Creator pick

The creator picks up the film | "After watching a movie, I get a huge soothing", actor Wen Yuling

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At the beginning of the 2018 Taipei Film Festival, Polysh invited several creators who love to watch movies in the fields of writing, music and performing arts to talk about their "movie love" and share how they "watch movies." In the "Last Poetry", Li Xiaoping, who faces the struggle and helplessness of the contemporary youth, and dials his own self-disciplinary desires and emotions in the predicament; is in the "Blood Goddess of Mercy", with a girl's heart, a smile, a friend, but a love Perseverance to the almost simple Lin Biao; is the "Miracle's Daughter", full of sense of justice, has something to say, but does not consciously oppress Chen Yuxi who hurts dear people. The scene appeared in different frames, Wen Yuling's outlines in various movies and dramas were always clear; I don't know why, those unforgettable and impressive characters always have a tragic color. Known as a new generation of genius actors, she is unquestionable to perform her talents; however, thinking about the tragic color in the role, how to present the contradictions in three dimensions, but never to treat it in a flat and single way with the word "talent" . Interview with Yu Ling is like a brainstorming and challenging. Within an hour, I kept talking about the understanding and moving of the "film" media. She almost did her best to "consciously" go to the movies. As a result, it became clear that in addition to her talents, another part of the performance of the performance of the role, but also from her dedication, repeated from image thinking to their own creation, a serious collision spark; spark never burned Do, branded as the soul and flesh of the figure in the screen. At the age of 25, facing the world's curiosity with this age, the eagerness to eagerly casts on the face of the film – whether as an audience or as a performer. This time we talked to her about everything she wanted to share about the movie, and this year's Taipei Film Festival, there are several works she is looking forward to. Watching movies is an inspiration and nutrient, and it is a comfort to life. I remember that the director once said a word: "The film is a light in the dark. I have always been impressed by the meaning of it. It's like having a nightmare in the morning, or having a lot of unhappiness in life, but after watching a movie or watching a lot of movies intensively, you get a huge relief. Wen Yuling, Scorpio, O-type, track and field team, harmonica. Watching movies is an inspiration and nutrient, and it is a comfort to life. I remember that the director once said a word: "The film is a light in the dark. I have always been impressed by the meaning of it. It's like having a nightmare in the morning, or having a lot of unhappiness in life, but after watching a movie or watching a lot of movies intensively, you get a huge relief. Wen Yuling, Scorpio, O-type, track and field team, harmonica. Wen Yuling, Scorpio, O-type, track and field team, harmonica. Watching movies is an inspiration and nutrient, and it is a comfort to life. I remember that the director once said a word: "The film is a light in the dark. I have always been impressed by the meaning of it. It's like having a nightmare in the morning, or having a lot of unhappiness in life, but after watching a movie or watching a lot of movies intensively, you get a huge relief. "Inspired by the film, learn the feelings, get comforted, and then trigger thinking and self-discipline." It is not from the question and answer of the typical interview. Yu Ling thinks from the perspective of the filmmaker as a medium for the performance of the film. , positioning the film in the coordinates of her life. "Remember that in the Netflix album "The Madden Women's Prison", there is a paragraph about "Life" that is very good: people think that they live in such a world, get used to their homes, get used to eating, and get used to friends, family and pets around them. All the habits are actually a kind of non-stop "repetition"." In this repetition of the cycle, she consciously challenges the "taken for the sake of being". "As an actor, a creator, I feel that many things must always be I keep thinking of ways to "restart". Just like in life, I am still in the same place, or just staying in Taiwan; I want to go to the new destination from where I was. Because there are still many things in this world, I still don't understand it, and there are more experiences waiting for me to try." I know that the creative nutrients come from the accumulation of different stimuli in life, and the desire to change and try to drive myself, for Yu Ling, The "watching movie" is not a casual activity. "When watching a movie, you must remind your heart to feel or accept it," not only the vision but the The official is fully immersed in the frame. "From music, art, photography to plot, etc., try to get inspiration from different movies and learn the feelings." And the process of learning, Yu Ling laughed and said that I see myself through "one understanding my elders." "A process of knowing oneself from different angles. Like, when you start to discover a movie, you don't like it in some places, it may be a moral feeling or a work. The way it is presented, it may be reversed and negative. For example, the director is telling feminism, but you deeply feel that women are constantly being insulted in that film – and that’s how they look at things. To think and understand, "Why don't you like it," how does it feel from? - In fact, it is a process of dialectical and understanding of oneself." In addition to understanding yourself more, I will look at it from multiple angles. It is equally important for Yan Ling to put back the influence of the film on its own performance. Many unpleasant characters, even without good-hearted plot arrangements, sometimes blame the director for personal lack or deviation. "We should practice reading a movie in many ways. For my own sake, the public My impression is that I love life; but if I perform a role of animal cruelty, what is the reason for this?" Behind this unpleasant, even malicious plot, "because everyone feels shameful, bad, controversial I dare not say or do it, but maybe it is what really happened. If there is no such role or plot to present, is it that the representative is not seen, and people are lucky to think that it does not exist?" By interpreting similar roles Or participate in similar works, to speak for specific topics, to raise awareness of the discussion, but another meaning is gentle, "I think it is "find redemption"! Whether it is a reconciliation with a certain part, or some forgiveness My own process." This profound understanding comes from the ambassador of the Taipei Film Festival last year, and Yu Ling and his friends watched the classic reproduce Yuan Li, director Michael Haneke's "Big People". "Because my friends have different opinions and I don't like this movie, I am even angry when I read it, but my point of view is not the same entry point." She recalled, perhaps because of the cold and cold lens with no mercy. The plot makes people feel cold and ruthless, and even emphasizes "evil". It is both aggressive and provocative to the audience. "But I believe that Michael Haneke loves movies so much. His interpretation of human nature is actually in the world. There is "goodness". It is only that the way he watches "goodness" is to use "evil" to compare. If we don't discuss the darkness of human nature, it seems that there is no way to fully tell the bright side of human nature." "Happy People", Michael Haneke. This profound understanding comes from the role of the ambassador of the Taipei Film Festival last year. Yu Ling and his friends watched the classic re-enactment unit, director Michael Haneke's "Big People". "Because my friends have different opinions and I don't like this movie, I am even angry when I read it, but my point of view is not the same entry point." She recalled, perhaps because of the cold and cold lens with no mercy. The plot makes people feel cold and ruthless, and even emphasizes "evil". It is both aggressive and provocative to the audience. "But I believe that Michael Haneke loves movies so much. His interpretation of human nature is actually in the world. There is "goodness". It is only that the way he watches "goodness" is to use "evil" to compare. If we don't discuss the darkness of human nature, it seems that there is no way to fully explain the bright side of human nature." Because of this, " Watching movies by yourself is very important to Yan Ling. "When the masses are quick to be interested in one thing and then quickly feel it, they don't really understand themselves! I don't know what direction I am heading or what I really support. However, if I watch the process, I will not talk about myself. I will find that I tend to be certain subjects or feelings, which means that such things will stimulate myself." With a firm and even strong tone, she smiled and replied. Therefore, at this year's Taipei Film Festival, Yu Ling has watched many works alone, throwing himself into and enjoying it without any interference, and then depositing, digesting and thinking, and even this conversation. Even if it is sharp, it is full of opinions and strength. When I fell in love with movies, "Erga Variations" used to find inspiration in various creative media. From the time when Yu Ling was a child, "I liked comics and movies when I was a child, and even liked to go to a comic shop to work. At that time I thought I could I was the first to watch new comics and movie DVDs, and later discovered that employees can't borrow new movies (laughs). Since then, she has accumulated a lot of knowledge about movies. And when it comes to the moment when I really fell in love with the movie, "Probably the "European Variations" I saw when I was 16 years old, that film has been around for a while, and I like the director Lars von Trier because of this work." "It's hard to explain how it feels to me. In fact, the whole tone is very dark, and it is presented in the form of a stage play. When the story begins to come up in the middle and late stages, I clearly feel the feeling of "pain"." Yan Ling recalled, " Even if I feel "pain" deeply, "Erga Variations" opens my curiosity about the film. I started to think that watching movies is very interesting. So I became a fanatic moviemaker for a while." The habit of watching movies intensively, the film is much more interesting, and always encounters works that collide with other creative media, such as films adapted from novels, which also triggers the repetitive dialectic and reflection of Yu Ling in the image and in the plot. "Like the recent "Burning Love", the inspiration came from Haruki Murakami's "Burning Barn" in "Firefly", but basically the film and the book are two different contents. Later I went to see Murakami. Chunshu’s short stories seem to be accumulating, reviewing, and comprehending.” Talking about the spark of literature and film, Yu Ling is talking about it. Because of his study of Russian, he also spent a lot of effort on Russian films and literary works. Explore it. Film and literature have such appeal to me. I will fully believe in the world that the creator has made, and from a life of immutability, find a driving force that will keep me moving forward. "Russian well-known great writer Gogol, the work has always been very magical and realistic, like the story of getting up the nose the next day, running away from home, running on the road, etc., writing something full of imagination to make it difficult to use logic to infer. However, I went to Russia for ten months and found that Russians value the reality and don't trust the things about imagination. But even so, even if they don't really believe what he wrote, they still admire Gogol. Works. Reflected in their film works, there are also many Russian creators who continue to shoot imaginative works." And these imaginary worlds - whether they are played between frames or pages, "I actually believe These worlds also feel that these worlds have a certain meaning." 2018 Taipei Film Festival's expected work "Big Pepper Doctor" | Mizoguchi Kenji | 2018 Taipei Film Festival "Classic Reappearance". Pingzheng was demoted in violation of the imperial order to relieve the victims. His wife Yumu took his son, the cook, and his daughter, Anshou, but was deceived by the traffickers. The brothers and sisters were sold to the doctor...

The creator picks up the film | "The movie, let my inner beast break free", musician flange

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At the beginning of the 2018 Taipei Film Festival, Polysh invited several creators who love to watch movies in the fields of writing, music and performing arts to talk about their "movie love" and share how they "watch movies." A soft and whispering whisper, the girl's heartbreak and fascination, like the overtones on the music sheet, the neon and the moonlight, reflecting the city's seemingly absurd, no name grief. The vocal line of the Flange singer's lead singer always makes me feel that it is liquid. It sounds soft and invisible, but it always covers the ears and the bottom of my heart. It makes the sorrow even sad, but it is also blurred. Such poetry is also damp; a first piece of work is ultimately a love song - a wet love song dedicated to the city and sensitive souls. The lyrics and melody of the resonance in the works fluctuate, and Frank said that it is deeply influenced by the plot transition and visual feeling in the film; she is also engaged in the film soundtrack cooperation recently, sharing with us how the film let her release and understand I am, and this year's Taipei Film Festival, there are several works she is looking forward to. Every time I dropped myself in the movie and went to another life from the perspective of the protagonist, after crying or laughing, I came out and felt more lonely and more understanding of myself. The feeling of being lonely and free, there is the ease, loneliness and happiness that can't be said. Flange, music creator, lead singer of the Frandé French Orchestra. The enchanting temperament in the character makes Frandé's music wandering in a foggy, unpredictable time and space. Every time I dropped myself in the movie and went to another life from the perspective of the protagonist, after crying or laughing, I came out and felt more lonely and more understanding of myself. The feeling of being lonely and free, there is the ease, loneliness and happiness that can't be said. Flange, music creator, lead singer of the Frandé French Orchestra. The enchanting temperament in the character makes Frandé's music wandering in a foggy, unpredictable time and space. Flange, music creator, lead singer of the Frandé French Orchestra. The enchanting temperament in the character makes Frandé's music wandering in a foggy, unpredictable time and space. Every time I dropped myself in the movie and went to another life from the perspective of the protagonist, after crying or laughing, I came out and felt more lonely and more understanding of myself. The feeling of being lonely and free, there is the ease, loneliness and happiness that can't be said. "Movies, like music, are the medium for my inner beast to break free." "I like to watch movies and prefer to go to the movies alone." The interview began with a direct and naked confession of Fran, showing the impact of the film on her. That even took a movie about her "privacy." "I often feel that life is like a series of continuous animal training, taming with the inner beast, learning to be patient, understanding, and assimilation." The movie is likened to the moment of "letting your inner beast break free." Lan, the process allows a certain part of itself, even the unknown itself, to be released. If there are various occurrences of reality, joys, sorrows, and frictions, it is a training process of growth and socialization. There are always some people who are eager to control, but they may have to be careful because of the expectations of others. The creator who wanders between the melody and undulations, the fringe counts the corners of his eyebrows in his life. "In the ordinary life, creating and producing, often pay attention to and measure many small details." Facing reality In her own way, she is also like you and me, more or less, or when there is repression. And "watching movies" - just because movies are the hard work and creation of others, "but instead investing in other people's creations, you can breathe in a big mouth, release the inner, feel amazed, let go of tears, or sleepwalking for a while, don't need to fear yourself. How deep is it." In the cycle of day-to-day, leaving it for a while, it seems that by always exploring the life of another person, "it can be truly in a state of being completely out of touch with people in real life." Know yourself.” The process is not only emotionally resonating, “sometimes intoxicated, giving up the process of self; sometimes it is learning.” It triggers new thoughts and emotions, is transformed into its own nutrients, and even Occasionally bring the courage or encouragement of the flange. In terms of its own creation, the image and sound flow of 24 frames per second in the frame, its influence is invisibly projected on the bottom of the flange, becoming the way she expresses and explains the concept to others. "The scene or lens scheduling of a movie often becomes a way for me to explain the direction of a song to a member or partner. Later, I feel that it creates another difficulty (laughs)! Because of the film, video and lens language, it is another Hard learning.” I admit that I was deeply influenced by the visual feelings and plot transitions in the movie. “In the past, I was always jokes when I was interviewed.” I hope that there is a fog and a feeling of embarrassment. Then it seems to be far away. Illuminated the fire, the bigger the bigger, the more irrational requirements of "the sound of the stars", etc." Frank explained with a smile. According to his works, he can find out the clues in the gentle and sensitive narrative tone, or the ups and downs of the lyrics. When I fell in love with the movie, "Dream" talked about the time when I fell in love with the movie. Flange was impressed by the "Dream" directed by Akira Kurosawa. In retrospect, it was actually when she was young and watched with the adults. "The first time was a bit ignorant, and I don't know if I fell in love, but the amazing feeling is indeed unprecedented. The fragment of "Fox Marrying Daughter" brings me a strange feeling. I have been unable to forget." Flang recalled. Such a surprise impression comes from the mysterious atmosphere in the movie "Fox Marrying Daughter", accompanied by quirky temperament sounds, and even with a "taboo"; "It is also a bit like listening to Massive Attack "Teardrop" for the first time in life. The sense of shock," Fran explained, "a first glimpse of the world in which you live, another world of different dimensions." As I grew older, I was still shocked and still deeply influential, even indirectly affecting the works of Fran. "I have never forgotten it. When we were doing the arrangement of Tautology, a few years ago, I mentioned it. This recollection; I hope that the atmosphere of this picture and plot can help the members to imagine the direction of this song." 2018 Taipei Film Festival's expected work "Who First Loves Him"|Xu Yuting, Xu Zhiyan|2018 Taipei Film Festival "International New Director The contest and the "Taipei Film Award" were shortlisted. Liu Sanlian and her life are full of drama. Her son's comment: "It is a pity that she does not go to Hollywood!" Three years ago, her husband left home and her husband died 95 days ago. Liu Sanlian discovered the beneficiary of her husband's insurance, even from her son. It became a man named Ajie. Angry Liu Sanlian had to take her son and her Oscar-level acting skills to go straight to Ajie’s home and stage a tragedy of orphans and widows. But the man named Ajie had a sinister heart under the beautiful appearance. Even the dead skinned face was mad and stupid from the beginning to the end, so that Liu Sanlian of this side of justice was angry and collapsed, and he also robbed his husband’s insurance money! The first is "Who First Loves Him" ​​and "Sakamoto Ryuichi: The Final Chapter." Home-made comedy is one of the types I like very much. The Taiwanese work "Who loves him first" from the insurance claims is certainly not to be missed! And "Sakamoto Ryuichi: The Final Chapter", I have always liked the work of Sakamoto Ryuichi, and the recent "Furious" movie soundtrack is also his work. ...

The creator picks up the film | "Movie, in ordinary life, where the miracle happens", writer Chen Dezheng

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At the beginning of the 2018 Taipei Film Festival, Polysh invited several creators who love to watch movies in the fields of writing, music and performing arts to talk about their "movie love" and share how they "watch movies." Recording a roll of old-school and old-fashioned Mixtape, using words and vocabulary; the moments in the translation memory are still bright or moving, and then echoes in the reader's mind. Chen Dezheng, rewriting the 90s with words, transforming the music context into a vein of self-growth; there are youthful adventures, softness and anxiety between the lines, each note is full of affection, and then there is something wrong with the personnel - or rather, Homesickness, that is dedicated to growth, but also to himself. Repeatedly playing and repeating each page of the songs, and actually found a scene of the movie, "watching movies, ritualistic." In addition to the original music, the film is also a climax in his self-publishing youth. This time we talked with him about how the film's media influenced his writing; and this year's Taipei Film Festival, what other works he expected. Movies, like the places where miracles happen in ordinary life. In the 90 minutes to two hours, the storyline and time are condensed, and it is almost more exciting than most of my own life and what will happen. It is a time-compressed art, a magical medium between reality and dreams, and the director is the creator of the world, creating a roundabout framework. In this frame space, the actors walked in, accompanied by the sounds heard in this space - film music. Chen Dezheng, Department of Radio and Television, Zhengda University, Master of Media Studies, New School, New York. People who write, usually listen to music, watch movies, and go through several places. He is the author of "To all the tomorrow's gatherings", "Meeting in the distance", "The moment we say goodbye". Movies, like the places where miracles happen in ordinary life. In the 90 minutes to two hours, the storyline and time are condensed, and it is almost more exciting than most of my own life and what will happen. It is a time-compressed art, a magical medium between reality and dreams, and the director is the creator of the world, creating a roundabout framework. In this frame space, the actors walked in, accompanied by the sounds heard in this space - film music. Chen Dezheng, Department of Radio and Television, Zhengda University, Master of Media Studies, New School, New York. People who write, usually listen to music, watch movies, and go through several places. He is the author of "To all the tomorrow's gatherings", "Meeting in the distance", "The moment we say goodbye". Chen Dezheng, Department of Radio and Television, Zhengda University, Master of Media Studies, New School, New York. People who write, usually listen to music, watch movies, and go through several places. He is the author of "To all the tomorrow's gatherings", "Meeting in the distance", "The moment we say goodbye". Photography/ Li Yingxia. "Movies, like in ordinary life, where miracles happen." "The vast majority of us, including those who create movies, usually brush their teeth, wash their faces, do things, go out, and spend the same day every day. In the pace of the pace." As a creator of writing and living, Dezheng admitted at the beginning that the writer's life is actually extremely monotonous and boring; however, within two hours of watching the movie, it can make people enter the ordinary Different worlds, "People can fall freely into the market, regardless of the consequences, but feel safe. For example, temporarily withdraw from the usual triviality and transfer to another time and space, and this time and space is created by a group of people. Recalling the new book "We Say Goodbye" in the German government, he described the film and the film festival as "ceremonial" activities; all this should start from his student days. As a literary youth in the 1990s, "Running Film Festival seems to be the only way for a young artist to develop in my time. (Laughter)." Life experience tells us that there are many uncertain things about the future, including ourselves and others. "But there are certain "ceremonial" activities that will make people feel that the world is operating in a certain order or track. The so-called "ceremonial" is a kind of peace of mind and has an inner kind. The feeling of order; the way it is to run a film festival or watch a movie, you perceive the passage of time, and also confirm that certain things are relatively absolute." The fun of running a film festival is not just watching the movie itself, but this Who you met in the process, and then discovered that those who may know or not know meet each other at this time of the year - perhaps called a fate or tacit understanding. As the year has passed, some people have also been found to leave; they may go abroad, may be older and no longer run a film festival, but there will always be new audiences to join. It is a sense of privacy or intimacy between a group of people who do not know. The most interesting thing about watching movies is that "the audience knows that it may be a "recreated reality" or a group of people performing; but when you are sitting in a movie theater, you believe that it is true. It is not Dream - you know clearly and can distinguish, but it is presented in a state of dreams (of course, the documentary is another matter). It is a kind of resistance, resisting boredom, ignorance and sometimes resisting lies." It is "reality of re-creation", how can it resist lies? "The film is a lie art of 24 grids per second, in order to serve the truth." This is what the director Michael Haneke said." Dezheng explained, "The 24 grids are all lies, but the lies exist for the truth. Look at the director how to shoot. Even if all are carefully designed, but in the end it is to present some kind of feeling, "Ah! The days I lived seem to be like this scene." The so-called "everyday" in those frames, via The design, in turn, causes the viewer to resonate with some familiarity.” Combining sound, video, and plot, the highest-end work that triggers thinking and wraps the senses, as Flaubert said: “The author should be like the universe in his works. God. He is omnipresent, but there is no trace to find." In the frame to shape a world without revealing traces, the director's sense of existence is not so strong, for the German government that is the highest realm of the creator. As far as his own creation is concerned, watching a movie can not only temporarily escape the boring life, but also the medium in which he draws inspiration and triggers thinking. "In terms of the nature of creation, writing is the same as film, but the media is different. The film creates a wonderful world in a boring life, and the writer is also." There is actually a subtle resonance between the two. Writing is the reader through the author. The text is to think, and then come back to think about the text itself; "The film is the medium that triggers thinking. The audience thinks through the image, but they can think about the image itself." The connection between the creation and the story in the film is irrelevant. "This story is not necessarily limited to the script. It does not have to have a clear transition, a confession or an ending. It may be conveyed by the aesthetics of the image itself. It is an unspeakable, but the audience can definitely do it." "What?" Take Hou Hsiao-hsien’s work as an example. Dezheng explained, "There is no clear plot of his work, but the more abstract, the audience can still grasp. It is not necessarily the dialogue. It may be that the movements and arrangements of the two screens can actually create an effect that is intended to be out of the way." And if the sound in the movie is discussed from the same angle, "the song or the melody works well, view The film experience will add a lot of points, just like telling stories with lyrics." Like "Blue Boy in Moonlight", "At the end of the scene, two people met, one of them had a "Hello Stranger" in the restaurant's jukebox, no words. Conversation - I think everything they want to pour on each other is in this song. Telling a story with a song, without dialogue, is more roundabout, but at the same time has a melody." The moment of the movie, "The Last Emperor" and "The City of Sadness" Because I grew up in the family of "watching movies for family activities", especially my father is very passionate about movies. "Remember my dad said, "If the university entrance exam is a test Hollywood stars and the name of the movie, I should be able to go to the stage." (Laughs) "The timing of the contact between the German government and the film is earlier than most children of the same age." In 1988, "The Last Emperor" was released. "I was only 9 years old at that time! The story is still vivid in the present. Now I don't even feel that I am watching a movie in the theater, but sitting in a world of disintegration. On the edge, staring at the funeral." Looking back at the plot of "The Last Emperor", my heart is still moved. "In the beginning scene, Pu Yi was still a child. He just put a cockroach in the small box next to the dragon chair; After the ups and downs, he was manipulated by Japan as a burly regime. After the CCP became a political prisoner, he became a political prisoner. He changed from a last emperor to a prisoner. Finally, he resumed his civilian status and participated in a tour of the Forbidden City. The Forbidden City became an attraction. When the other members went forward, Pu Yi secretly climbed to the dragon chair, the box was still there, and the lid was opened, and the dragonfly was still alive. Even though the German government was only a child, he understood the indescribable vicissitudes of life. A cockroach, time is folded, and what you think is impossible to happen, let you see what you are watching now. We know that it is locked in

The creator picks up the film | "The essence of life is the most exciting movie", photographer Zhang Wei

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As the 2017 Taipei Film Festival is about to begin, Polysh invites several creators who love to watch movies in the fields of writing, music, performing arts and photography to talk about their "movie love". One day a creator picks up the film and shares how they "watch the movie." Also in image creation, the relationship between film and photography is very close, and even affect each other. Photographer Chang Chang, who has lived in Eastern Europe since 2003, is currently based in Slovenia on the Balkans. With a deep humanistic story and people's status in different environments, he has been working and living in Taipei and Europe for a long time. He continues to collect stories in words and images. This year’s latest photo collection, “The Escape Scene on the Back of the Moon,” was the first time that the refugees crossed the border in Europe in 2015, Zhang Wei went to the border between Slovenia and Croatia, and near the center of the refugees in the Slovenian-Austrian border. Distance image record. This time, I was even more fortunate to invite Zhang Wei to talk with us about how I walked into photography from the very beginning of the film, how to see the relationship between the two, and my love for the film. The essence of life is the most exciting movie. The movie has 20 grids per second and 24 hours a day. If the person's life is converted into a negative film, it can be 24 circles around the earth. Everyone chooses to perform their own movies in their own way. Zhang Chang, who has lived in Prague, Czech Republic since 2003, is currently based in Slovenia on the Balkan Peninsula. Focusing on the marginalized people ignored by the mainstream society, Zhang Wei successively photographed the largest psychiatric hospitals in the whole of Central Europe, the country hunters, the traditional Czech circus, the Hungarian Gypsy village, the Czech A film industry and so on. At present, Yu Xuexue has performed a solo exhibition of "Left Atrium Right Ventricular", exhibiting nearly 300 works in Europe and Slovenia, in the 14 years of living in Europe. Photography © Xiaotian / 阮玺张雍 Simon Chang, who lived in Prague, Czech Republic since 2003, is currently based in Slovenia on the Balkans. Focusing on the marginalized people ignored by the mainstream society, Zhang Wei successively photographed the largest psychiatric hospitals in the whole of Central Europe, the country hunters, the traditional Czech circus, the Hungarian Gypsy village, the Czech A film industry and so on. At present, Yu Xuexue has performed a solo exhibition of "Left Atrium Right Ventricular", exhibiting nearly 300 works in Europe and Slovenia, in the 14 years of living in Europe. Photography © Little days / The essence of life is the most exciting movie. The movie has 20 grids in one second and 24 in one day...

The creator picks up the film | "The movie is deep, but it is actually talking about your heart." Theatre actor/writer Deng Jiuyun

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As the 2017 Taipei Film Festival is about to begin, Polysh invites several creators who love to watch movies in the fields of writing, music, performing arts and photography to talk about their "movie love". One day a creator picks up the film and shares how they "watch the movie." Deng Jiuyun, from her figure on the stage, or a realistic, soft pen, saw a slow and firm female figure in the city; as a theatre actor who also wrote as a writer, she was still naked and monologous but still with There is a "performance" way to analyze the delicate emotions between people and people - just like a comb that combs thousands of hairs on the top; when performing and writing, slowly combing, really close to the free floating thoughts With emotion, trying to open a knot; after combing, it will be smooth. Slowly, but surely. It is a bit dangerous to show yourself to a strange audience and readers in such an intimate way. However, she believes that this is a "mission" for her as an actor/creator. "The movie is deep, but it is actually talking about my heart." Because it was touched by her words shared on Facebook, this time we talked with Jiuyun, how do she "see" how the acting is closer to the general public? "The movie"; and this year's Taipei Film Festival, there are several works she is looking forward to. Watching movies is as natural to me as three meals a day. Different types of works are like different eating habits, oriental tastes or Western dishes, which bring different feelings. For the average person, the movie may be just a pastime or leisure. But because I have confirmed that what I want to do now is performing arts, so for me, movies are a nutrient. Deng Jiuyun, an actor and writer, is the author of "Litte Notes" series, "My Actor's Diary", "Going to Dance", "The Temporarily Unable to Place". Deng Jiuyun, an actor and writer, is the author of "Litte Notes" series, "My Actor's Diary", "Going to Dance", "The Temporarily Unable to Place". Watching movies is as natural to me as three meals a day. Different types of works are like different eating habits, oriental tastes or Western dishes, which bring different feelings. For the average person, the movie may be just a pastime or leisure. But because I have confirmed that what I want to do now is performing arts, so for me, movies are a nutrient. Deng Jiuyun, an actor and writer, is the author of "Litte Notes" series, "My Actor's Diary", "Going to Dance", "The Temporarily Unable to Place". "The movie is deep, but it's actually talking about your own heart." It's the same way of watching movies, reading and watching theaters. It's the same thing for me." Jiuyun, who ingests three meals, regards movies as a diet closer to life than entertainment. "For the average person, the movie may be just a pastime or leisure. But because I have confirmed that what I want to do now is performing arts, so for me. Movies are a nutrient." Perhaps because the habits I watch may be strange, or perhaps from my multiple identities, so the angle of entry is different. Watching a movie, no matter what kind of movie, no matter how good or bad, I always look at the part of what I can get. During the interview, Jiuyun’s words are always reminiscent of the late writer John Berger’s book in The Way of Watching. “We only see what we are watching. Gazing is a choice.” In the "gaze" of the cloud, her way of watching movies is very close to her experience and mission. From models, TV, to the UK to learn to perform, drama, and then put yourself in the stage theater and writing, the nutrients of the film is not only the moisture of life, but also the source of creation. "When I first started writing scripts, I clearly understood that I was trying to share it with the text I am best at, making it a story. Over time, I hope that these things can be presented in images or stage plays. Let the audience and the actors resonate, not so close, close to the real life, the story of human nature, these have become her challenges in the creation of text and script. Therefore, when she was watching a movie, she focused on the plot. "It is about discussing human nature, affection, and love. Usually such a movie work, whether it is a worldly imagination - even if it is sometimes because of culture, the audience may be jealous - or It is a kind of challenge that the actor puts into the emotions and thoughts of the work itself." "As such a creator, you must go through some things, not let yourself be too comfortable (laugh), try to keep Thinking. Watching movies in this way is more because of her conscious "mission". "The mission of the actor is to let the soul enter his body. "Real emotions" are very important. What many actors pursue is like The moment of "the soul comes down." It is like being possessed by a character, reaching a state where a nightmare wakes up and everything is happening. This is a real moment, but it is also very painful because I feel deeply in myself. Being hurt." For her own sake, it is because of the time, emotion and life that are devoted to it. The process is actually hard and even painful. "When I create, my heart will remember these nutrients for watching movies, reading, and theater, and gradually accumulate and transform them." Different types of works are like different eating habits, "but whether it is oriental or Western cuisine. These will bring different feelings. Sometimes I walk into a movie theater or a DVD rental store. Even if I don't know which one I want to pick, I know exactly one direction: "I want to watch American movies today." "I want to watch a love movie today" (laughs)." She is seen in almost every type of film. In fact, in addition to her artistic works, she also watches a lot of commercial-oriented or Hollywood movies. The film works with high completion are actually very envious. A film with a high degree of integrity, the beauty of the character is not only externally presented, but deeply touched the heart, and these are in addition to the efforts of the actors. The result of the joint efforts of the director and photography, lighting, etc.. Self-deprecating is hard to realize how the "bad" in the movie happened. Her work has her own thoughts. "The work that usually completes a high degree of work, light and shadow is very good. I have been very interested in photography in recent years, and I found that in the movie, light and shadow plays an important and even the key to everything. - They can bring out the soul, and the film is also recorded by the light. How the director finds the character in the light, to some extent, shows how she/he loves the character, and there must be a deep emotional connection to the work." Fall in love with the movie The moment, "The Wish of Little Sun" "The first time I fell in love with a movie is an animated cartoon (laugh)!" Looking back at the impression of the first movie, Jiuyun couldn't help but laugh. "I really like Miss and Rogue. ", I bought a videotape at that time, and I was very impressed. Because I didn't like watching TV dramas and cartoons since I was a child, but this really made me sit in front of the TV and stared at the screen. It was about 90 minutes. The animation has brought me a lot of influence. In fact, almost any animated film is released now, I will go to the cinema." Until the middle school period, the teachers watched and shared and watched the North African DVD. "Gone with the Wind", "I am very fascinated by the female image inside, there is a kind of "Tian A! How can they make a woman so beautiful." Before that, Jiuyun also saw a lot of oriental screens in the movie screen. Women, "They are also very beautiful, but there is always a distance between the beauty, it seems that it is not related to themselves. But the women of these two movies have made me want to be "similar" to them, a little yearning. Even if the plot is not remembered, Jiuyun still remembers the kind of "beauty"; "It may be a bit like the age of mothers, and the yearning for actors Lin Qingxia and Maggie Cheung (laugh)!" The switch of the horror film, "I am crazy watching horror movies, ghost films, and only watching the East, like Japan, South Korea, Thailand, almost all the horror movies, until I saw a Thai "Ghost" When I was scared, I would never dare to continue watching. In the process, Jiuyun did not interrupt other types of art films, but the impact was not as big as the ghost film. When it comes to the work that I will keep revisiting, "Must be the director Jonathan Dayton and Valerie Faris's "The Wish of Little Sun"!" This movie is an opportunity for her to start to know and fall in love with the Japanese Dance Festival. "I liked the selection of the works that were selected by the Japanese Dance Film Festival. I thought that the screenplay of this film festival was very good. I found a movie that I liked very much. And "The Wish of Little Sun" is even low cost, but the script Very complete and very good film - simple, witty and funny, but very moving, and which has intriguing meaning, unforgettable." It even opened her ideals and goals - "If I I can write a script like this in my life, then I really have no regrets in my life (laughs).” The 2017 Taipei Film Festival is looking forward to the work of Manfi. I am very interested in this film. Although modern dance does not seem to have a specific rule, it actually touches some part of my heart. The first is "Manfi." I am very interested in this film. Although modern dance does not seem to have a specific rule, it actually touches some part of my heart. "Manfi" | Chen Huaien | 2017 Taipei Film Festival closing film, "Taipei Film Award" documentary shortlisted. Photography / Liu Zhenxiang, provided by Yunmen Foundation. Luo Manfei, who danced from college, went to New York to study modern dance, returned to Taiwan to train young dancers in the dance department, served as the second director of Yunmen Dance, and then set up a dance group in Taipei. Her modern dance is unique, Tao Li and the world dance everywhere. "In order to let more people jump, she created many large-scale dances for students." At the end of her illness, she was still in the final dance of the rehearsal. It was both a white snake and a black swan. The dance dress faded from black to gray. In the blockbuster "Elegy", she had been solitary and spinning. Following the second literary documentary, Chen Huaien directed the dance documentary, presenting his reluctance and call to the early death of the Roman dancers of Luo Manfei, telling her life of literature and dancing. "29+1"|Peng Xiuhui|2017 Taipei Film Festival "Asian Festival". Lin Ruojun, the life is well-managed, the successful women in the workplace, when the age of 30, everything is gradually out of control; Huang Tianle, life seems to be no margins, no way out, the round figure is always full of smiles. Two Hong Kong mature women left to join another life because of a move and a diary. Adapted from the stage play of the same name, the director's first feature film from the theater cross-border, depicting the history of Hong Kong pop culture in the 1980s and 1990s is a tribute to the times and a memory. The second is "29+1" and "Johnny Keck". "29+1" was originally a stage play, and it was directed by Peng Xiuhui, who was self-directed and self-directed. So I have already known some information about this movie since last year. Plus the director is a bit like my background, so I wonder how she transformed the script of the stage play into a movie. I see this work instead of being an actor, but how the director adjusts. Because the stage play can only be displayed linearly, but the movie can reproduce the plot of the past through the splicing, etc., so the way of telling the story will be completely different, and it is curious how she will dispatch. The plot is about two girls who are 30 years old, so they seem to resonate with themselves. "Johnny. Keck is a bit curious about director Huang Xi, because she was the director of Hou Hsiao-hsien, this is her first feature film, full of expectations. ...

The creator picks the film | the film, the gravity of the old ideas and values, The Big Issue editor Li Take

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Interview, author / Alice Chan, Pan coincides with the upcoming 2017 Taipei Film Festival, Polysh invites several creators who love to watch movies in the fields of writing, music, performing arts and photography, to talk about their "movie love" "." One day a creator picks up the film and shares how they "watch the movie." You may not be familiar with the name, but you may not be unfamiliar if you talk about the human magazine, The Big Issue Taiwan, which he led and sold to street friends to help street friends. More or less, we have all bought one at the MRT station entrance or exit, or the crowded business district. Starting from the Internet, I created the music editor. The editor-in-chief of the magazine "Dazhi" since 2010, the magazine theme of the May issue is an extension of "movie", inviting many filmmakers and writers to Writing style talks about the classic movies in the heart; in the era of the newspaper industry's yearly decline, the recent creation of the art and life newspapers - The Affairs "Weekly Collection". This time we talked to him about the role of the film in his life; and this year's Taipei Film Festival, what other works he expected. Movies sometimes play a role of "change" in thought and emotion - after all, certain experiences are not really experienced in everyone's life; but at least through the film, the filmmakers seem to have experienced similar Emotions and plots may feel a little different value and cultural impact. Slowly, when we look back at the collisions and ideas brought about by a movie, we are also thinking about the old values ​​and logic. Li Takezhong, editor-in-chief of The Big Issue Taiwan "Dazhi", a recent new creation of the art and life newspaper - a media belonging to the Mars generation - The Affairs "Weekly Collection". Li Takezhong, editor-in-chief of The Big Issue Taiwan "Dazhi", a recent new creation of the art and life newspaper - a media belonging to the Mars generation - The Affairs "Weekly Collection". Movies sometimes play a role of "change" in thought and emotion - after all, certain experiences are not really experienced in everyone's life; but at least through the film, the filmmakers seem to have experienced similar Emotions and plots may feel a little different value and cultural impact. Slowly, when we look back at the collisions and ideas brought about by a movie, we are also thinking about the old values ​​and logic. Li Dianzhong, editor-in-chief of The Big Issue Taiwan "Dazhi", a recent new creation of the art and life newspaper - a media belonging to the Mars generation - The Affairs "Weekly Editor". Movies sometimes play a role of "change" in thought and emotion - after all, certain experiences are not really experienced in everyone's life; but at least through the film, the filmmakers seem to have experienced similar Emotions and plots may feel a little different value and cultural impact. Slowly, when we look back at the collisions and ideas brought about by a movie, we are also thinking about the old values ​​and logic. "Movies for me play the role of "the real world you have not experienced, but it is true that other corners may be happening"" "I don't care about the frequency or the number of times, usually watching the subject of interest, and it is certain. The work to be seen in the cinema." From the very beginning, it is straightforward to say that "quality" does not emphasize "quantity". For Li Takenzhong, pay attention to the picture, sound and light effects, scene design, or large-scale production biased towards "epic" It is the factor that allows him to enter the cinema; for example, "Interstellar Effect", "The Lord of the Rings", etc. "If you do not watch through the big screen, there will be differences in the feelings and impacts brought to us." / Media people, compared to the limitations of specific areas, types or forms of viewing, "the habit of watching movies, reading, listening to music is actually full of things like me, more like "omnivorous food." The taste is reflected in his habit of making magazines; although he does not chase specific directors, he still mentions his love for Wang Jiawei and Krzysztof Kieślowski's works, "especially red. White trilogy, there is an actor Julie Delpy (laughs) that I like very much." Like the general viewers, he enters the cinema and most of them enjoy it with a relaxed and happy mood. "This kind of mentality is very good. This kind of In the state, the viewers can bring themselves into the film more easily.” The reason why people shape their own observations, values, and ways of thinking about the world are long-term accumulation from life. Education, school, media, experience, and their own ideas for things are slowly shaping. Most of them may not be called "belonging to themselves" at first, but they are not their own opinions, but are given; but once they are established, it is very difficult to be broken. Breaking or changing usually only happens when you encounter certain events in your life experience, and you have different ideas about certain things and issues. For me, the film sometimes plays a role of "change" in thought and emotion - after all, specific experience is not really experienced in everyone's life; but at least through the film, into it, watching It seems that they have experienced similar emotions and plots, and may feel a little different value and cultural impact. Slowly, when we look back at the collisions and ideas brought about by a movie, we are also thinking about the old values ​​and logic. In life, it plays a medium of relaxation and enjoyment. The film actually profoundly influences and impacts our ideology and the way we watch the world. "Long-term watching movies in this form will be like reading. There are subtle effects. Some things are in the present, maybe we can't understand them intuitively, or feel the changes that are brought to ourselves; but after reading them, or after some time, think back to some of them, Concepts, pictures or ideas actually change our thinking patterns and values. Therefore, for Li Takenzhong, movies are a medium that can be easily enjoyed, but at the same time they also play the "real world, you have not experienced, But it is true that other corners may be happening, a kind of change in life and even the impact of life. "Books are extended by text, and the film tries to revisit the scene, so that the viewers can feel more deeply." Following his writings on "Dazhi" in each issue, it is not difficult to find In the middle of Lee’s mouth, the influence of the film’s “submattering” is how to ferment on him. He believes that film, reading, and music are equally important. They are the source of ideas, but they are different in form. "In a way, writing and film are different but they can echo each other." The moment of falling in love with movies: From "Spring Rain" Going to "Fighting Club" Self-deprecating Because I can't clearly remember what happened before, Lee took it and said that it is difficult to recall the moment when he fell in love with the movie. "But it is also good. The same movie is repeated many times. Come to me. Said to be a new experience (laughs)." In the case of repeatedly watching the same movie, he can also compare his own observations and preferences for specific things. "Impressive movies, like the recent ones should be "Key Minorities"; a little longer ago, "Spy Shadow Action." "Disc Action", describing the story of the intelligence officer during the Cold War, Lee took the film in the movie. The atmosphere is very fascinating. If it is a movie that I have always loved, "The Fighting Club!" Li took it immediately; "The first rule of the Fighting Club: "You don't talk about the Fighting Club."" Not only is the line full of public opinion Impressed, the role of split personality has extended a fierce plot, and it has also struck the senses and consciousness. "This work reflects the perception of the social environment - it is very anti-institutional, anti-social, even anarchic. Thinking is very sharp." When it comes to encouraging young people or students to see, Robin Williams plays the role of a teacher who leads the poetry club. "I am deeply impressed by the fact that he stood on the table. "Standing on the table is to remind us that we must always look at things from different angles and perspectives." Or take the students to the courtyard and ask the students to walk. In the end, they will find that the pace of these students gradually becomes the same. Through these bridges, we will discuss "constrained psychology" and "seeing things." With a less typical teacher image, we watch him guide and train. The ability of students to think independently, but while thinking about themselves, they are awakened. 2017...

The creator picks up the film | "If our life is a movie," musician Chen Huiting

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As the 2017 Taipei Film Festival is about to begin, Polysh invites several creators who love to watch movies in the fields of writing, music, performing arts and photography to talk about their "movie love". One day a creator picks up the film and shares how they "watch the movie." Chen Huiting, you started to see her from Tizzy Bac, a band with a black humor and a little nervousness. From the solo album "21 grams", I used a delicate female writing to get to know her more deeply. In her mouth, the lyrics that claim to be "the grievance system" weave a gorgeous plot of the scene; the words full of narrative, frankly written inspiration are drawn from literature and film works. This time we talked to her about how the film's media made her "grievous" in her creations; and this year's Taipei Film Festival, what works she expected. If each of us lives in a science fiction movie, then "time" is the biggest villain in the movie, a villain. We started from birth, because of this linearity of time, we have begun to go to the end of the story, to the destined ending of the anti-reverse role. Chen Huiting, the creative musician, is the lead singer of Tizzy Bac. Since 2014, two personally created albums, 21g and Adult World, have been released, presenting a gorgeous and psychedelic music country with an electronic pop style. Chen Huiting, the creative musician, is the lead singer of Tizzy Bac. Since 2014, two personally created albums, 21g and Adult World, have been released, presenting a gorgeous and psychedelic music country with an electronic pop style. If each of us lives in a science fiction movie, then "time" is the biggest villain in the movie, a villain. We started from birth, because of this linearity of time, we have begun to go to the end of the story, to the destined ending of the anti-reverse role. Chen Huiting, the creative musician, is the lead singer of Tizzy Bac. Since 2014, two personally created albums, 21g and Adult World, have been released, presenting a gorgeous and psychedelic music country with an electronic pop style. If each of us lives in a science fiction movie, then "time" is the biggest villain in the movie, a villain. We started from birth, because of this linearity of time, we have begun to go to the end of the story, to the destined ending of the anti-reverse role. "If each of us lives, it is a movie." "Movies, reading, and music are all important to me. They are the window where I know and watch the world - physically and spiritually." Chen Huiting, who loves movies, enters the cinema at least twice a month. "There is no need to watch movies like DVD/MOD, etc." The movie is likened to a "image-based understanding of the world", although it is itself The input is music creation, but for her, "the film itself is a multi-faceted creative genre", which is a database for her accumulation and inspiration. In this huge database, she explores themes, details, emotions, and techniques. In life, "the popularity of movies, I think movies in my life are as natural as eating and exercising." With the existence." As far as creation is concerned, the stories circulating in the movie frame are often the subject of Hui Ting writing the lyrics again. Whether it is a work created from movies or literature, such as "Beautiful New World", "Chinese Flowers in Blossom" and "Invasion of Skin", the Chinese theme song "My Courage" and "Island of Time" And last year's "Tomorrow Project", which was built and carried out in a science fiction-like narrative structure. "Because of the movie, my usual thinking is very visual. For example, the writing of the lyrics also has a sense of picture, arranger. At the time, I often couldn't help but say, "Oh! This is a movie ending!"" It fits into the overlapping figures and emotions in the frame, such as poems and whispers like whispers, and is stunned with electric illusions. The melody of color and undulations stimulates a sad, soft and nervous soul. Let the novels of Tizzy Bac or Hui Ting bring a kind of fantasies to narrative and drama; the grievances and self-deprecation of life are caused by the words, such as the plot of the movie, to make the listener's heartbeat resonate with it. A love song is not just a love song, but also her reflection on life and emotional practice. When I fell in love with the movie, "Four Hundred Strikes" talked about the movies I watched as a child. In the growth process of Hui Ting, the golden age of Hollywood and Hong Kong movies was also indispensable. "When I was young, watching movies was just a show of fun. Remember very small and small. At the time, the first time I went to the cinema to watch the movie, the family took me to see it ("Journey to the West"!). I was so scared that I burst into tears, then dragged the adults to go home." Looking back at the memory The first time she saw the movie, she was "fear of the movie." Until the university stage, I participated in the course of French film appreciation. Under the guidance of the teacher, I watched many classic movies of the French New Wave. "This is how to "see" the movie - the original so-called "watching" movie means this!" But to be honest, the New Wave is often incomprehensible to me. But the film of that period will speak for myself. I only remember some of the movies that have deep impressions, not stories." Because of the contact with the French New Wave movie, Hui Ting began to sneak into the movie room of the school library. "The real love of movies should be "Four Hundred Strikes"! At that time, students were very keen on literary movies, and they went to a shop in Chongqing South Road to buy some hard-to-find art films. However, I don’t remember very well in the ages. "Laughs."" And really let her fall in love with the movie, it is Chu Fu's "Four Hundred Strikes". "At that time, watching "Four Hundred Strikes" is the time, not only in line with the identity of major subjects, but also through Wen Qing. The addiction is very impressive." "The picture of the boys in the last scene of the four hundred strikes is probably because of the classic relationship. I still remember it now (of course, it may be because it often appears on posters)." "Four hundred hits" impressive impression experience, Hui Ting reflects on the charm of video aesthetics in the film, "The movie is not necessarily a popular, everyone can understand, or a linear story. The image itself can cause The mind is inexplicable, often no less than words, or music that you love to listen to when you are young.” The 2017 Taipei Film Festival looks forward to the work of Manfi. At the beginning of the year, the release of "My Courage" single, the opportunity to cooperate with modern dancer Ye Wangzhou in MV shooting, has produced a very basic understanding and interest in modern dance, and also seen the performance of Yunmen Dance. Dance is a very moving art category for me; so I am very interested in the documentary about modern dance. I have seen Bina before. Bao Xu’s documentary was very touched. The first is "Manfi." At the beginning of the year, the release of "My Courage" single, the opportunity to cooperate with modern dancer Ye Wangzhou in MV shooting, has produced a very basic understanding and interest in modern dance, and also seen the performance of Yunmen Dance. Dance is a very moving art category for me; so I am very interested in the documentary about modern dance. I have seen Bina before. Bao Xu’s documentary was very touched. "Manfi" | Chen Huaien | 2017 Taipei Film Festival closing film, "Taipei Film Award" documentary shortlisted. Photography / Liu Zhenxiang, provided by Yunmen Foundation. Luo Manfei, who danced from college, went to New York to study modern dance, returned to Taiwan to train young dancers in the dance department, served as the second director of Yunmen Dance, and then set up a dance group in Taipei. Her modern dance is unique, Tao Li and the world dance everywhere. "In order to let more people jump, she created many large-scale dances for students." At the end of her illness, she was still in the final dance of the rehearsal. It was both a white snake and a black swan. The dance dress faded from black to gray. In the blockbuster "Elegy", she had been solitary and spinning. Following the second literary documentary, Chen Huaien directed the dance documentary, presenting his reluctance and call to the early death of the Roman dancers of Luo Manfei, telling her life of literature and dancing. The second is "Rock on the Road." I don't think much to say. First of all, it is the documentary of the rock band Wolf Alice. The work before the director is something that our young rock family must have seen. Since there are new works, of course you can't let go. ...