invite them to join this sea-breeding trek. Since the length of time is not the first consideration for the release of the album, the accumulation of five years has made the recent album "Brothers have no dreams" should have a rough prototype, and even can be said to be the epitome of the lives of the members. Early Taiwanese independent creators such as Zhuoshuixi Commune and Blacklist Studio did not regard rock music as purely auditory aesthetics, but also hidden personal opinions on the entire political environment and social trends. When listening to these songs Gradually realize the connection between the individual and the topic - such expressions have profoundly affected the creative methods that are now taking part in the advancement of juveniles and current events. "We do everything with all three people agreeing to do it, so if we attend a performance, it means that all three of us support this issue." But this does not mean that the teenager is like a living group, the whole album. Closely engage in a social issue that you want to talk about. During this process, the members participated in the Jinshan anti-nuclear movement. They were inspired by local residents and broadcast documentaries to create the "Beihai Old Heroes", paying tribute to the local unyielding big brothers, and also for Yang Lizhou's documentary "Draw a River". Wrote a song about the foot of the armor. If you really want to find out the concept of the album, the same name works "Brothers can't dream" should be said to be the initial point of convergence. "The brothers can't dream, it shouldn't be a long song. It records the events we participated in like a catalogue." After the release of the first album "Sea Flavor", the youngsters participated in the anti-nuclear, anti-class, etc. The performances of the social movement parade, these events are hidden and detailed, and they are drawn to the present direction. "Sea Taste" focuses on where we come from, the inner change from college to society. But after going through anti-nuclear and anti-syllabus, we will look at the events that our friends have encountered, and the songs we write gradually Developed into a topic that our generation will pay close attention to, the scope of the proposition is also relatively broad." The final members selected "the brothers have no dreams should not be the most comprehensive album" - meaning from the beginning, all the way Go to the back, go to the present, and return to the original starting point. . Preferred food in the night market? Fried crispy crispy clams fried. . Have you eaten the most thunder snacks? The best thing in the night market is a small cake or a 10 yuan sushi. . What are the choices for salty crispy chickens? Sweet and not spicy, squid, salty crispy chicken. . Do you have a few minutes of sugar in the hand shaker? No sugar and less ice. . Preferred food in the night market? "Fried crispy and crispy clams." Have you eaten the most thunder snacks? "The best thing in the night market is a small cake or a $10 sushi." What are the choices for salty crispy chickens? "Sweet, spicy, squid, salty chicken." Do you have a few minutes of sugar in the hand shaker? "No sugar and less ice." Preferred food in the night market? "Fried crispy and crispy clams." Have you eaten the most thunder snacks? ...

Desolation, we listen | The fin. New album "There" release interview

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The fin., which just finished the tour of eight cities in China, will return to Tokyo and begin to prepare for the upcoming Taipei performance. The Japanese band The fin., which was born in Kobe, first came to Taiwan in 2015, and since then it has opened a record of their tickets for every trip to Taiwan. Listening to The fin. It is hard to imagine that this is a young orchestra from Japan, with fluent English lyrics and perfect retro illusion, and new groups such as Ykiki Beat, DYGL, and Suchmos in the same period in the Japanese music scene. whirlwind". "Through The Deep" EP eponymous title song invited Taiwanese actor Yao Aijun to star in the MV actress, like the decadent scene of the end of the world, but with a dreamy tune melody, with a beautiful contrast to success caused the topic. The fin., which is currently living in London, brought the latest album "There" in March this year. The bassist Takayasu Taguchi left the group in early 2017 because of physical rehabilitation. The current members are Yuto Uchino and Ryosuke Odagaki. And the three-person program of Kaoru Nakazawa, and this new album tour has joined the British drummer support. In 2016, when the members of the "Through The Deep" propaganda tour came back, we had an exclusive interview with The fin. at The WALL. In the past two years, this time, with the new album "There", we will visit Taipei again, we will lead the singer. Yuto reviews the changes in this period. . The fin. Since 2016, I have moved to London to settle down. What is the difference between London and Tokyo for you? ...

Pick up the flashlight and go to the dark to find the blinking eye: MATELIN

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Photography/ Manchi. Riding back to the home in the mountains, passing through the rugged sections of the mountainside where the streetlights can't be worn, the black roads are hidden with black creatures. If they are hidden in the haystacks or shoulders, they will be conscious of the wind. I miss the opportunity to meet these wonderful creatures. The black creatures lie flat on the point that they have to dodge, and the lights illuminate the greasy fur of the dog. I stopped the car and tried to wave it to tell it a safer rest. It walked into the deeper darkness, but there were more twinkling eyes in it. When I first heard about Lin Mazhen, I might speculate on what kind of woman is in the brain, screaming for them in the animal world, but following the guidelines of the search engine, the image I saw was a long, deep and deep British sea. The cat licking and the pair of claws that record the time and space, full of circles, Lin Ma is both an animal and a human. When talking about how each other knew each other and created Lin Ma's beginning, the members could not help but tell the name of Lu Guangzhong. The synthesizer was full of fun and said: "I used to be Lu Guangzhong's bassist, Yi Lu is Lu Guangzhong. The staff, while the small oil is Lu Guangzhong's mad powder, standing in the first row, then chatted and everyone started to create together." Lin Ma's surname is taken from the singer Yiqian's surname, and " The word "Ma Ma" is an unexpected product. Not only is the orchestra's creation focused on animal issues, but Lin Ma's appearance is also derived from cats, dogs, chickens and parrots that the members have used in the past. The skill of the oil appears in the appearance. Less synthesizers. Less synthesizers. Although there is no physical existence, Lin Mazhen is not illusory. She has seen the white mice in the lab that haven't lived for a long time, and she has touched the dark cats who are shivering in the darkness. She recorded these animals that were actually watched in the corner in the "Animals in the Room", but because they can't be used I was confused by the problem of the wrong binary. "Linma is both a human and an animal, but what is it?" So she took a flashlight and explored the planet outside the earth. In the picture book "Hey! I met again. In the beginning of each song, the beginning of each song is derived from a story. The members chewed the changes in the scenery and the heart that Lin Mazhen saw after visiting these planets, and they tried to understand the sound and vision. In this album, Lin Mazhen saw the sleeping flock, the greedy macaque, and the giant deer in the distance. The little oil put the scenes of these ears into the main body of the picture book with extremely fantastic brushstrokes. In order to broaden the sound of the picture, the members visited Kevin Paul, a sound engineer in the UK. After ten days of close work, everything became more intuitive. "Before making music, it might be more tortoise, but in the UK it has become bigger. Now, if you feel anything, you can record it immediately." Guitarist Yi Yi, except for the instrument, left the rest of the cautious and over-thinking. Taiwan. The guitarist is easy to play. The lead singer Yi Qian. VJ Zhao Yu. The guitarist is easy to play. The lead singer Yi Qian. VJ Zhao Yu. On the eve of the flight to the UK, the synthesizer wrote a few letters to invite the orchestras to cooperate in the recording of the new album, and also invited Kevin to participate in the local musicians. After the answer, some orchestras will complete the work in their own workrooms, send the files directly to Lin Mazhen, and some will go directly to the sound engineer for impromptu performances. "What is the player who plays Taiwan, what will he play? The British musicians will automatically play anything when they think of it. Anyway, they say that the other party does not necessarily play it. Looking back, Taiwan’s musicians are still quite powerful. But we can't really play their things." On the one hand, the younger brother felt that the situation was really funny at the time, and on the other hand, he was greatly surprised. When Kevin put those seemingly specific passages in the proper position, the language of the music seems to be all. Set up a channel for communication. MATELIN went to the UK to visit British recording engineer Kevin Paul. MATELIN went to the UK to visit British recording engineer Kevin Paul. More or less, we all hope to understand the language of animals. It is a free or warm place to live. It is a love for silence or a pain. The thin obstacles make the process of interaction with each other more doubtful. There is also more fun, like talking to living creatures from other planets, trying to interpret the meaning behind the action and slowly becoming a companionship. MATELIN "Journey to MATELIN" Taipei Station Legacy Taipei / No.1, Section 1, Bade Road, Zhongzheng District, Taipei Time: March 2, 2018 (Fri), 20:00 Join Polysh Facebook Read the latest and interesting music and creator stories at any time .

A long wait for youth, the British Psychedelic Orchestra RIDE came to Taiwan for an interview

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RIDE, founded in 1988 in Oxford, England, was listed as the most influential shoe-shoe group in the early 1990s with My Bloody Valentine and Slowdive. Although the members were not satisfied with being classified as "Shoegaze", they were the first ones. The album "Nowhere" is still selected as one of the most important shoe catalogues. After releasing its fourth album, Tarantula, in 1996, RIDE announced its dissolution and embarked on its own musical path, with Andy Bell joining Oasis and Beady Eye most widely known. With the reorganization of the legendary orchestra in recent years, RIDE finally announced its return in 2014, and last year released a new album "Weather Diaries" that violated 21 years. After the Lunar New Year in 2018, RIDE will perform for the first time in the original lineup. For many fans who have been with their music since 20 years ago, it is definitely a long wait for youth. As RIDE approaches, RIDE guitarist Andy Bell accepts this short interview to talk about the journey since the debut album Nowhere and the expectation of coming to Taiwan for the third time. <Vapour Trail> from Nowhere. From the albums "Nowhere", "Going Blank Again", "Carnival of Light", "Tarantula", and now to "Weather Diaries", how do you think about RIDE...

The boundary of the performance without rehearsal: an impromptu dialogue, the curator of Chaos, Chen Wukang

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Images Courtesy of 骉舞剧场. There may be some ancient legend, everything begins with interactive temptations without dialogue, and today we call such experiments improvisation. Impromptu as a producer's production method, a free dialogue can be created and a text with no scope can be created. In the fall of 2016, the dance studio launched a series of performances, "Chaotic Body", which was jointly planned by Chen Wukang, the artistic director of the dance theater, and Li Shiyang, the musician. The creators were invited to create performances in the rehearsal field with body and sound. Without rehearsal and rehearsal, the performers attempted to create a creative field with a blurred purpose and unknown direction in the performance, which made the performers inspire each other, and only depended on it. Perhaps we can say that this series of performance experiments is a kind of friendship, the marriage notice of Taiwanese dance performances in the early 21st century. [Chaotic body sound] The first season of the first season, Chen Wukang XPorta Chiusa. [Chaotic body sound] The first season of the first season, Chen Wukang XPorta Chiusa. How should the audience expect an impromptu performance? How to get a spark from the planner's matching relationship? For the performers, how can they develop a considerable dialogue content and method from an initial respectful friendship? Improvisation becomes a performance, and there must be defects in the overall structure. However, the freedom to be cared for and the unknown to be expected are expected in the performance experiment. The dancers and the performers talk to each other in different languages, and we don't need to expect the dancer to make a sound in any way or the player's identity translocation. Rather, in the impromptu performance, the performers have drawn up the range of media they can use, understand the possibilities and mechanisms of exchange, and continue to be the production that will come in the future. [Chaotic body sound] The fourth quarter of the first season, Shai TamirXYannick Dauby. [Chaotic body sound] The fourth quarter of the first season, Shai TamirXYannick Dauby. In the series of "Chaotic Body", which was jointly planned by dancer Chen Wukang and pianist Li Shiyang, the performer was enlarged to the audience in an impromptu performance form, and the initial performance was seen. The performance is such a general beginning, the exhibition is on the stage, and the performers become their own. But I don't always have only the self. There are many deep memories and casual conversations and exchanges. It is like a daily routine. This time Chen Wukang talked with us about improvisation and the process of chaos in improvisation. [Chaotic body sound] The fifth quarter of the second season, Ye Wangzhou X non-confidential space (Xie Mingzhen + Zheng Gejun). [Chaotic body sound] The fifth quarter of the second season, Ye Wangzhou X non-confidential space (Xie Mingzhen + Zheng Gejun). . What kind of opportunity is for you and musician Li Shiyang to start planning this series of performances together? I first went to New York in 2014. During the period, I saw many impromptu performances. There are various forms, most of which are music. About 10-15 minutes before the performance, the audience can enter. The performers have big names and new ones. Impromptu performance. The performers do not rehearse before the performance, but not because they are irresponsible, but they also envy that they can start performing without preparation. The first game I watched was the performance of Philip Glass and a poet. One person read poetry and one played the piano. After the bombing, he got up and walked outside, walked through the crowd and walked out the door. We thought that someone outside would follow the next performance, but he took his things to take the subway. In fact, such a legendary composer is so everyday. Later, before leaving New York, I was invited by a friend and played with them there. This kind of collision or contact through improvisation is very common in this city, it is happening everywhere, it is very chaotic - just like a word, "multidisciplinary". As a dancer, I hope to be able to make an acceleration, let everyone collide a little more, don't think too much. So after I came back, I discussed with Li Shiyang, starting from the fall of 2016, the first season of "Chaotic Body". [Chaotic body sound]...

The gray city, let us cover the fragility of hiding: the song of the urban shepherd, the Taiwan post-drift group Triple Deer

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Photography/Manchi unless stated otherwise. There is no forest in the city. Only one structure of cement is used to prop up the whole ecosystem. The too strong inorganic body just covers the fragile organism. The animals who are afraid of the darkness have hid in the nests where they have not yet lit up the white light. They are licking the messy hairs of their bodies, but they are not willing to clean up the wounds that have been worn out because they run and hide in the day, and gradually let the ulcers become the most painful part. But maybe if you face it once, you won't have to look for cloth of all colors to cover up the fragility. Photography/ XueME De / SHAME love. Photography / Xue Xi De / SHAME love. After the gathering of the rock band Triple Deer with the Qingda Echo Club as the starting point, guitarist Yong Chun and Guan Yu as the most primitive core, as early as the underground society has not been permanent After taking a break from the map, the orchestra has already had the activity. In the past, several people have changed and matched, and also searched for the exact direction of the orchestra. Today, Moto, Fanfan and Shao Xuan complete the whole picture of the orchestra. Talking about the starting point of the album "Urban Shepherd", as early as more than a year ago, the trace of Fuzang was buried. EP "Become a Whale" was the first shot of the members in the middle of the wilderness, and then accelerated. The entire orchestra ran towards the goal. "We always wanted to make an album, and finally selected "Urban Shepherd" for the final naming." During the period, the repertoire of EP "Becoming a Whale" was remixed and recorded in the studio of Yucheng Cinema and the studio. To sketch the traveler Dong Shixing to draw an illustration, handed over to the friends and friends to complete the font design and album binding. "Becoming a Whale" introduces a warm-blooded black tide, covering the body of the listener's cold, and also mentions that we are kind to others and become a strong and gentle existence. Although "Urban Shepherd" has taken on the strength and gentleness of the whale, there is always a fragile moment in the strong body. In this vast organic ruin, whoever has not picked up the road for the darkness of the inner fragility and inferiority The sharp branches and stones that you saw were armed with yourself. Shao Xuan: "I don't like myself very much, but I don't have a very serious state." Yong Chun: "I want to deal with anything more aggressively about my laziness and procrastination." Moto: "I don't like my own uncertainty." Because I am timid and don't want to bear it, I can't say anything." Fan Fan: "Sometimes I will become a very inferior and subjective person, but they all come from inferiority." Guan Yu: " I should be pretty weak, and desperately wrap a lot of things to wrap myself, I am afraid that others will see the real look." But gentle may not only comfort others in a single direction, touch the fragile inner, gently and kindly Yourself. Photography/ Kai Tsai. Photography/ Kai Tsai. Migration "Every song has its own color, and "becoming a whale" is a transparent blue." Guan Yu said. At the beginning of the song, Yong Chun and Guan Yu completed the main arrangement, and told the members of the emotions and stories. For example, the "Sparrow" is Yongchun busy on a certain day, watching the morning light of the goose Cover the face of the road to work, contrast with the contrast of your own life. Through the story, the members searched for the light and darkness in the songs, and then extended the extensions on their respective instruments. For the color of the song map, the members also have different answers. Shao Xuan uses the turquoise mark on his own equipment (the second catcher); the orange of the sparrow is like the feeling when writing a song; as for the urban shepherd 〉, most of the members have the imagination of a white starry sky. Before the final event in Taipei, Triple Deer had to travel from Taipei to Kaohsiung along the winter atmosphere. Instead of choosing THE WALL, which was familiar to fans in the past, as the starting point for the Taipei tour, Fan Fan boldly proposed to perform in the Yu Cheng studio where the album was recorded. "When recording, I felt that the sound here was very good, so I wanted to say if I could perform here." The members tried to overcome the shortcomings of the line, equipment, and lighting equipment, and realized the wish of Fanfan at that time. Compared to most independent orchestras focusing on the presentation of sound, the Triple Deer tour also carries a lot of tubes for the show. Lighting design Feifei and Qizhu for this performance, set up many lamps on the scene, the spot is like a meteor across the dark gap, with the image created by the image design, the line of sight and the ear canal are instantly in the "Urban Shepherd" The magnificent Xinghai in the Milky Way is full. A warm yellow light bulb hangs beside each musician. When the light goes out, everyone hides in a fragile habitat and falls asleep. The way back is "the mourning and gentleness of driftwood, which penetrates into the corner of everyone's heart," Triple Deer wrote. In this rainy and waning Taipei City, the tangled emotions that can't be explained in the emotions put us under the surface of the water, drifting in the unstable state with the waves, and then holding the Triple Deer drifting back to the north, maybe the bottom of my heart. The fragile roots can only be solved by themselves, but the fragile body allows them to hold gently. The rogue of love quietly follows: "Do not cry, cry, tears are pearls." Triple...

Listen to a "solidified music": How does architecture become a sound? Thai sound designer opens the building's "listening aesthetics"

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Walking in the city, seeing the building, road planning, and plant landscape, constitutes the city in our eyes. Among them, architecture is an image indicator of urban style. American city architect Lewis. Mumford Lewis Mumford once said: "The city is a container of culture. The urban architecture is called "solidified music". It carries and solidifies not only the architectural art, but also the social culture, history and culture, and national culture of different eras. , regional culture, political culture." Unlike the world, Lewis. Mumford used the “sound” that is the least relevant to architecture to describe the importance of architecture. After many years, Noble Development, a well-known Thai manufacturer, tried to create it by listening. New architectural aesthetics, then, how does architecture become a sound? Noble Development is one of the well-known developers in the real estate industry in Thailand. It is a thriving attempt to take advantage of the Thai design and construction industry to break through the tradition of inviting people to “listen”. Experience the aesthetics of architectural design. Nobo invited the famous Thai sound designer Tum Monotone (Sathapat Teeranitayapap) to work together to decode Noble's five constructions and match the colors. When many people still don't know much about the work of "sound designer" and think that this work still needs to rely on video work such as movies, animations, etc., Nobo breaks through the general cognition and boldly invites Tum to replace The building is dubbed. Tum replaces the white, gray and black in the floor plan with the volume of "0%", "50%" and "100%", and reads the image through a special machine and disassembles it into different volume levels. Write a melody dedicated to each building for the standard, "Find your own beats." In order to play the sound of the building, the team developed a special machine to scan the image of the floor plan, read the color value of the color with the sensor, convert the color value into sound and output it, based on the sound of the building. "Output; which adds to the sounds heard in the space of the construction, such as the footsteps when walking indoors, the footsteps walking outdoors, the sound of water flowing in the landscape design, and the sound of the wind as it passes through the leaves. Sound... At this time, maybe you realize the same as I did. It turns out that we have already heard the "building voice." Inspired by the modernist design philosophy of “less is more”, it uses simple lines to create beautiful and soothing shadows in composite buildings. From simple slats, steel and glass to modern building materials that echo the true identity of the building, breathtaking natural marble, and aesthetically understand the sounds of Noble's saga in Bangkok, Thailand from September 21st to 24th. The exhibition held at the Siam Paragon is to hope that the sound of the building can be revealed through such a special architecture. In addition to the sounds of Noble, Noble has created its own melody for its key projects; for example, The Sound of Noble BE19, which expresses a seamless life with soothing spurs; Noble BE33's unique melody It represents the characteristics of multiculturalism in this area. When people never imagined that they could "hear" the building, Nobo had weaved their own sounds, melody and rhythm for each architectural work. ...

This winter, we listen | inhabited in winter, insect white

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The hustle and bustle of winter is always quiet. We always think that it is afraid to talk because it is because the seasons are coercive. It can't scream the coldness of winter. Otherwise, it will be like a Xia Yan. But Dongxun knows how to score, and no one knows that it is just waiting, waiting for the ice and snow to dissolve, pouring the energy stored in the past into a brain, like a warm sun to open cold winter. Insects are white, maybe not everyone knows him, but the sound of the instruments held in his hands, the young people who like independent music are hard to hear. Telling the story from the sweet plum, constructing a fierce and warm air island, and then the melody of the fringe line in the fringe, the insect white is a light falling on the body, and it is offered to the music. Everything you have; the lights go out and they are in the background. In the "Natural Man" that he left in Taiwan's indie music scene, the music critic Chen Guanheng clearly wrote in "Fifty Shoulders of God: Insect White": "It should be included in Taiwan's top 100 albums in the 21st century." No more consent can be given. After leaving the campus, few people can continue to do what they like. We all work hard for a few hours in the gaps in our lives, just to achieve a real interest in us. Almost no musicians are on the road to music work because of their interest, as is insect white. Fortunately, he became a favorite and living in the music world. Even in the rest of the past two years, he still has consistent enthusiasm for music. When music changes from interest to work, responsibility is also taken for granted. Whether it is propaganda or copywriting, independent orchestras and musicians must consume part of the time to deal with non-music directly related groups. "Responsible, let me continue to make music, this attitude will also affect my interest, I hope to treat the things I love with the same attitude." On the one hand, he feels the change of time towards music, On the other hand, when music changes from interest to career, attitude change and role switching also occur. "For me, self-discipline is one of the important things, and the other is communication." Insect white and drummer Xiaoguang. Insect white and drummer light. When interest turns into work, I don't think it's less fun, but instead becomes a responsibility. Since I regard music as a career I loved in my life, I should be responsible for it so that I can continue to do this thing—a strategy or method that transforms passion into reality. This attitude will also affect my own other interests that are not related to work, and even use the same attitude. I hope that these interests can continue with this attitude. Life is always inseparable from family, music and models. These three are the focus of the insect white self world. Even though the attempt and love of music has been established, but facing the subject of life, it is also said that "every time wakes up. The uncertainty of life is full of doubts. "Recently read the book "The Oldest Creature on Earth", which talks about the age of the earth, the birth of life hundreds of millions of years ago, etc., and then talks about the earth is not suitable for survival after 5 billion years - in short, the earth There will be a moment of end of life." He recalled, "This makes me realize that there is really no eternal in the world." Responding to his own music, "We always want the works to remain in future generations, but in fact, there is no such thing." I don't even think that any one thing is very positive and certain." Even if it is weak or even helpless, the insect white is not completely negative. "The most important thing is to convince yourself that it is good to live in the moment." Even if the mood on the stage has changed a lot, talking about the works written in the early days, the story behind that is still clear. There is a difference between performance music and other art forms, such as paintings. Paintings are often interpreted and appreciated by the viewers. In live performances, musicians must listen to songs, musical instruments, etc. The combination of interactions, re-interpreting a song. For some creators, when the mood of the original creation gradually dissipates, naturally, the representative works of the past are less and less performed; but the insect white has different opinions, even if the mood is different from the time, the song is good. It's good because it hides more than one oriented link, but can create many more stories. "Maybe I don't echo the original thing, but I can still echo other things about me." I sang briskly. "You don't think there is a road ahead. It's your way to take a step." At this moment, it seems to sing the concept of insect white life. "It may not make sense for people to live in this world." Your way--what you have done, to make it not so bad, to have no regrets, maybe life will naturally make sense." Born to be human, there seems to be no absolute pre-set meaning. For all kinds of helplessness in life, it is not to say that it can be eradicated like taking medicine. We are always adjusting and then coexisting with it. These personal experiences have left traces with the years, and the cockroaches have changed in the clam shells. When one day goes back to clear the traces of these remnants, perhaps in addition to cherishing the regrets, there is more self-evident meaning. Insect White Touring Midfielder Legacy Taichung/ 117 Anhe Road, Xitun District, Taichung City Time: December 8, 2017 (V), 19:00 Interview Photography/ Manchi. Join Polysh Facebook and read the latest and interesting creators at any time. Interview with music.