Cinéma / gaze

The art of the former erotic cinema: Madrid Sala Equis, from focusing on eroticism to showing new horizons in life

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There is a kind of love. "Before I haven't fallen in love with you, you have already fallen in love with me." With such a romantic happiness, walking in a row of colorful houses in the blue sky of Madrid's hot sun On the streets of the encircled, when you met Sala Equis, the timeliness and love of love seemed to radiate from the building; the bricks and tiles were once carved with the smell of wind and frost until the old building met. Five young people. From 1913 to the next 20 years, the building was stationed as El Imparcial until the early 20th century, the neoclassical building and courtyard reincarnation became Duque De Alba Cinema; after the mid-1980s, it was transformed from a Hollywood classic to an art and adult film; until 2015, it was the last erotic theatre in Madrid. Despite several threats of being demolished, this last adult adult cinema in Madrid survived the glory days, accompanied the local people to spend the same time, and expressed the passions accumulated in the 30-year period. His own historical and cultural values. The third rebirth, this old building met the right people in the right time, together with a new and old love song. In order to revitalize the old buildings, they can preserve the historical significance of the past. Five young people from different fields, with their own professions and ideas, Daniel Fernández Cañadas, Laura Suárez, Cristina Rodríguez, Marie Jennings Camissa and Nacho de Padrón, a group of creative groups that assemble journalists, political scientists and restaurant operators. They teamed up with the design team Plantea Estudio to transform the abandoned cinema into a functional and vibrant complex social venue. Pass through the lobby on the first floor, such as the walkway, and browse the tickets containing all the movies, concerts, and exhibitions in "Taquilla", popcorn and drinks in the barrel, walk to the atrium "SALA PLAZA", and be spacious and bright. Shocked. In the past, it was Duque de Alba's outdoor theater. The circular seating area can accommodate up to 300 people. In addition to watching live performances, it is also a place for social and drinking. The vines that climbed up the wall and the gaze fell to the top of the steel frame. The architect, based on his original use, designed a large skylight to shed a natural light during the day; facing the projection screen, surrounded by the surrounding Beach chairs and cushions, a childlike swing descending from the roof, and uncompromisingly contrasting with the mottled walls. The calmness of the old building embraces a new laid-back atmosphere, and satisfies Sala Equis's relaxed and natural character. The original film screening hall is now used to showcase independent films and art films, continuing the erotic atmosphere of the predecessor's adult theater. A total of 55 seats of auditorium, with a gorgeous enchanting crimson velvet and brown round table for People enjoy a refreshment while enjoying a refreshing experience in the gorgeous but lazy space. In addition, there is no thought in the corridor connecting the space. There is a cocktail bar and the same texture of dark velvet. In each building, the original corner of the railing and the tiles that are stepped on each step lead the visitors to one place. The elegant corner of the comfortable nest, the slightly decadent space is full of charm and retro style. As a century-old building, Sala Equis...

Color · Love Institute | The role of not good at words, and the world of not good words: Hou Hsiao-hsien

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color. The Institute of Emotion is such a confined space; here the eyes are black and the feet are silent, but it maintains a movie window for the color (appearance) and emotion (memory) of the world. Then write down and record its complete possibilities. For example, cruelty, such as desire, such as fragility, such as happiness, such as suspense, such as life, such as death, such as love, such as love, such as love love love. For example, the eroticism that makes people curious but can't see. "They don't know how my living room turns from white to black. They don't know how my dad works under the tin house. They don't know that my mother is riding a yellow bicycle for her own children, through heavy rain and cold winter. They don't know Heck. The story of Lux." - Angel Di Maria "The Time". Returning to the hometown, a young man told her that she was pregnant and would bear the responsibility of raising the child independently. The parents who listened to this language did not know how to express their concern. They sat in a corner until the mother could not help but speak. "Dad, let's talk about it! Just tell her!" The father just spoke of beer. He didn't say a word. No one could understand what the father couldn't say, but even the silent content didn't hinder it. The continuation of the viewing, because the wine glasses are sweating, the time is flowing, the father and the mother are all in the picture, how the other side opens, and the relationship and events of the characters appear invisibly. Hou Hsiao-hsien’s film always has such a blank, such as the father who is not good at speaking, only responding with silence, accompanied by the suspension of watching and listening; it is not necessarily a clear view, sometimes just a tree, or A face, let the time ticking over the top, let the viewer know that the wind blows, the water flows, and the personnel live in the work of life and nature. These often unseen landscapes are scattered in the gaps of the event. There is not much information except the interpretation of the background of time and space. It is like a suffix. There is no logical or semantic association. No one knows why it started and where it ends, but Know that there is a description, seeing, listening to, the physical existence of the physical. In this world that is not good at word language, everything seems to be digressing, allowing the viewer to deviate from the subjective guidance and return to the outside of the dispersion, but if you can find the curiosity that is sent, the story will continue to appear in its appearance. There are traces of memory and occasional fun, inviting to pry into the senses, to be in the moment of the record of photography, with the same feelings, the same understanding, to return to the real complexity. Every scene that appears there is waiting to be confirmed. Even if it is ordinary, as in the daily life, when the viewer feels involved, the phenomenon collected will be transformed into itself by the positioning and reorganization of the story intention. The "memorial" that I have experienced, with personal memory and understanding, under the effect of time condensing, to understand the connection outside the eyes. This connection may or may not coincide with the author's intentions, but each occurrence of the observation is a testimony to the existence of the self and others, witnessing the joy and joy of opportunity, witnessing the passing of life, staying will continue It’s vivid to go down. Images via atmovies. Join Polysh Facebook to read the latest and interesting movies and art stories at any time.

Whale Circus | Tonight's Collection: The Nightmare, The Rope of Doom, The Grievance

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The film "Hereditary" is a highly regarded and highly original work of this year. The chain of spectacles, the horror of sight and hearing, the atmosphere is quite in place. On the surface, this is actually a simple occult story. The general idea is that the grandmother in the family believes in cults. The teachings of cults are sacrificed to the "King of the Kings" by the living body, so that the soul of the king can be in the form of flesh. Entering the world. Anne, the heroine of Toni Collette, her father and her brother died because of the body being taken by the mother to the king of the king, and the pain of being trapped in the same body as another soul. Then the mother moved her brain to the grandson who was about to be born. Anne, who was pregnant, tried to abort for this. After giving birth, the family was as far away as possible from the mother. I did not expect the second child to be targeted by the mother. After that, the mother and daughter died one after another, and the whole family was shrouded in a strange shadow different from the general sadness, because the king of the king borrowed the dead body to live in the world and continued to lick the body of Anne's son. However, according to the traditional story of cults, spells, believers and other stories, the "responsibility" is not so fluent, but more concealed and jumping, thus providing a broader space for thinking. The "hereditary" of the film's original film name is hereditary and inherited from generation to generation. It means that the grandmother imposes this ritual sacrifice ceremony on the generation and the next generation, but for me, it also opens a kind of "vertical vertical. The image of the body - as the body can be used as a container, depending on the needs of worship, the specific soul fills and continues to switch, the town also opens one mouth after another, letting a fate toward the dark sublime among them. The plot of "resentment" is clearly linear, but it gradually becomes a nightmare existence, because the doom of this cascading inheritance is not just a problem faced by a single individual or family. When the enchantment of immortality and sublimity is awakened and encouraged, all those who think they are on the side of their own self-hypnosis contribute a twist that looks like eternal. In other words, when we realize that life will always wither, we will let ourselves change and grow old with the world. Everything seems calm and even. But when people think that they are beyond this law, they will make themselves a cohesive and independent. The state of affairs, the ordinary daily landscape has also begun to become abruptly fluctuating, becoming a patchwork of countless fragments (author Ari Aster categorically, violently, arbitrarily cut off, skipping the scene, the real pen). The ghost of "sorrow" is not really the occult classic that is a bit too hardcore, but the invisible vision of a random shuttle in the quiet town. Explain in the plot, that is the vision that the person was possessed by the king, and the burning eyes that the believer realized that the king of the king was betting, but I felt more, easily agree, fall into The reason for those visions is that they are not fascinated by cults. Instead, they are fascinated by cults, but compared to the day-to-day, dry, dry, the "a certain height" of the film provides the origin of all meanings, with great suction. And every infected person will continue to pass on this confusion. The original set of hereditary or just bloody as a downstream rope of doom, but the film's direction is not to close, to escape the huge ominous, but to half-push and enjoy the land more and more, let the shadow cover from top to bottom, blockade. As a result, the dull house was officially transformed into the elegant bricks and tiles on Anne's workbench. The indifferent years of the house were also stopped one frame at a time: the broken bird, the hanging at the bottom of the tree house, Fireball in the living room, every corridor and the attic, every boring work to work, the morning fainting of school, everyone who died and who has a birthday, finally gathered, was seriously collected a big book, even if It is a collection of evil. In the movie, the boy’s class discusses tragedy. Is there no choice for tragedy? Where is the option, but how can it not form the correct one? Is this a tragedy? I have already seen the fall in front of it, and I still can’t go straight. Is this a tragedy? "Stalls" is not a dialectic of tragedy, but to show that tragedy is also summoned - an invisible height filled with power and charm, it tempts you to sacrifice everything to exchange, even more than eternal Good things are meaning. Images via IMDb. Join Polysh Facebook to read the latest and interesting art and film articles at any time.

The creator picks up the film | "After watching a movie, I get a huge soothing", actor Wen Yuling

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At the beginning of the 2018 Taipei Film Festival, Polysh invited several creators who love to watch movies in the fields of writing, music and performing arts to talk about their "movie love" and share how they "watch movies." In the "Last Poetry", Li Xiaoping, who faces the struggle and helplessness of the contemporary youth, and dials his own self-disciplinary desires and emotions in the predicament; is in the "Blood Goddess of Mercy", with a girl's heart, a smile, a friend, but a love Perseverance to the almost simple Lin Biao; is the "Miracle's Daughter", full of sense of justice, has something to say, but does not consciously oppress Chen Yuxi who hurts dear people. The scene appeared in different frames, Wen Yuling's outlines in various movies and dramas were always clear; I don't know why, those unforgettable and impressive characters always have a tragic color. Known as a new generation of genius actors, she is unquestionable to perform her talents; however, thinking about the tragic color in the role, how to present the contradictions in three dimensions, but never to treat it in a flat and single way with the word "talent" . Interview with Yu Ling is like a brainstorming and challenging. Within an hour, I kept talking about the understanding and moving of the "film" media. She almost did her best to "consciously" go to the movies. As a result, it became clear that in addition to her talents, another part of the performance of the performance of the role, but also from her dedication, repeated from image thinking to their own creation, a serious collision spark; spark never burned Do, branded as the soul and flesh of the figure in the screen. At the age of 25, facing the world's curiosity with this age, the eagerness to eagerly casts on the face of the film – whether as an audience or as a performer. This time we talked to her about everything she wanted to share about the movie, and this year's Taipei Film Festival, there are several works she is looking forward to. Watching movies is an inspiration and nutrient, and it is a comfort to life. I remember that the director once said a word: "The film is a light in the dark. I have always been impressed by the meaning of it. It's like having a nightmare in the morning, or having a lot of unhappiness in life, but after watching a movie or watching a lot of movies intensively, you get a huge relief. Wen Yuling, Scorpio, O-type, track and field team, harmonica. Watching movies is an inspiration and nutrient, and it is a comfort to life. I remember that the director once said a word: "The film is a light in the dark. I have always been impressed by the meaning of it. It's like having a nightmare in the morning, or having a lot of unhappiness in life, but after watching a movie or watching a lot of movies intensively, you get a huge relief. Wen Yuling, Scorpio, O-type, track and field team, harmonica. Wen Yuling, Scorpio, O-type, track and field team, harmonica. Watching movies is an inspiration and nutrient, and it is a comfort to life. I remember that the director once said a word: "The film is a light in the dark. I have always been impressed by the meaning of it. It's like having a nightmare in the morning, or having a lot of unhappiness in life, but after watching a movie or watching a lot of movies intensively, you get a huge relief. "Inspired by the film, learn the feelings, get comforted, and then trigger thinking and self-discipline." It is not from the question and answer of the typical interview. Yu Ling thinks from the perspective of the filmmaker as a medium for the performance of the film. , positioning the film in the coordinates of her life. "Remember that in the Netflix album "The Madden Women's Prison", there is a paragraph about "Life" that is very good: people think that they live in such a world, get used to their homes, get used to eating, and get used to friends, family and pets around them. All the habits are actually a kind of non-stop "repetition"." In this repetition of the cycle, she consciously challenges the "taken for the sake of being". "As an actor, a creator, I feel that many things must always be I keep thinking of ways to "restart". Just like in life, I am still in the same place, or just staying in Taiwan; I want to go to the new destination from where I was. Because there are still many things in this world, I still don't understand it, and there are more experiences waiting for me to try." I know that the creative nutrients come from the accumulation of different stimuli in life, and the desire to change and try to drive myself, for Yu Ling, The "watching movie" is not a casual activity. "When watching a movie, you must remind your heart to feel or accept it," not only the vision but the The official is fully immersed in the frame. "From music, art, photography to plot, etc., try to get inspiration from different movies and learn the feelings." And the process of learning, Yu Ling laughed and said that I see myself through "one understanding my elders." "A process of knowing oneself from different angles. Like, when you start to discover a movie, you don't like it in some places, it may be a moral feeling or a work. The way it is presented, it may be reversed and negative. For example, the director is telling feminism, but you deeply feel that women are constantly being insulted in that film – and that’s how they look at things. To think and understand, "Why don't you like it," how does it feel from? - In fact, it is a process of dialectical and understanding of oneself." In addition to understanding yourself more, I will look at it from multiple angles. It is equally important for Yan Ling to put back the influence of the film on its own performance. Many unpleasant characters, even without good-hearted plot arrangements, sometimes blame the director for personal lack or deviation. "We should practice reading a movie in many ways. For my own sake, the public My impression is that I love life; but if I perform a role of animal cruelty, what is the reason for this?" Behind this unpleasant, even malicious plot, "because everyone feels shameful, bad, controversial I dare not say or do it, but maybe it is what really happened. If there is no such role or plot to present, is it that the representative is not seen, and people are lucky to think that it does not exist?" By interpreting similar roles Or participate in similar works, to speak for specific topics, to raise awareness of the discussion, but another meaning is gentle, "I think it is "find redemption"! Whether it is a reconciliation with a certain part, or some forgiveness My own process." This profound understanding comes from the ambassador of the Taipei Film Festival last year, and Yu Ling and his friends watched the classic reproduce Yuan Li, director Michael Haneke's "Big People". "Because my friends have different opinions and I don't like this movie, I am even angry when I read it, but my point of view is not the same entry point." She recalled, perhaps because of the cold and cold lens with no mercy. The plot makes people feel cold and ruthless, and even emphasizes "evil". It is both aggressive and provocative to the audience. "But I believe that Michael Haneke loves movies so much. His interpretation of human nature is actually in the world. There is "goodness". It is only that the way he watches "goodness" is to use "evil" to compare. If we don't discuss the darkness of human nature, it seems that there is no way to fully tell the bright side of human nature." "Happy People", Michael Haneke. This profound understanding comes from the role of the ambassador of the Taipei Film Festival last year. Yu Ling and his friends watched the classic re-enactment unit, director Michael Haneke's "Big People". "Because my friends have different opinions and I don't like this movie, I am even angry when I read it, but my point of view is not the same entry point." She recalled, perhaps because of the cold and cold lens with no mercy. The plot makes people feel cold and ruthless, and even emphasizes "evil". It is both aggressive and provocative to the audience. "But I believe that Michael Haneke loves movies so much. His interpretation of human nature is actually in the world. There is "goodness". It is only that the way he watches "goodness" is to use "evil" to compare. If we don't discuss the darkness of human nature, it seems that there is no way to fully explain the bright side of human nature." Because of this, " Watching movies by yourself is very important to Yan Ling. "When the masses are quick to be interested in one thing and then quickly feel it, they don't really understand themselves! I don't know what direction I am heading or what I really support. However, if I watch the process, I will not talk about myself. I will find that I tend to be certain subjects or feelings, which means that such things will stimulate myself." With a firm and even strong tone, she smiled and replied. Therefore, at this year's Taipei Film Festival, Yu Ling has watched many works alone, throwing himself into and enjoying it without any interference, and then depositing, digesting and thinking, and even this conversation. Even if it is sharp, it is full of opinions and strength. When I fell in love with movies, "Erga Variations" used to find inspiration in various creative media. From the time when Yu Ling was a child, "I liked comics and movies when I was a child, and even liked to go to a comic shop to work. At that time I thought I could I was the first to watch new comics and movie DVDs, and later discovered that employees can't borrow new movies (laughs). Since then, she has accumulated a lot of knowledge about movies. And when it comes to the moment when I really fell in love with the movie, "Probably the "European Variations" I saw when I was 16 years old, that film has been around for a while, and I like the director Lars von Trier because of this work." "It's hard to explain how it feels to me. In fact, the whole tone is very dark, and it is presented in the form of a stage play. When the story begins to come up in the middle and late stages, I clearly feel the feeling of "pain"." Yan Ling recalled, " Even if I feel "pain" deeply, "Erga Variations" opens my curiosity about the film. I started to think that watching movies is very interesting. So I became a fanatic moviemaker for a while." The habit of watching movies intensively, the film is much more interesting, and always encounters works that collide with other creative media, such as films adapted from novels, which also triggers the repetitive dialectic and reflection of Yu Ling in the image and in the plot. "Like the recent "Burning Love", the inspiration came from Haruki Murakami's "Burning Barn" in "Firefly", but basically the film and the book are two different contents. Later I went to see Murakami. Chunshu’s short stories seem to be accumulating, reviewing, and comprehending.” Talking about the spark of literature and film, Yu Ling is talking about it. Because of his study of Russian, he also spent a lot of effort on Russian films and literary works. Explore it. Film and literature have such appeal to me. I will fully believe in the world that the creator has made, and from a life of immutability, find a driving force that will keep me moving forward. "Russian well-known great writer Gogol, the work has always been very magical and realistic, like the story of getting up the nose the next day, running away from home, running on the road, etc., writing something full of imagination to make it difficult to use logic to infer. However, I went to Russia for ten months and found that Russians value the reality and don't trust the things about imagination. But even so, even if they don't really believe what he wrote, they still admire Gogol. Works. Reflected in their film works, there are also many Russian creators who continue to shoot imaginative works." And these imaginary worlds - whether they are played between frames or pages, "I actually believe These worlds also feel that these worlds have a certain meaning." 2018 Taipei Film Festival's expected work "Big Pepper Doctor" | Mizoguchi Kenji | 2018 Taipei Film Festival "Classic Reappearance". Pingzheng was demoted in violation of the imperial order to relieve the victims. His wife Yumu took his son, the cook, and his daughter, Anshou, but was deceived by the traffickers. The brothers and sisters were sold to the doctor...

The creator picks up the film | "The movie, let my inner beast break free", musician flange

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At the beginning of the 2018 Taipei Film Festival, Polysh invited several creators who love to watch movies in the fields of writing, music and performing arts to talk about their "movie love" and share how they "watch movies." A soft and whispering whisper, the girl's heartbreak and fascination, like the overtones on the music sheet, the neon and the moonlight, reflecting the city's seemingly absurd, no name grief. The vocal line of the Flange singer's lead singer always makes me feel that it is liquid. It sounds soft and invisible, but it always covers the ears and the bottom of my heart. It makes the sorrow even sad, but it is also blurred. Such poetry is also damp; a first piece of work is ultimately a love song - a wet love song dedicated to the city and sensitive souls. The lyrics and melody of the resonance in the works fluctuate, and Frank said that it is deeply influenced by the plot transition and visual feeling in the film; she is also engaged in the film soundtrack cooperation recently, sharing with us how the film let her release and understand I am, and this year's Taipei Film Festival, there are several works she is looking forward to. Every time I dropped myself in the movie and went to another life from the perspective of the protagonist, after crying or laughing, I came out and felt more lonely and more understanding of myself. The feeling of being lonely and free, there is the ease, loneliness and happiness that can't be said. Flange, music creator, lead singer of the Frandé French Orchestra. The enchanting temperament in the character makes Frandé's music wandering in a foggy, unpredictable time and space. Every time I dropped myself in the movie and went to another life from the perspective of the protagonist, after crying or laughing, I came out and felt more lonely and more understanding of myself. The feeling of being lonely and free, there is the ease, loneliness and happiness that can't be said. Flange, music creator, lead singer of the Frandé French Orchestra. The enchanting temperament in the character makes Frandé's music wandering in a foggy, unpredictable time and space. Flange, music creator, lead singer of the Frandé French Orchestra. The enchanting temperament in the character makes Frandé's music wandering in a foggy, unpredictable time and space. Every time I dropped myself in the movie and went to another life from the perspective of the protagonist, after crying or laughing, I came out and felt more lonely and more understanding of myself. The feeling of being lonely and free, there is the ease, loneliness and happiness that can't be said. "Movies, like music, are the medium for my inner beast to break free." "I like to watch movies and prefer to go to the movies alone." The interview began with a direct and naked confession of Fran, showing the impact of the film on her. That even took a movie about her "privacy." "I often feel that life is like a series of continuous animal training, taming with the inner beast, learning to be patient, understanding, and assimilation." The movie is likened to the moment of "letting your inner beast break free." Lan, the process allows a certain part of itself, even the unknown itself, to be released. If there are various occurrences of reality, joys, sorrows, and frictions, it is a training process of growth and socialization. There are always some people who are eager to control, but they may have to be careful because of the expectations of others. The creator who wanders between the melody and undulations, the fringe counts the corners of his eyebrows in his life. "In the ordinary life, creating and producing, often pay attention to and measure many small details." Facing reality In her own way, she is also like you and me, more or less, or when there is repression. And "watching movies" - just because movies are the hard work and creation of others, "but instead investing in other people's creations, you can breathe in a big mouth, release the inner, feel amazed, let go of tears, or sleepwalking for a while, don't need to fear yourself. How deep is it." In the cycle of day-to-day, leaving it for a while, it seems that by always exploring the life of another person, "it can be truly in a state of being completely out of touch with people in real life." Know yourself.” The process is not only emotionally resonating, “sometimes intoxicated, giving up the process of self; sometimes it is learning.” It triggers new thoughts and emotions, is transformed into its own nutrients, and even Occasionally bring the courage or encouragement of the flange. In terms of its own creation, the image and sound flow of 24 frames per second in the frame, its influence is invisibly projected on the bottom of the flange, becoming the way she expresses and explains the concept to others. "The scene or lens scheduling of a movie often becomes a way for me to explain the direction of a song to a member or partner. Later, I feel that it creates another difficulty (laughs)! Because of the film, video and lens language, it is another Hard learning.” I admit that I was deeply influenced by the visual feelings and plot transitions in the movie. “In the past, I was always jokes when I was interviewed.” I hope that there is a fog and a feeling of embarrassment. Then it seems to be far away. Illuminated the fire, the bigger the bigger, the more irrational requirements of "the sound of the stars", etc." Frank explained with a smile. According to his works, he can find out the clues in the gentle and sensitive narrative tone, or the ups and downs of the lyrics. When I fell in love with the movie, "Dream" talked about the time when I fell in love with the movie. Flange was impressed by the "Dream" directed by Akira Kurosawa. In retrospect, it was actually when she was young and watched with the adults. "The first time was a bit ignorant, and I don't know if I fell in love, but the amazing feeling is indeed unprecedented. The fragment of "Fox Marrying Daughter" brings me a strange feeling. I have been unable to forget." Flang recalled. Such a surprise impression comes from the mysterious atmosphere in the movie "Fox Marrying Daughter", accompanied by quirky temperament sounds, and even with a "taboo"; "It is also a bit like listening to Massive Attack "Teardrop" for the first time in life. The sense of shock," Fran explained, "a first glimpse of the world in which you live, another world of different dimensions." As I grew older, I was still shocked and still deeply influential, even indirectly affecting the works of Fran. "I have never forgotten it. When we were doing the arrangement of Tautology, a few years ago, I mentioned it. This recollection; I hope that the atmosphere of this picture and plot can help the members to imagine the direction of this song." 2018 Taipei Film Festival's expected work "Who First Loves Him"|Xu Yuting, Xu Zhiyan|2018 Taipei Film Festival "International New Director The contest and the "Taipei Film Award" were shortlisted. Liu Sanlian and her life are full of drama. Her son's comment: "It is a pity that she does not go to Hollywood!" Three years ago, her husband left home and her husband died 95 days ago. Liu Sanlian discovered the beneficiary of her husband's insurance, even from her son. It became a man named Ajie. Angry Liu Sanlian had to take her son and her Oscar-level acting skills to go straight to Ajie’s home and stage a tragedy of orphans and widows. But the man named Ajie had a sinister heart under the beautiful appearance. Even the dead skinned face was mad and stupid from the beginning to the end, so that Liu Sanlian of this side of justice was angry and collapsed, and he also robbed his husband’s insurance money! The first is "Who First Loves Him" ​​and "Sakamoto Ryuichi: The Final Chapter." Home-made comedy is one of the types I like very much. The Taiwanese work "Who loves him first" from the insurance claims is certainly not to be missed! And "Sakamoto Ryuichi: The Final Chapter", I have always liked the work of Sakamoto Ryuichi, and the recent "Furious" movie soundtrack is also his work. ...

The creator picks up the film | "Movie, in ordinary life, where the miracle happens", writer Chen Dezheng

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At the beginning of the 2018 Taipei Film Festival, Polysh invited several creators who love to watch movies in the fields of writing, music and performing arts to talk about their "movie love" and share how they "watch movies." Recording a roll of old-school and old-fashioned Mixtape, using words and vocabulary; the moments in the translation memory are still bright or moving, and then echoes in the reader's mind. Chen Dezheng, rewriting the 90s with words, transforming the music context into a vein of self-growth; there are youthful adventures, softness and anxiety between the lines, each note is full of affection, and then there is something wrong with the personnel - or rather, Homesickness, that is dedicated to growth, but also to himself. Repeatedly playing and repeating each page of the songs, and actually found a scene of the movie, "watching movies, ritualistic." In addition to the original music, the film is also a climax in his self-publishing youth. This time we talked with him about how the film's media influenced his writing; and this year's Taipei Film Festival, what other works he expected. Movies, like the places where miracles happen in ordinary life. In the 90 minutes to two hours, the storyline and time are condensed, and it is almost more exciting than most of my own life and what will happen. It is a time-compressed art, a magical medium between reality and dreams, and the director is the creator of the world, creating a roundabout framework. In this frame space, the actors walked in, accompanied by the sounds heard in this space - film music. Chen Dezheng, Department of Radio and Television, Zhengda University, Master of Media Studies, New School, New York. People who write, usually listen to music, watch movies, and go through several places. He is the author of "To all the tomorrow's gatherings", "Meeting in the distance", "The moment we say goodbye". Movies, like the places where miracles happen in ordinary life. In the 90 minutes to two hours, the storyline and time are condensed, and it is almost more exciting than most of my own life and what will happen. It is a time-compressed art, a magical medium between reality and dreams, and the director is the creator of the world, creating a roundabout framework. In this frame space, the actors walked in, accompanied by the sounds heard in this space - film music. Chen Dezheng, Department of Radio and Television, Zhengda University, Master of Media Studies, New School, New York. People who write, usually listen to music, watch movies, and go through several places. He is the author of "To all the tomorrow's gatherings", "Meeting in the distance", "The moment we say goodbye". Chen Dezheng, Department of Radio and Television, Zhengda University, Master of Media Studies, New School, New York. People who write, usually listen to music, watch movies, and go through several places. He is the author of "To all the tomorrow's gatherings", "Meeting in the distance", "The moment we say goodbye". Photography/ Li Yingxia. "Movies, like in ordinary life, where miracles happen." "The vast majority of us, including those who create movies, usually brush their teeth, wash their faces, do things, go out, and spend the same day every day. In the pace of the pace." As a creator of writing and living, Dezheng admitted at the beginning that the writer's life is actually extremely monotonous and boring; however, within two hours of watching the movie, it can make people enter the ordinary Different worlds, "People can fall freely into the market, regardless of the consequences, but feel safe. For example, temporarily withdraw from the usual triviality and transfer to another time and space, and this time and space is created by a group of people. Recalling the new book "We Say Goodbye" in the German government, he described the film and the film festival as "ceremonial" activities; all this should start from his student days. As a literary youth in the 1990s, "Running Film Festival seems to be the only way for a young artist to develop in my time. (Laughter)." Life experience tells us that there are many uncertain things about the future, including ourselves and others. "But there are certain "ceremonial" activities that will make people feel that the world is operating in a certain order or track. The so-called "ceremonial" is a kind of peace of mind and has an inner kind. The feeling of order; the way it is to run a film festival or watch a movie, you perceive the passage of time, and also confirm that certain things are relatively absolute." The fun of running a film festival is not just watching the movie itself, but this Who you met in the process, and then discovered that those who may know or not know meet each other at this time of the year - perhaps called a fate or tacit understanding. As the year has passed, some people have also been found to leave; they may go abroad, may be older and no longer run a film festival, but there will always be new audiences to join. It is a sense of privacy or intimacy between a group of people who do not know. The most interesting thing about watching movies is that "the audience knows that it may be a "recreated reality" or a group of people performing; but when you are sitting in a movie theater, you believe that it is true. It is not Dream - you know clearly and can distinguish, but it is presented in a state of dreams (of course, the documentary is another matter). It is a kind of resistance, resisting boredom, ignorance and sometimes resisting lies." It is "reality of re-creation", how can it resist lies? "The film is a lie art of 24 grids per second, in order to serve the truth." This is what the director Michael Haneke said." Dezheng explained, "The 24 grids are all lies, but the lies exist for the truth. Look at the director how to shoot. Even if all are carefully designed, but in the end it is to present some kind of feeling, "Ah! The days I lived seem to be like this scene." The so-called "everyday" in those frames, via The design, in turn, causes the viewer to resonate with some familiarity.” Combining sound, video, and plot, the highest-end work that triggers thinking and wraps the senses, as Flaubert said: “The author should be like the universe in his works. God. He is omnipresent, but there is no trace to find." In the frame to shape a world without revealing traces, the director's sense of existence is not so strong, for the German government that is the highest realm of the creator. As far as his own creation is concerned, watching a movie can not only temporarily escape the boring life, but also the medium in which he draws inspiration and triggers thinking. "In terms of the nature of creation, writing is the same as film, but the media is different. The film creates a wonderful world in a boring life, and the writer is also." There is actually a subtle resonance between the two. Writing is the reader through the author. The text is to think, and then come back to think about the text itself; "The film is the medium that triggers thinking. The audience thinks through the image, but they can think about the image itself." The connection between the creation and the story in the film is irrelevant. "This story is not necessarily limited to the script. It does not have to have a clear transition, a confession or an ending. It may be conveyed by the aesthetics of the image itself. It is an unspeakable, but the audience can definitely do it." "What?" Take Hou Hsiao-hsien’s work as an example. Dezheng explained, "There is no clear plot of his work, but the more abstract, the audience can still grasp. It is not necessarily the dialogue. It may be that the movements and arrangements of the two screens can actually create an effect that is intended to be out of the way." And if the sound in the movie is discussed from the same angle, "the song or the melody works well, view The film experience will add a lot of points, just like telling stories with lyrics." Like "Blue Boy in Moonlight", "At the end of the scene, two people met, one of them had a "Hello Stranger" in the restaurant's jukebox, no words. Conversation - I think everything they want to pour on each other is in this song. Telling a story with a song, without dialogue, is more roundabout, but at the same time has a melody." The moment of the movie, "The Last Emperor" and "The City of Sadness" Because I grew up in the family of "watching movies for family activities", especially my father is very passionate about movies. "Remember my dad said, "If the university entrance exam is a test Hollywood stars and the name of the movie, I should be able to go to the stage." (Laughs) "The timing of the contact between the German government and the film is earlier than most children of the same age." In 1988, "The Last Emperor" was released. "I was only 9 years old at that time! The story is still vivid in the present. Now I don't even feel that I am watching a movie in the theater, but sitting in a world of disintegration. On the edge, staring at the funeral." Looking back at the plot of "The Last Emperor", my heart is still moved. "In the beginning scene, Pu Yi was still a child. He just put a cockroach in the small box next to the dragon chair; After the ups and downs, he was manipulated by Japan as a burly regime. After the CCP became a political prisoner, he became a political prisoner. He changed from a last emperor to a prisoner. Finally, he resumed his civilian status and participated in a tour of the Forbidden City. The Forbidden City became an attraction. When the other members went forward, Pu Yi secretly climbed to the dragon chair, the box was still there, and the lid was opened, and the dragonfly was still alive. Even though the German government was only a child, he understood the indescribable vicissitudes of life. A cockroach, time is folded, and what you think is impossible to happen, let you see what you are watching now. We know that it is locked in

Dear parents, do you really love me: public view "Your child is not your child"

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All Images Courtesy of Vision. One of the mysterious puzzles: Is there a chicken or an egg? Humans have racked their brains to list a few causes and effects, trying to resolve the mysteries of the "subject" and "object". However, the "parent-child relationship" of human beings, after the baptism of the ancient civilization, has already jumped out of the ranks of "reproduction" and has risen to the consideration of "life". The so-called "mother and child" is gradually becoming a kind of spirituality - when the amniotic fluid ebbs, the baby falls from the floating state, and with the rupture of the umbilical cord, a pain that separates from the mother is produced - a series of gestation, robustness, birth, and end To say goodbye, it seems that all the life in the future is no longer only "feeding" and "absorption", but is divided into two independent individuals. The joy and sorrow of sorghum can only be reflected in each other's pupils. Silhouette. One of the most difficult puzzles in the ages: Is there a chicken first, or an egg first? Humans have racked their brains to list a few causes and effects, trying to resolve the mysteries of the "subject" and "object". However, the "parent-child relationship" of human beings, after the baptism of the ancient civilization, has already jumped out of the ranks of "reproduction" and has risen to the consideration of "life". The so-called "mother and child" is gradually becoming a kind of spirituality - when the amniotic fluid ebbs, the baby falls from the floating state, and with the rupture of the umbilical cord, a pain that separates from the mother is produced - a series of gestation, robustness, birth, and end To say goodbye, it seems that all the life in the future is no longer only "feeding" and "absorption", but is divided into two independent individuals. The joy and sorrow of sorghum can only be reflected in each other's pupils. Silhouette. In 2006, we put the soul into the "Dangerous Mind", let the slender and well-understood Xie Zhengjie replace us, and play a grand shackle with the deformed education system, hit the stone with eggs, and finally bloom everywhere. In 2010, we removed humanity and turned it into a smashed stone at the bottom of the bridge. We took photos with the "Death Girl" from the perspective of youth confusion. At the same time, we also buried the first class with Chen Haoyuan. This painful and unavoidable adult world is "they exploded the day before graduation." For more than a decade, we have grown into a "legendary adult" with the growth of public viewing. However, the confusion of growth is not like going to school, there will be no real "graduation" day. This year, Public Vision once again launched the educational theme drama "Your child is not your child". The director Chen Huizhen told the film that the persecution of the system and values ​​is still the case, but the scene is transferred from the campus to the family, and the last day of the jasmine 〉, “Mother’s remote control”, “must move”, “child of cat”, and “peacock” are the mother-child relationship that is gradually skewed and distorted due to the intervention of the scholarship. "The last day of Jasmine", public view "Your child is not your child" | Jasmine has been killed since the rise of the year. Jasmine mother told others that it was an accident, but she accepted the new technology still in the test stage, reading the memory of Jasmine. Jasmine mother wants to know too much, who killed her jasmine? Jasmine mother began to live the day of jasmine, and Jasmine also looked at her mother step by step to reveal her secrets. <Cat's Child>, public view "Your child is not your child" | Xiaoyuan Ma is worried about the wall cancer of the family and the PR value that A Yan has been unable to improve every day. She has found A Qingshi to catch the leak. I found one after another tutor to save A Yan's results, but still have to swallow her husband's fist after every quarrel. Until a litter of kittens on the top floor brought this home a chance to change, A Yan found that as long as he made a certain behavior in the parallel world, he could improve the PR value in the real world... <must move>, public view Your child is not your child.] Because Ruova’s grades are not good, the lights on the gold badge on the mother’s chest are darkened, and the mother realizes that Ruova may not be able to pass the 15-year-old identification test. So she took out the embryo to develop a manual. If it can be proved that Ruova is a sputum embryo, maybe she will have a chance to receive a new embryo. If her mother believes that everything she does is for the children, in this society, living a shame, more pain than death! "The last day of Jasmine", public view "Your child is not your child" | Jasmine has been killed since the rise of the year. Jasmine mother told others that it was an accident, but she accepted the new technology still in the test stage, reading the memory of Jasmine. Jasmine mother wants to know too much, who killed her jasmine? Jasmine mother began to live the day of jasmine, and Jasmine also looked at her mother step by step to reveal her secrets. <Cat's Child>, public view "Your child is not your child" | Xiaoyuan Ma is worried about the wall cancer of the family and the PR value that A Yan has been unable to improve every day. She has found A Qingshi to catch the leak. I found one after another tutor to save A Yan's results, but still have to swallow her husband's fist after every quarrel. Until a litter of kittens on the top floor brought this home a chance to change, A Yan found that as long as he made a certain behavior in the parallel world, he could improve the PR value in the real world... <must move>, public view Your child is not your child.] Because Ruova’s grades are not good, the lights on the gold badge on the mother’s chest are darkened, and the mother realizes that Ruova may not be able to pass the 15-year-old identification test. So she took out the embryo to develop a manual. If it can be proved that Ruova is a sputum embryo, maybe she will have a chance to receive a new embryo. If her mother believes that everything she does is for the children, in this society, living a shame, more pain than death! <Peacock>, public view "Your child is not your child"|The blue-collar class's Meiqi cultivates her daughter's skill and sends her to the most prestigious private school in the upper class. However, Qiaoyi is troubled every day. How to maintain the illusion of Bai Fumei in the private school, and do not let people know that her mother is just a tea picker and her father is just a taxi driver. One day, Qiao Yi discovered that the peacock on campus knew all her troubles. The peacock asked her: I can help, but I would rather not want to exchange things? "Your child is not your child", originally published by the writer Wu Xiaole in 2014. The author of the book is a "family teacher" and is keen on the position of "outsiders" and "interveners". Gently staring at the tormented young souls, looking into the emotional abyss of each family, and finally showing a variety of "love-like" but "no love". The novelist Ursula Kroeber Le Guin once said: "Growing is not the death of a child, but the survival of a child." Every young man in the book is experiencing a fight of life. Fortunately, the unfortunate is in the gap between school and family. In the first round, the "Death Resuscitation" card was consumed, until the unarmed, unsuccessful. "Mom's remote control", public view "Your child is not your child" | Xiaowei mother has just experienced the worst day in life, she divorced Xiaowei's father, worked out a big bag, also found that Xiao Wei, who was obedient and obedient, made a fake transcript to deceive her. She felt that she was defeated. At this point, a strange suit male suddenly appeared in front of her, gave her a remote control... <Mother's remote control>, public view "Your child is not your child" | Xiaowei mother has just experienced the most in life On a bad day, she divorced Xiaowei’s father, and she had a big bag at work. She also found that Xiaowei, who had always been obedient, made a false transcript to deceive her. She felt that she was defeated. At this point, a strange suit male suddenly appeared in front of her, gave her a remote control... <Peacock>, public view "Your child is not your child" | The blue-collar class's Meiqi heartily cultivated her daughter's skill, will She was sent to the most prestigious private school in the upper class, but Qiaoyi’s daily troubles were how to maintain the illusion of Bai Fumei in the private school, and not to let her know that her mother was just a tea-picking woman and her father was just a Taxi driver. One day, Qiao Yi discovered that the peacock on campus knew all her troubles. The peacock asked her: I can help, but I would rather not want to exchange things? "Mom's remote control", public view "Your child is not your child" | Xiaowei mother just experienced the worst day in life, she divorced Xiaowei's father, worked out a big bag, also found that Xiao Wei, who was obedient and obedient, made a fake transcript to deceive her. She felt that she was defeated. At this point, a strange suit man suddenly appeared in front of her and gave her a remote control... "By describing it with fables or sci-fi, ridiculousness will become realistic, and our current realism will be ridiculous. "The filming of the day before they graduated" Zheng Youjie, although the adaptation of the series passed the magical and strong visual style, weakened the refraction of the social image, but at the beginning of the process of "the cat's child", it was frequent I think of the "Taiwan University Overseas Chinese's killing of stray cats" in the past few days. In the past, those hazes that could not be seen in the news marquees finally had an extension of deja vu in the scriptwriter's pen. The teenager took the responsibility of taking the milk cat with the self-blame that caused the family to be defeated. Just because he discovered that if he killed a cat in the "parallel world", he would get the full score of the "national certification"..... "If you can't live without it, you can only continue to collapse." The child of the cat is in a soft and unpredictable context. It is difficult to tell the audience to open the icing of the "outsider" and be surprised to see it wrapped up. It’s not a sweet syrup that is “heart-to-heart”, but a young head that is indeed real and bloody. <Cat's Child>, public view "Your child is not your child" <Cat child>, public view "Your child is not your child" Some family stories are far more difficult and distorted than the binary opposition in fairy tales However, the original intention of the series is not to "demonize" the image of parents. On the contrary, through the interpretation of the horns, we are able to penetrate the life of these mothers, mourn the scars left by them in the long-term patriarchal society, and countless scorn, abandonment and violence from marriage and family. The harm these mothers suffered, so that they can only obey the mainstream value, when "Wang Zi Cheng Long, Wang Nong Cheng Feng" went into flames, the love of the dear is turned into a double-sided blade, how invincible, the wounds that swept away How stubborn is it. If love becomes a means, the imbalance of education becomes an unexploded bomb in the child's mind, and it is forbearance, fire, and eruption - and then it becomes a fact in the social version that we think is quite far away. "Your child is not your child" notice, parents' voices. "Your child is not your child" notice, parents' voices. "Your children are not your children, but the children that "life" is longing for. They come from you, but they are not from you; they are with you, but they do not belong to you. You can Give them love, but don't give them thoughts, because they have their own thoughts; you can shelter their bodies, but you can't hide their souls, because their souls live in the house of "Tomorrow", that is you I can't think of it in my dreams." - "The Prophet. On the Child, 1923, Gibran. Put a sentence in your mouth, "Your child is not your child", feel the decomposition of the words, and wipe away the sweet taste of bitterness; perhaps we all understand that love is an instinct, but "how to love", But you need to wipe the practice again and again. After the broadcast, Jane Geng, one of the main screenwriters, left a note for the "Children of Cats": "Let them go." - No need to embellish, love is actually "reluctant to hurt the other side." Just as Wei Ruzhen's theme song tailored for the series, gentle and tirelessly sang: "Don't cry.", she said: "Because I have already cried, I have to comfort the other person and say, "Don't cry, don't cry." Even if the persecution of the system is irreparable, we can embrace the dear at any time, try to understand, and then agree with the children who face the pain of growing up, let love become a plaster to heal the pain. "Your child is not your child", directed by Chen Huizhen | Channel 13 main actors: Yin Xin, Ke Suyun, Ye Quanzhen, Zhong Xinling, Xie Qiong warm broadcast time: July 7th, every Saturday night 9:00 to...

Whale Circus | Tonight's Collection: Countless Dogs, Alienation from Fairy Tales, The Island of the Dog

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Wes Anderson's latest work, "Isle of Dogs," is the future of the Japanese archipelago, where dogs are exiled to a junkyard island. The 12-year-old boy Kobayashi went to the island of the dog to find a dog, and united with the dog on the island to fight against the corrupt mayor. All his works are fairy tales, sweet fairy tales, cruel fairy tales, double-layered fairy tales, meanings and absent-minded fairy tales, but about the expedition but actually the fairy tales to stay in place. They are about the family, about the aggregation and lysis of the family, about the break of the family, about slipping into a family that they don't belong to, a family that they have never owned. These films contain "homes" with different centers of gravity and scales. The crisis of a family starts the establishment and establishment of a new home. In the process of gradually building up new homes and families, the people involved can truly Live in. In other words, about Wes Anderson's symmetry, centering, childlike objects, meticulous institutions and small tricks, it is not the author's representation of the present world, but his construction of a world, or "circle." Boundary." It is said to be the world, but it is actually a home, or even a room. Everyone, in the same room, is doing the same thing together. The same value, the same task, the same aesthetics. Strong sense of soft ban, but so beautiful, it doesn't matter if you live. "Dog Island" continues Wes Anderson's consistent creation logic, but it is quite different. This is a realistic fable that seems to be "coming true": very bad bad guys, very rude treatment, very horrible junk island, very dark The end of the city, corruption and destruction is almost realistic, the dog's wounds and disability are so impressive. Everything in "Island of the Dog" is still the kind of exquisiteness and precision that can hold people in life for a lifetime, but they are evil and sad. Desperate tones, the island prisons are isolated at the bottom of the black sea. As a home, a room, the island of the dog is too ominous and too restless. In the process of stealing sovereignty, Wes Anderson's closed aesthetics became a sense of embarrassment in the crisis. As a "home" that is inherently tilted and must be cracked and replaced, the city of Hirosaki is gloomy and layered, making the desire to "go back to that home" ambiguous. Nothing to do in the cinema. For the first time, Wes Anderson's movie suddenly became very far away. The audience returned to the auditorium, and on the stage, there was a delicate play that was being played, where the ruin of the city was over, and the storm began. We watched under the stage, alienating and waking up the fairy tale. Wes Anderson's mobilization of emotions, many from the whole chain of washing and exquisite aesthetics, about the family's various in and out, watching and awkward, secrets and conflicts... are filled with a soft candy-like sweetheart, but This beauty is in a subtle sense of "a little higher than a child, shorter than an adult" (otherwise this obsessive-compulsive disorder may be the cold horror of Stanley Kubrick at the other end of the spectrum), which makes the fairy tale not read through The beautifully illustrated children's book is not a situation that is always alert and cold-eyed to examine its metaphor with reality. Instead, it is hypnotized, melted, and sincerely converted into pure faith, which makes it extremely simple. The plot is also driven by a variety of complex emotions. However, the gloomy tonality of "Island of the Dog" changed the sense of scale. It seems to be getting bigger and become a metaphor of reality (although it is a naive tone of good and evil), where we look for various police responses; it also seems to be getting smaller, in the extreme situation, people's wishes, dogs The desire to have to be so limited. All Images Courtesy of 20th Century Fox Taiwan. Join Polysh Facebook to read the latest and interesting art and film articles.

Whale Circus | Tonight's Collection: 100% Beauty, with the seams of love, "The Phantom of the Ghost"

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"Phantom Thread" is a movie featuring fashion designers. This is a beautiful movie, and beauty is the dark core of it and the origin of all dangers. The story is about an extremely elegant designer. His only criterion for things is "beauty." As long as it is beautiful, it is right. Overwhelmingly categorical, can not be said. Such a person, the investment must be love at first sight. One day, the designer went to the same restaurant, sat in the same position, and ordered the same dish, but was distracted because there was a new waitress. He told her that I waited for work. He spent the evening with her, and many days to come. He saw at a glance that she was exactly what he wanted. The first date, returning from the restaurant to the studio, the man carefully traveled every woman's ups and downs, this is the line he has been longing for! He will design the most beautiful clothes for her... No, in fact, she will let him design the most beautiful clothes. After that, day after night, there was another erotic scene, although only one of them was ecstatic. A man is lost in a woman's body, and he is like a drunken man. He was excited about the slipperiness of her skin, but he didn't think of a kiss, but a soft texture; he was placed so that she had a posture he wanted, with a sense of indulgence and intolerance, he fine-tuned, back and forth Calibrating her limbs, the strength is even too big. At the end of the evening in the studio, the woman's pores are arrogant and shimmering, but what the man wants is not to enter. He is sketching a silhouette that has never emerged, a kind of skin touch. This is a moment of civilization and primitiveness. This is the most extravagant dream and the most evil dream. There, we have the ultimate physique and prototype, make a fairy tale, put ourselves in, every new day, the princess is a little more beautiful than yesterday. She will not be old and will not deteriorate. The starting point was originally beautiful, slowly becoming love. With regard to the desire that the world once thought impossible, there is now a form. He fell in love with his fingertips and then slid over her two times. Just, can the time shared with others be arbitrarily locked? As one side excavated, there was an ominous resurgence. It is as if a man’s happiness is stolen from the universe, and a woman’s melancholy is a sacrifice. You should not ask for such pure and comprehensive beauty in such a limited human world. The fascination of men reveals the movements, pauses, static and moving rhythms of the fingers, the gentleness of what is confirmed, the violence of definition and commitment, the pictures, the eternal, the love itself, and the sex itself. But this complete and busy little universe separates a living heart. She also wants to participate, she also has the desire to stack, but it has been or never been counted. I can't help but stun, I hope that in the picture, I can break a seam and let the woman get in and let her soul dance, not just attached to a vacuum bottled body. During the caressing of the march, the music and the light are very good, but there is a breath of death. The half is the essence of fetish, and the half is the fetish that makes death a kind of notice. I am very nervous. I hope that the man can suddenly hold the woman's hand at a certain moment, hoping that the woman's button is pulled off, the fine silk satin clothing and the mattress are folded and unforgivable wrinkles, and the man ignores the world and goes bad. Destroyed, because he can see the nearest place, there is a perfect light. Hope can all be lost. Those nights begin with grace and end with grace. Women and us have no chance to see beasts. The beast loves his love for beauty in his eternal details. All images via IMDb. Join Polysh Facebook Keep up to date with the latest and interesting art and film articles.

Whale Circus | Tonight Collection: Innocent, Lolita and Butterfly Specimen, Fetish Madness Paranoid

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I watched a movie that will be released on April 20th, by Incident in a Ghost Land directed by Pascal Laugier. I like the author's previous limit: Killing Purgatory (Martyrs, 2009), the type is a horror film, but full of ceremonial exquisite, aesthetic paranoia. Perhaps the deepest horror is any kind of aesthetic paranoia? Beauty can't be justified. You can't persuade people to do fine-tuning, can't communicate and argue. Beauty is also about "right", the duality of decisiveness, not right, wrong, except to do it, but also Make sure it's strong. Do not question or take risks. It usually takes eternity. The movie "Emperor Doll House". Image courtesy of Double Happiness Movie. "Emperor Doll House." Image courtesy of Double Happiness Movie. For heavy-lovers, the images and scenes of "Emperor House" are a feast. In the movie, there is a small house filled with butterfly specimens, rare objects, and countless dolls; a beautiful sister is imprisoned by a sick couple who came with a pink candy truck. One of them is a giant monster-like mentally handicapped, thirsty for dolls, indulging in all kinds of sniffing, caressing, sucking and self-righteous sexual love for the doll. His partner bans the sisters and puts them in pink. Heavy makeup, Baroque princess dress, become a real doll that is not allowed to grow up, sacrifice to let monsters enjoy. The movie "Emperor Doll House". Image courtesy of Double Happiness Movie. "Emperor Doll House." Image courtesy of Double Happiness Movies. What a pity movie can't be busy with those horror movies, beating, killing, crying, struggling, etc. Otherwise, the scene of light can last for a long time. It is just another innocent museum! When "Grade 1 Player" is a large candy house that collects and displays dream icons, it is so nostalgic and sweet. The collection of crazy monsters that are both dusty but still shining forever is a sinister abyss. ... What is the fascination of what, after all, where is it? Crossing the critical point is the evil. Is it true that Vladimir Nabokov, who is also fanatical about the production and collection of butterfly specimens, will write "Lolita"? The book describes the story of the story of the master and Lolita: It is the same child - the same delicate, honey-colored shoulders, the same soft, smooth back, the same chestnut hair. Her chest was tied with a black polka dot scarf, so my old and sinful eyes could not see the two young breasts on the chest. But the pair of breasts I have touched on an immortal day still can't escape the gaze of my childhood. At the same time, it seems that I am a nanny of a little princess who lost her way, was hijacked, was found wearing a gypsy rags, and her naked body was smiling from the broken clothes against the king and his hunting dog. I suddenly recognized the dark brown pimple on her ribs, and with the fear and joy, I saw her lovely, shrinking belly. My mouth that stretched south was once briefly on it. Stay. And the young buttocks, the thick scalloped traces that I had kissed the elastics of the shorts on her hips - the last frenetic, immortal day behind Roches Roses. Since then, my twenty-five years of life have gradually become thinner, becoming a constantly twitching tip, and eventually disappeared. Lolita by Stanley Kubrick, 1962. Image Source: IMDb. Lolita by Stanley Kubrick, 1962....